He needs to channeltree_ wrote:He needs to work on being Edward Louis Severson IIIbodysnatcher wrote:
Eddie Vedder trying too hard to be EDDIE VEDDER
Nailed it.
He needs to channeltree_ wrote:He needs to work on being Edward Louis Severson IIIbodysnatcher wrote:
Eddie Vedder trying too hard to be EDDIE VEDDER
Bi_3 wrote:He needs to channeltree_ wrote:He needs to work on being Edward Louis Severson IIIbodysnatcher wrote:
Eddie Vedder trying too hard to be EDDIE VEDDERKurdt CobainChris CornellLayne StaleyScott WeilandBilly CorganMark Lanegan.
Nailed it.
Lol you’re still hung up on that??Birds in Hell wrote:bodysnatcher wrote:Eddie Vedder trying too hard to be EDDIE VEDDERtragabigzanda wrote:Hmm, this is interesting. He definitely does swing for the fences more now on a syllabic basis.Birds in Hell wrote:I don't know, nothing forces Ed to come up with a vocal melody which is more appropriate for early 80s Brian Johnson. It's those sustained screechy notes in songs like Life Wasted, Can't Deny Me, World Wide Suicide, that tear his voice up and I can't think of anything equivalent in their earlier material.tragabigzanda wrote:My hunch is this is because the band is workshopping and tracking the songs in whatever key they see fit, and don't really have the patience to transpose it once Ed tries to sing over it and realizes it's not within his range; so then either he is able to pull it off for the studio cut, or they are -- gasp! -- just downshifting the track while he sings, then tuning it back up to its original key after he's laid his vox down.Birds in Hell wrote:We can only hope, but I'm not holding my breath just yet.Strat wrote:Perhaps now they will finally age gracefully.
I was listening to one of the South American shows yesterday and Ed sounds like he's going to explode when he's trying to screech out the beginning of Can't Deny Me, even though it's tuned lower than the studio version. It's bizarre, I don't think he struggles anywhere near as much with the older material (aside from Blood, maybe). It's only the songs they've written in the last few years which are ridiculously out of his range.
Songs like Dissident have high notes which Ed would occasionally stumble on, even back in the earlier days, but they seem less demanding overall as he wasn't writing melodies which forced him to hit high note after high note in a sustained way.
It seems like he's consistently writing vocal melodies which he simply can't sing, and probably couldn't have sung even when he was younger. It's a totally different approach to his voice, and one which seems crazily inappropriate for a guy in his mid-fifties. Is it a weird mid-life crisis thing?
I just thought it was an appropriate image to illustrate your post.bodysnatcher wrote:Lol you’re still hung up on that??Birds in Hell wrote:bodysnatcher wrote:Eddie Vedder trying too hard to be EDDIE VEDDERtragabigzanda wrote:Hmm, this is interesting. He definitely does swing for the fences more now on a syllabic basis.Birds in Hell wrote:I don't know, nothing forces Ed to come up with a vocal melody which is more appropriate for early 80s Brian Johnson. It's those sustained screechy notes in songs like Life Wasted, Can't Deny Me, World Wide Suicide, that tear his voice up and I can't think of anything equivalent in their earlier material.tragabigzanda wrote:My hunch is this is because the band is workshopping and tracking the songs in whatever key they see fit, and don't really have the patience to transpose it once Ed tries to sing over it and realizes it's not within his range; so then either he is able to pull it off for the studio cut, or they are -- gasp! -- just downshifting the track while he sings, then tuning it back up to its original key after he's laid his vox down.Birds in Hell wrote:We can only hope, but I'm not holding my breath just yet.Strat wrote:Perhaps now they will finally age gracefully.
I was listening to one of the South American shows yesterday and Ed sounds like he's going to explode when he's trying to screech out the beginning of Can't Deny Me, even though it's tuned lower than the studio version. It's bizarre, I don't think he struggles anywhere near as much with the older material (aside from Blood, maybe). It's only the songs they've written in the last few years which are ridiculously out of his range.
Songs like Dissident have high notes which Ed would occasionally stumble on, even back in the earlier days, but they seem less demanding overall as he wasn't writing melodies which forced him to hit high note after high note in a sustained way.
It seems like he's consistently writing vocal melodies which he simply can't sing, and probably couldn't have sung even when he was younger. It's a totally different approach to his voice, and one which seems crazily inappropriate for a guy in his mid-fifties. Is it a weird mid-life crisis thing?
Body Snatcher will get this.tree_ wrote:Bi_3 wrote:He needs to channeltree_ wrote:He needs to work on being Robert Louis Stevensonbodysnatcher wrote:
Eddie Vedder trying too hard to be EDDIE VEDDERKurdt CobainChris CornellLayne StaleyScott WeilandBilly CorganMark Lanegan.
Nailed it.
Shut uptragabigzanda wrote:My hunch is this is because the band is workshopping and tracking the songs in whatever key they see fit, and don't really have the patience to transpose it once Ed tries to sing over it and realizes it's not within his range; so then either he is able to pull it off for the studio cut, or they are -- gasp! -- just downshifting the track while he sings, then tuning it back up to its original key after he's laid his vox down.Birds in Hell wrote:We can only hope, but I'm not holding my breath just yet.Strat wrote:Perhaps now they will finally age gracefully.
I was listening to one of the South American shows yesterday and Ed sounds like he's going to explode when he's trying to screech out the beginning of Can't Deny Me, even though it's tuned lower than the studio version. It's bizarre, I don't think he struggles anywhere near as much with the older material (aside from Blood, maybe). It's only the songs they've written in the last few years which are ridiculously out of his range.
Vitalogist wrote:As a hotel manager, you can imagine the amount of beige I’ve seen in my career.
knee tunes wrote:Shut uptragabigzanda wrote:My hunch is this is because the band is workshopping and tracking the songs in whatever key they see fit, and don't really have the patience to transpose it once Ed tries to sing over it and realizes it's not within his range; so then either he is able to pull it off for the studio cut, or they are -- gasp! -- just downshifting the track while he sings, then tuning it back up to its original key after he's laid his vox down.Birds in Hell wrote:We can only hope, but I'm not holding my breath just yet.Strat wrote:Perhaps now they will finally age gracefully.
I was listening to one of the South American shows yesterday and Ed sounds like he's going to explode when he's trying to screech out the beginning of Can't Deny Me, even though it's tuned lower than the studio version. It's bizarre, I don't think he struggles anywhere near as much with the older material (aside from Blood, maybe). It's only the songs they've written in the last few years which are ridiculously out of his range.
Bi_3 wrote:Body Snatcher will get this.tree_ wrote:Bi_3 wrote:He needs to channeltree_ wrote:He needs to work on being Robert Louis Stevensonbodysnatcher wrote:
Eddie Vedder trying too hard to be EDDIE VEDDERKurdt CobainChris CornellLayne StaleyScott WeilandBilly CorganMark Lanegan.
Nailed it.
cyberbullying is not a joke, guysStrat wrote:knee tunes wrote:Shut uptragabigzanda wrote:My hunch is this is because the band is workshopping and tracking the songs in whatever key they see fit, and don't really have the patience to transpose it once Ed tries to sing over it and realizes it's not within his range; so then either he is able to pull it off for the studio cut, or they are -- gasp! -- just downshifting the track while he sings, then tuning it back up to its original key after he's laid his vox down.Birds in Hell wrote:We can only hope, but I'm not holding my breath just yet.Strat wrote:Perhaps now they will finally age gracefully.
I was listening to one of the South American shows yesterday and Ed sounds like he's going to explode when he's trying to screech out the beginning of Can't Deny Me, even though it's tuned lower than the studio version. It's bizarre, I don't think he struggles anywhere near as much with the older material (aside from Blood, maybe). It's only the songs they've written in the last few years which are ridiculously out of his range.
It was a great post, spenno. Even if these chumps can't recognize one.Birds in Hell wrote:I just thought it was an appropriate image to illustrate your post.bodysnatcher wrote:Lol you’re still hung up on that??Birds in Hell wrote:bodysnatcher wrote:Eddie Vedder trying too hard to be EDDIE VEDDERtragabigzanda wrote:Hmm, this is interesting. He definitely does swing for the fences more now on a syllabic basis.Birds in Hell wrote:I don't know, nothing forces Ed to come up with a vocal melody which is more appropriate for early 80s Brian Johnson. It's those sustained screechy notes in songs like Life Wasted, Can't Deny Me, World Wide Suicide, that tear his voice up and I can't think of anything equivalent in their earlier material.tragabigzanda wrote:My hunch is this is because the band is workshopping and tracking the songs in whatever key they see fit, and don't really have the patience to transpose it once Ed tries to sing over it and realizes it's not within his range; so then either he is able to pull it off for the studio cut, or they are -- gasp! -- just downshifting the track while he sings, then tuning it back up to its original key after he's laid his vox down.Birds in Hell wrote:We can only hope, but I'm not holding my breath just yet.Strat wrote:Perhaps now they will finally age gracefully.
I was listening to one of the South American shows yesterday and Ed sounds like he's going to explode when he's trying to screech out the beginning of Can't Deny Me, even though it's tuned lower than the studio version. It's bizarre, I don't think he struggles anywhere near as much with the older material (aside from Blood, maybe). It's only the songs they've written in the last few years which are ridiculously out of his range.
Songs like Dissident have high notes which Ed would occasionally stumble on, even back in the earlier days, but they seem less demanding overall as he wasn't writing melodies which forced him to hit high note after high note in a sustained way.
It seems like he's consistently writing vocal melodies which he simply can't sing, and probably couldn't have sung even when he was younger. It's a totally different approach to his voice, and one which seems crazily inappropriate for a guy in his mid-fifties. Is it a weird mid-life crisis thing?
Multiple folks tried to be clever. Multiple folks failed.dimejinky99 wrote:What the hell happened in this thread
emanon wrote:I think I either need to drink less to become more alert, or more so as not to care.
The daily struggle that is RM.CopperTom wrote:Multiple folks tried to be clever. Multiple folks failed.dimejinky99 wrote:What the hell happened in this thread
Strat wrote:Alas, we are RM