Another I listened to this morning again on the way in to work. I am still of the mind that Invincible, The Dark, and Mrs. Mills are my favorite by a long margin. Nearly every song is very good though. The Haves works in the album context and with the explanation Ed gave for its origins.
"No one's born to feel like they are owned" is a pretty good lyric, especially in context -- it's perfectly placed and unexpected in all the right ways.
Mine is probably still "“We got the density of our beings, the unbearable weight, the unbearable light, the unbearable weight, lets lift it up.” - that's the kind of declarative statement of intent and purpose Eddie does so well.
"No one's born to feel like they are owned" is a pretty good lyric, especially in context -- it's perfectly placed and unexpected in all the right ways.
that is a really good lyric, for the reasons you just said
stip wrote:Mine is probably still "“We got the density of our beings, the unbearable weight, the unbearable light, the unbearable weight, lets lift it up.” - that's the kind of declarative statement of intent and purpose Eddie does so well.
this (really all of Invincible) is so damn cathartic, which is why it especially works in pandemic era 2022.
I haven't really felt many lyrics grab me in a big way, but I do enjoy the second verse of the Dark a lot. Mrs. Mills is also pretty good, and a bit outside of Eddie's typical lane when it comes to lyrics.
Also, I find the whole lyrical end of Brother the Cloud really effective. Specifically, the way it uses the toolkit of a cathartic Pearl Jam song to deliver a plea to the listener for some measure of that same emotional relief. A direct request, with no hope of payoff, for the healing sanctuary that he always ambitions to provide you.
And I would not wish upon you,
but should you ever leave this earth
before me (I doubt this highly),
do for me what I'd do for you
digster wrote:I haven't really felt many lyrics grab me in a big way, but I do enjoy the second verse of the Dark a lot. Mrs. Mills is also pretty good, and a bit outside of Eddie's typical lane when it comes to lyrics.
On a record with a lot of super enjoyable sounds, melodies and lyrics, I've decided that my favorite portion of the whole thing is the buildup to Invincible with all the Echo Victors and Wilcos and whatnot. Playful, knowing, inspirational - perfect table-setting.
the humanity, the calamity
the spilling blood, the gravity
we got the heavens, we got the Earth
and in between we got big surf
I get choked up every time I hear this bit.
I'd just add, "the only rule is to keep your cool".
This line has been a great reminder in my work (behavior education high school teacher), in my time with my own kids and wife. Like a mindfulness bell.
digster wrote:I haven't really felt many lyrics grab me in a big way, but I do enjoy the second verse of the Dark a lot. Mrs. Mills is also pretty good, and a bit outside of Eddie's typical lane when it comes to lyrics.
"I should be lost in your eyes"
I get choked up every fucking time.
The dark works super well from start to finish - love the chorus especially for the reasons Ms Harmless said
Also, I find the whole lyrical end of Brother the Cloud really effective. Specifically, the way it uses the toolkit of a cathartic Pearl Jam song to deliver a plea to the listener for some measure of that same emotional relief. A direct request, with no hope of payoff, for the healing sanctuary that he always ambitions to provide you.
And I would not wish upon you,
but should you ever leave this earth
before me (I doubt this highly),
do for me what I'd do for you
This, plus the wailing "What are friends for?"
The whole outro is a perfect "other side of the coin" to the mature, composed nature of Comes Then Goes.