So maybe this one will be a win win live.Juvenal wrote:That could well be it... That said, Earnest Ed would also make me laughharmless wrote:Totally. Maybe if he does, you'll grin and it'll look as if he's aware of its cheesiness, and so the song will get better. But meeeeeh it won't happen.Juvenal wrote:I mean it could grow on me. It's just I have a vision of Ed jazz-handing on the 'play'harmless wrote:It's starting to remind me of Primal Scream, who will sound really dirty and bluesy until the kind of glam chorus. But there always was glam here.Juvenal wrote:It's the chorus here that's killing me. Bleurgh.
Song of the Moment: Let the Records Play
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Re: Let the Records Play
RisingTides wrote:There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
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Re: Let the Records Play
It definitely isn't blues by any standard. I agree glam fits better.harmless wrote:I'd go with this. Primarily the song isn't blues, it's T.Rex/Deep Purple/glam.Mine wrote:They've even accentuated it with the way they mixed it especially the guitars have a vintage sound with lot's of reverb reminiscent of something from '66-'68.bada wrote:I gave it a two. The first 10 seconds and the solos are good. I just have a strong dislike for clean, happy, soulless blues.
This is why i think the chorus saves it, paradoxically, because it's the only part that isn't parodying what already was nearly a parody of the blues.
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Re: Let the Records Play
Some people already feel that 'glam' was an affront to the blues genre. It seems to have been a reaction to the heteronormative, 'masculine' stereotype of blues rock (hence the androgynous clothing etc.). But that might be me talking crap.Mine wrote:It definitely isn't blues by any standard. I agree glam fits better.harmless wrote:I'd go with this. Primarily the song isn't blues, it's T.Rex/Deep Purple/glam.Mine wrote:They've even accentuated it with the way they mixed it especially the guitars have a vintage sound with lot's of reverb reminiscent of something from '66-'68.bada wrote:I gave it a two. The first 10 seconds and the solos are good. I just have a strong dislike for clean, happy, soulless blues.
This is why i think the chorus saves it, paradoxically, because it's the only part that isn't parodying what already was nearly a parody of the blues.
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Re: Let the Records Play
lyrics are nice, at least the idea behind them. this alone sets this song apart from Supersonic in a major way.
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Re: Let the Records Play
Stone wrote this one right?harmless wrote:Some people already feel that 'glam' was an affront to the blues genre. It seems to have been a reaction to the heteronormative, 'masculine' stereotype of blues rock (hence the androgynous clothing etc.). But that might be me talking crap.Mine wrote:It definitely isn't blues by any standard. I agree glam fits better.harmless wrote:I'd go with this. Primarily the song isn't blues, it's T.Rex/Deep Purple/glam.Mine wrote:They've even accentuated it with the way they mixed it especially the guitars have a vintage sound with lot's of reverb reminiscent of something from '66-'68.bada wrote:I gave it a two. The first 10 seconds and the solos are good. I just have a strong dislike for clean, happy, soulless blues.
This is why i think the chorus saves it, paradoxically, because it's the only part that isn't parodying what already was nearly a parody of the blues.
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Re: Let the Records Play
Mine wrote:Stone wrote this one right?harmless wrote:Some people already feel that 'glam' was an affront to the blues genre. It seems to have been a reaction to the heteronormative, 'masculine' stereotype of blues rock (hence the androgynous clothing etc.). But that might be me talking crap.Mine wrote:It definitely isn't blues by any standard. I agree glam fits better.harmless wrote:I'd go with this. Primarily the song isn't blues, it's T.Rex/Deep Purple/glam.Mine wrote:They've even accentuated it with the way they mixed it especially the guitars have a vintage sound with lot's of reverb reminiscent of something from '66-'68.bada wrote:I gave it a two. The first 10 seconds and the solos are good. I just have a strong dislike for clean, happy, soulless blues.
This is why i think the chorus saves it, paradoxically, because it's the only part that isn't parodying what already was nearly a parody of the blues.
This band would become so famous in 2013 if he just came out.
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Re: Let the Records Play
I don't think they would be able to top it promotionwiseharmless wrote:Mine wrote:Stone wrote this one right?harmless wrote:Some people already feel that 'glam' was an affront to the blues genre. It seems to have been a reaction to the heteronormative, 'masculine' stereotype of blues rock (hence the androgynous clothing etc.). But that might be me talking crap.Mine wrote:It definitely isn't blues by any standard. I agree glam fits better.harmless wrote:I'd go with this. Primarily the song isn't blues, it's T.Rex/Deep Purple/glam.Mine wrote:They've even accentuated it with the way they mixed it especially the guitars have a vintage sound with lot's of reverb reminiscent of something from '66-'68.bada wrote:I gave it a two. The first 10 seconds and the solos are good. I just have a strong dislike for clean, happy, soulless blues.
This is why i think the chorus saves it, paradoxically, because it's the only part that isn't parodying what already was nearly a parody of the blues.![]()
This band would become so famous in 2013 if he just came out.
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Re: Let the Records Play
Mine wrote:I don't think they would be able to top it promotionwiseharmless wrote:Mine wrote:Stone wrote this one right?harmless wrote:Some people already feel that 'glam' was an affront to the blues genre. It seems to have been a reaction to the heteronormative, 'masculine' stereotype of blues rock (hence the androgynous clothing etc.). But that might be me talking crap.Mine wrote:It definitely isn't blues by any standard. I agree glam fits better.harmless wrote:I'd go with this. Primarily the song isn't blues, it's T.Rex/Deep Purple/glam.Mine wrote:They've even accentuated it with the way they mixed it especially the guitars have a vintage sound with lot's of reverb reminiscent of something from '66-'68.bada wrote:I gave it a two. The first 10 seconds and the solos are good. I just have a strong dislike for clean, happy, soulless blues.
This is why i think the chorus saves it, paradoxically, because it's the only part that isn't parodying what already was nearly a parody of the blues.![]()
This band would become so famous in 2013 if he just came out.
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Re: Let the Records Play
Matt's jamming at the end of this is great.
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Re: Let the Records Play
I just want to savor this.harmless wrote:Matt's jamming at the end of this is great.
There's the dog. You can't fake that stuff. Confess with your mouth.
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Re: Let the Records Play
Thejambi wrote:I just want to savor this.harmless wrote:Matt's jamming at the end of this is great.
These little moments have the warmth of "Riot Act". They might be clipped by BO'B's pop leanings (they are), but it feels as if he's allowed them to indulge themselves this time... just a little, almost like the kidnapper is asking his victim what she'd like from the shops.
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Re: Let the Records Play
If Ed doesn't swing his fucking hips to this, nothing's worth it.
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Re: Let the Records Play
The lyrics to this are bizarre. Ed actually paints a relatively evocative (and kind of dark) picture in the verses of the guy who may be avoiding the world with his whiskey bottle and turntable, but then turns around in the chorus and says, "hey, this guy's on the right track."
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Re: Let the Records Play
yeah, Im not sure what to make of that yet eitherdigster wrote:The lyrics to this are bizarre. Ed actually paints a relatively evocative (and kind of dark) picture in the verses of the guy who may be avoiding the world with his whiskey bottle and turntable, but then turns around in the chorus and says, "hey, this guy's on the right track."
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digster
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Re: Let the Records Play
It could work in a wink-wink Evolution type way, but I don't really get that feeling on the chorus; it's played pretty straight. There were enough cues in Evolution that what he was saying was bullshit.
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Re: Let the Records Play
maybe we are supposed to pull the wink out of the upbeat chorus vocal melody?digster wrote:It could work in a wink-wink Evolution type way, but I don't really get that feeling on the chorus; it's played pretty straight. There were enough cues in Evolution that what he was saying was bullshit.
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Re: Let the Records Play
I find enough clues in the music and delivery to see the change in the chorus as irony, personally. Also, the song starts "When the kingdom comes." So we have sarcasm using religious language from the off. The song is this guy drinking himself to death at the end of the world, but hey, everything will be alright.
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Re: Let the Records Play
Remember the audio with the visual image: it was just a needle scratch. Dead.
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Re: Let the Records Play
I'm not hearing any irony in the chorus, personally, especially since the chorus is the only time I think Ed stops telling the story of the guy and comments on it.
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Re: Let the Records Play
He does stop the story and comment on it, yeah. I just think the summary is ironic. What's your take?
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