Tom Waits

Kevin Davis · Post by **Kevin Davis** » Wed October 25, 2017 11:16 pm

You people are bonkers, that album is great

Post by **Jorge** » Wed October 25, 2017 11:22 pm

I agree that it's great, it just sounds really weird

bodysnatcher · Post by **bodysnatcher** » Thu October 26, 2017 7:45 pm

i love lyric "Never saw my hometown 'til I stayed away too long"

Post by **epilogue** » Thu October 26, 2017 8:47 pm

bodysnatcher wrote:i love lyric "Never saw my hometown 'til I stayed away too long"

Strat · Post by **Strat** » Sun November 05, 2017 12:15 am

i fucking love "Tell Me" so goddamn much. So much.

VinylGuy · Post by **VinylGuy** » Fri November 24, 2017 4:22 pm

Those remastered albums are streaming.

Post by **Mike** » Fri November 24, 2017 6:22 pm

Well, Real Gone sounds completely different in this remaster.

Simple Torture · Post by **Simple Torture** » Fri November 24, 2017 6:24 pm

Mike wrote:Well, Real Gone sounds completely different in this remaster.

It's a remix too, yo.

Post by **Mike** » Fri November 24, 2017 6:28 pm

That explains alot.

contamination · Post by **contamination** » Fri November 24, 2017 6:50 pm

It sure sounds different

verb_to_trust · Post by **verb_to_trust** » Fri November 24, 2017 10:53 pm

Putting horns over the guitar solo in Hoist that Rag is pretty egregious. No interest in picking this up.

Strat · Post by **Strat** » Sat November 25, 2017 12:36 am

verb_to_trust wrote:Putting horns over the guitar solo in Hoist that Rag is pretty egregious. No interest in picking this up.

You.

Post by **Jorge** » Sat November 25, 2017 12:41 am

It makes sense for when Ribot goes back to playing the rhythm part, you know, how jazz players hand each other the lead, but having the trumpet draw attention away from Ribot's soloing is a weird choice. It creates a lot of dissonance and not in a very interesting way. I do like how it sounds near the end.

Strat · Post by **Strat** » Sat November 25, 2017 12:44 am

It just comes across as more noise that is unnecessary. Though, its nice to have a different version and interpretation of the song. There is still plenty of Ribot goodness throughout.

Post by **Jorge** » Sat November 25, 2017 12:46 am

Yeah. On second listen, it's not really dissonant, just overly busy

Strat · Post by **Strat** » Sat November 25, 2017 12:47 am

hearing "Sins of my Father" live was one of the greatest long moments of my life.

Strat · Post by **Strat** » Sat November 25, 2017 1:15 am

Dead and Lovely sounds amazing. The secondary acoustic guitar in the left channel has been boosted and its beautiful.

Kevin Davis · Post by **Kevin Davis** » Sat November 25, 2017 1:45 am

verb_to_trust wrote:Putting horns over the guitar solo in Hoist that Rag is pretty egregious. No interest in picking this up.

Same. I'm just not a fan of this sort of thing at all.

Strat · Post by **Strat** » Sat November 25, 2017 2:31 am

What "sort of thing" ?

It really doesnt change much of the song at all.

Also, overall, it sounds great. The entire record. This is how you re-mix and master a record. If you dont have the vinyl, and you want it, dont hold back because of some changes to hoist that rag.

its great.

Kevin Davis · Post by **Kevin Davis** » Sat November 25, 2017 2:39 am

Strat wrote:What "sort of thing" ?

This revisionist history-type stuff. Brendan O'Brien's "raw" remix of "Ten." Steve Albini's "new and improved 2013 mix" of "In Utero." It just feels like a pointless exercise to me. I'm good with the originals.

Red Mosquito

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