Soundboard Remasters Series (pre-2000 bootlegs)

[washing machine]

Awesome, MD. Curious if the slower tempo songs in the sets are welcome resting moments or momentum killers on a run? Typically I don’t run with music but I can get behind letting the energy of a bootleg propel a workout.

[Monkey_Driven]

Awesome, MD. Curious if the slower tempo songs in the sets are welcome resting moments or momentum killers on a run? Typically I don’t run with music but I can get behind letting the energy of a bootleg propel a workout.

They never killed the momentum, nor broke my pace. If anything, they provided a nice change up to keep the run interesting. My biggest challenge in long distance training was always the mental focus to be running for so long. The different tempos helped.

[washing machine]

[Monkey_Driven]

I feel like I should start running again now as I post this.

[washing machine]

I feel like I should start running again now as I post this.

Do it!

[Strat]

I used to love running to live show bootlegs. Feels like im trapped in a story and i want to see how it ends. I totally get lost in it and next thing I know i ran 10 miles.

Ah, to be young again.

[sico_pata]

Do someone know about new DGR work with old soundboard source concerts?

I don't know if I am able to link reddit from here

Is there some improve between the projects?

[jgardz]

Do someone know about new DGR work with old soundboard source concerts?

I don't know if I am able to link reddit from here

Is there some improve between the projects?

I’m curious as well...I grabbed the Indio’93 today so I can sample his work...I’m most interested in his work with the late ‘95 stuff

[XWayne]

I have downloaded the DGR remastered bootlegs, and have started to listen in order and compare with JWB versions: I really prefer the DGR ones so far (after Amsterdam '92, MTV Unplugged, Zurich '92...), they sound fuller.
I am less familiar with audience bootlegs but his work on Paris '92 for example is great. The '95 releases look interesting as he works on the EQ to have distinct left/right channels from the mono Monkeywrench sources.

For those looking for links (files are in a Mega folder): https://www.reddit.com/r/PearlJamBootle ... checklist/

[Wendy Carlos's Twin]

I have downloaded the DGR remastered bootlegs, and have started to listen in order and compare with JWB versions: I really prefer the DGR ones so far (after Amsterdam '92, MTV Unplugged, Zurich '92...), they sound fuller.
I am less familiar with audience bootlegs but his work on Paris '92 for example is great. The '95 releases look interesting as he works on the EQ to have distinct left/right channels from the mono Monkeywrench sources.

For those looking for links (files are in a Mega folder): https://www.reddit.com/r/PearlJamBootle ... checklist/

JWB remasters were mastered to fit in with the official boots series.

They are not audiophile remasters because that wasn't the goal.

This has been explained many times.

However, I am curious about this guy's Monkeywrench remasters because EQ'ing a mono source different in both channels is not a particularly smart or effective technique to use. But I've been wrong.