96583UP wrote:Yep, I just upgraded my vote to a “5”
eat shit everyone
it’s fleeting
but it’s how I feel right now
stuff it
okay now i know you are just fucking off. I really started to believe in you the past couple of days.
i listened to this FOUR times today
Only 4?
that’s a lot for a work day
it’s been living rent free in my head the rest of the time
even right now it is going on in there
those chords
that chunkiness
la la la la la
that melty solo
the unabashed rockiness
AMERICA, FUCK YEAH
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tragabigzanda wrote:Mods can we get a 3.5 rating so I can bump this up a hair?
YAAAAAAS
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Strat wrote:The incredible solo section and the way it all just drops out into that best part of the song. You think that maybe the song is going to explode a little bit more after mccresdy is let out of his cage but the energy is quickly zapped and it returns to this tight groove. I love it.
yes, this part and the la da da are the best parts of the song.
I like how hard panned to the left the solo is. And as Stip mentioned in his review, it feels like Mike is caged in by the rest of the band. Not sure I can think of another song where they used that approach?
theplatypus wrote:A solo is when the guitar goes twiddly diddly
In fact, the whole last section from the solo to the end is pulled off very well (except for maybe that weird vocal delivery for "fast" that Ed does at the end). I wish the rest of the song had the same mojo.
theplatypus wrote:A solo is when the guitar goes twiddly diddly
Strat wrote:The incredible solo section and the way it all just drops out into that best part of the song. You think that maybe the song is going to explode a little bit more after mccresdy is let out of his cage but the energy is quickly zapped and it returns to this tight groove. I love it.
yes, this part and the la da da are the best parts of the song.
I like how hard panned to the left the solo is. And as Stip mentioned in his review, it feels like Mike is caged in by the rest of the band. Not sure I can think of another song where they used that approach?
great point on the caged in thing. and just when he busts out the band says fuck all that and drops everything back down to that arpeggiated riff. great production!
i always felt like My Fathers Son was missing a balls-out solo to take it over the top
glad to see that SBWM got that cathartic explosion
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This song is interesting in that it seems a fair number of us who like it think the teaser clip section (or the immediate transition into/out of) is the best part of the song. That's just kind of a disorienting thing to have to realize and accept when deciding what one thinks about the rest of it. You just don't figure that a twice-looped snippet, no matter how much you dig it, is actually going to be the most striking moment in an otherwise solid song.
For some of us, it set expectations extremely high. And for me, it's taken a little while to say both (a) that little section is as good as I thought it was three days ago and the other 3+ minutes are totally worthy, too.
Jaeti wrote:This song is interesting in that it seems a fair number of us who like it think the teaser clip section (or the immediate transition into/out of) is the best part of the song. That's just kind of a disorienting thing to have to realize and accept when deciding what one thinks about the rest of it. You just don't figure that a twice-looped snippet, no matter how much you dig it, is actually going to be the most striking moment in an otherwise solid song.
For some of us, it set expectations extremely high. And for me, it's taken a little while to say both (a) that little section is as good as I thought it was three days ago and the other 3+ minutes are totally worthy, too.
I had zero feelings about the snippet except I hope the rest is better
I think the guy killed the girl and the joyfull singing of Super Blood Wolf Moon is just a cynic narrator. This is about feminicide. The blood moon represents death.
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