Oh damn that's right, well goes to show how removing the BoB keyboard crap improved my opinion. I only listened to it a couple of times though. My mistakeLooseGroove927 wrote:Revelator wrote:Only song I haven't cared for is FD (the Wrigley version pretty much sucks, the demo-thingy we heard was just okay)
The demo-thingy is the Wrigley version
Lightning Bolt: the official album thread
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Re: Lightning Bolt - October 15
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Re: Lightning Bolt - October 15
Vastly improved by no shitty piano!LooseGroove927 wrote:Revelator wrote:Only song I haven't cared for is FD (the Wrigley version pretty much sucks, the demo-thingy we heard was just okay)
The demo-thingy is the Wrigley version
Having heard BO'B's piano on these other songs, which is ultimately pretty tasteful, I guess I wonder if he might do OK on the FD studio version. But if so, why does the Wrigley piano not even sound like a piano? It sounds like a music box or something.
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Re: Lightning Bolt - October 15
worst case scenario, if the piano is horrible, i'll trim it off. or fade it right the fuck out.
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Re: Lightning Bolt - October 15
I enjoy the Ed only version much more as well. After hearing the studio version of Lightning Bolt, I'm pretty excited to hear Future Days now.Revelator wrote:Oh damn that's right, well goes to show how removing the BoB keyboard crap improved my opinion. I only listened to it a couple of times though. My mistakeLooseGroove927 wrote:Revelator wrote:Only song I haven't cared for is FD (the Wrigley version pretty much sucks, the demo-thingy we heard was just okay)
The demo-thingy is the Wrigley version
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Re: Lightning Bolt - October 15
There's a fade-out on it, apparently. That's an instant point for it in my book.dprival78 wrote:worst case scenario, if the piano is horrible, i'll trim it off. or fade it right the fuck out.
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Re: Lightning Bolt - October 15
So I put on Sirens, Getaway, Lightning Bolt, Mind Your Manners, Let the Records Play and Swallowed Whole - the songs we have virtually complete sounds for, and came to a realization - that Pearl Jam is going for broke All That You Can't Leave Behind style. The production is so huge that each of these songs could be stadium ready in an instant. I happen to think that it has been coming out real well and they are good at this, but I am relatively convinced on these songs that they are at least trying to go big and epic, and this might be more of a commercially successful album that we are used to. I know there have been all sorts of wonky comparisons, but the closest thing I can think of, taken together, is U2 going for broke but certainly sounding very Pearl Jam in doing so.
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Re: Lightning Bolt - October 15
when I put them together MYM suddendly strikes me as wrongly produced.liebzz wrote:So I put on Sirens, Getaway, Lightning Bolt, Mind Your Manners, Let the Records Play and Swallowed Whole - the songs we have virtually complete sounds for, and came to a realization - that Pearl Jam is going for broke All That You Can't Leave Behind style. The production is so huge that each of these songs could be stadium ready in an instant. I happen to think that it has been coming out real well and they are good at this, but I am relatively convinced on these songs that they are at least trying to go big and epic, and this might be more of a commercially successful album that we are used to. I know there have been all sorts of wonky comparisons, but the closest thing I can think of, taken together, is U2 going for broke but certainly sounding very Pearl Jam in doing so.
such a bland thin sounds as opposed to every other fucking song next to it.
mind boggling...
Brendan O'Brien, the magician among producers. Turns gold into shit.
Last edited by Lounge Lizard on Thu September 19, 2013 12:59 pm, edited 1 time in total.

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Re: Lightning Bolt - October 15
I don't know if I *love* Riot Act, but I do really like it.harmless wrote:It's moody, restrained, bored, all of those things... deliberately. It's a stoner rock record, not a climax record. The mood is perfect, since it was written off the back of Roskilde.Thejambi wrote:It sounds really nice but the climax happens in the first track and even that track doesn't climax. Musically it is pretty well crafted but Ed really mails it in. His approach isn't moody or restrained it is just boring.harmless wrote:I don't think it's a highs and lows record, it's more of a tempered mood than that, but it's a stunningly crafted thing to listen to.HardTI wrote:Put me somewhere in that camp too. I wouldn't say I don't like it. I ADORE the mood it sets, the great production, the intent (that truly does come across), and the technical and creative chops it took to come up with the tunes. But few of these songs actually get me as high or as low as anything anything else this band has released.harmless wrote:You don't like Riot Act either?evenslow wrote:Thejambi wrote:Universal Truth: Inside Job eats balls.Thejambi wrote:Riot Act is below average.
I don't hate it by any means but it is below average.
Anyway, I've talked about this a million times.![]()
I wonder if anyone who loves Riot Act actually likes this new stuff or I'm on my own.
The only songs I skip are Ghost and Green Disease, and maybe Bu$hleaguer.
But I'm adoring all of the LB tracks so far.
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Re: Lightning Bolt - October 15
I agree. MYM probably *sounds* the worst, production-wise. Thin.Lounge Lizard wrote:when I put them together MYM suddendly strikes me as wrongly produces.liebzz wrote:So I put on Sirens, Getaway, Lightning Bolt, Mind Your Manners, Let the Records Play and Swallowed Whole - the songs we have virtually complete sounds for, and came to a realization - that Pearl Jam is going for broke All That You Can't Leave Behind style. The production is so huge that each of these songs could be stadium ready in an instant. I happen to think that it has been coming out real well and they are good at this, but I am relatively convinced on these songs that they are at least trying to go big and epic, and this might be more of a commercially successful album that we are used to. I know there have been all sorts of wonky comparisons, but the closest thing I can think of, taken together, is U2 going for broke but certainly sounding very Pearl Jam in doing so.
such a bland thin sounds as opposed to every other fucking song next to it.
mind boggling...
Brendan O'Brien, the magician among producers. Turns gold into shit.
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Re: Lightning Bolt - October 15
I'm about to compare 2 different albums here, so I hope it makes sense, but I don't hear thin production in MYM. I hear thin production in Got Some. I think MYM holds up fine coming out of Getaway.harmless wrote:I agree. MYM probably *sounds* the worst, production-wise. Thin.Lounge Lizard wrote:when I put them together MYM suddendly strikes me as wrongly produces.liebzz wrote:So I put on Sirens, Getaway, Lightning Bolt, Mind Your Manners, Let the Records Play and Swallowed Whole - the songs we have virtually complete sounds for, and came to a realization - that Pearl Jam is going for broke All That You Can't Leave Behind style. The production is so huge that each of these songs could be stadium ready in an instant. I happen to think that it has been coming out real well and they are good at this, but I am relatively convinced on these songs that they are at least trying to go big and epic, and this might be more of a commercially successful album that we are used to. I know there have been all sorts of wonky comparisons, but the closest thing I can think of, taken together, is U2 going for broke but certainly sounding very Pearl Jam in doing so.
such a bland thin sounds as opposed to every other fucking song next to it.
mind boggling...
Brendan O'Brien, the magician among producers. Turns gold into shit.
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Re: Lightning Bolt - October 15
I feel like this record is like me and my (imaginary) wife having mindblowing sex after I had given up hope that we'd ever have mindblowing sex again after she read me the Riot Act. Sure, the sex has been ok since then, though sparse, and even bad sex with her is better than good sex with most, but, fuck, she's blowing my mind lately.
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Re: Lightning Bolt - October 15
Interesting comment from the Pit: "All the songs we heard so far are about a "inner revelation". (Maybe that is why LB is the title track?) IN LB it is someone who enters your life, in MYM it is about seeking truth in yourself and not in (religious or normative) institutions, and we can even put FD and the theme of SBM (Uke version) in this light."
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Re: Lightning Bolt - October 15
The riff in MYM.LooseGroove927 wrote:I'm about to compare 2 different albums here, so I hope it makes sense, but I don't hear thin production in MYM. I hear thin production in Got Some. I think MYM holds up fine coming out of Getaway.
What is that? Are those guitars?
Is that the 'guitar' effect on a synthesizer?
Why are the stops so clean?
Put on a mediocre Youtube soundclip of 'Ace of Spades' and you can hear guitars playing.
Back to 'lossless' MYM - and it doesn't even compare.

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Re: Lightning Bolt - October 15
The problem is that you're comparing it to other albums. I think MYM has a thicker and more interesting production than some (not all) of Backspacer but alongside these other Lightning Bolt tracks it sounds squashed and tinny. They are definitely more organic and big-sounding. MYM sounds like RVM played from a phone speaker.LooseGroove927 wrote:I'm about to compare 2 different albums here, so I hope it makes sense, but I don't hear thin production in MYM. I hear thin production in Got Some. I think MYM holds up fine coming out of Getaway.harmless wrote:I agree. MYM probably *sounds* the worst, production-wise. Thin.Lounge Lizard wrote:when I put them together MYM suddendly strikes me as wrongly produces.liebzz wrote:So I put on Sirens, Getaway, Lightning Bolt, Mind Your Manners, Let the Records Play and Swallowed Whole - the songs we have virtually complete sounds for, and came to a realization - that Pearl Jam is going for broke All That You Can't Leave Behind style. The production is so huge that each of these songs could be stadium ready in an instant. I happen to think that it has been coming out real well and they are good at this, but I am relatively convinced on these songs that they are at least trying to go big and epic, and this might be more of a commercially successful album that we are used to. I know there have been all sorts of wonky comparisons, but the closest thing I can think of, taken together, is U2 going for broke but certainly sounding very Pearl Jam in doing so.
such a bland thin sounds as opposed to every other fucking song next to it.
mind boggling...
Brendan O'Brien, the magician among producers. Turns gold into shit.
RisingTides wrote:There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
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Re: Lightning Bolt - October 15
Even LTRP has more convincing guitars than MYM, and that's not quite right. I don't have so much problem with the stops, that's been a feature of punk for ages.Lounge Lizard wrote:The riff in MYM.LooseGroove927 wrote:I'm about to compare 2 different albums here, so I hope it makes sense, but I don't hear thin production in MYM. I hear thin production in Got Some. I think MYM holds up fine coming out of Getaway.
What is that? Are those guitars?
Is that the 'guitar' effect on a synthesizer?
Why are the stops so clean?
Put on a mediocre Youtube soundclip of 'Ace of Spades' and you can hear guitars playing.
Back to 'lossless' MYM - and it doesn't even compare.
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Re: Lightning Bolt - October 15
10,000harmless wrote:Even LTRP has more convincing guitars than MYM, and that's not quite right. I don't have so much problem with the stops, that's been a feature of punk for ages.Lounge Lizard wrote:The riff in MYM.LooseGroove927 wrote:I'm about to compare 2 different albums here, so I hope it makes sense, but I don't hear thin production in MYM. I hear thin production in Got Some. I think MYM holds up fine coming out of Getaway.
What is that? Are those guitars?
Is that the 'guitar' effect on a synthesizer?
Why are the stops so clean?
Put on a mediocre Youtube soundclip of 'Ace of Spades' and you can hear guitars playing.
Back to 'lossless' MYM - and it doesn't even compare.
or is that
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Re: Lightning Bolt - October 15
That rank 
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Re: Lightning Bolt - October 15
I'll have to listen later with good headphones and see if I can hear what you guys are saying. The majority of times I've listened to MYM has been driving with the volume cranked or in the gym with shitty ear buds.
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Re: Lightning Bolt - October 15
I... don't get it...LetMeSleep wrote:10,000harmless wrote:Even LTRP has more convincing guitars than MYM, and that's not quite right. I don't have so much problem with the stops, that's been a feature of punk for ages.Lounge Lizard wrote:The riff in MYM.LooseGroove927 wrote:I'm about to compare 2 different albums here, so I hope it makes sense, but I don't hear thin production in MYM. I hear thin production in Got Some. I think MYM holds up fine coming out of Getaway.
What is that? Are those guitars?
Is that the 'guitar' effect on a synthesizer?
Why are the stops so clean?
Put on a mediocre Youtube soundclip of 'Ace of Spades' and you can hear guitars playing.
Back to 'lossless' MYM - and it doesn't even compare.
or is that
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Re: Lightning Bolt - October 15
stupidmop wrote:That rank
thank you, I like that one.
I was disappointed the 8 to 10k rank didn't get more love.
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