M83 (2001)
Dead Cities, Red Seas & Lost Ghosts (2003)
Before the Dawn Heals Us (2005)
Digital Shades Vol. 1 (2007)
Saturdays = Youth (2008)
Hurry Up, We're Dreaming (2011)
Junk (2016)
DSVII (2019)
Fantasy (2023)
Last edited by psychobain on Sat March 18, 2023 1:58 am, edited 2 times in total.
Sometimes I wanna drive around and find you
And act like it's a random thing
Dead Cities, Red Seas & Lost Ghosts and Saturdays = Youth are still my favorite M83 records. Hurry Up We're Dreaming is pretty sweet, too. Ain't nothing wrong with Before the Dawn Heals Us, either.
I had been pretty much his biggest fan up until the last record, where he completely lost me. I first got into them when they were a two-piece back in 2003/4, and loved the music even more when it was just Anthony. Every album leading up to Hurry Up seemed to get better and better. I absolutely hated the last album and was heartbroken to see the band live in comparison to their 2008-09 Saturdays = Youth tour. It was almost like a parody.
With that said, I liked the Oblivion soundtrack and I am still holding out hope that he buries the Peter Gabriel-wannabe vocals and the saxophone solos on the next album & tour. I am going to catch the band live with the Philharmonic in LA later this year, too.
1. Water Deep (03:11)
2. Oceans Niagara (04:31)
3. Amnesia (04:03)
4. Us And The Rest (05:31)
5. Earth To Sea (06:40)
6. Radar, Far, Gone (04:05)
7. Deceiver (06:29)
8. Fantasy (04:34)
9. Laura (04:08)
10. Sunny Boy (06:04)
11. Kool Nuit (feat. Kaela) (07:56)
12. Sunny Boy Part 2 (01:59)
13. Dismemberment Bureau (07:05)
Total length: 1:06:16
Over the span of two decades, M83 has firmly established himself as an artist whose work transcends mere escapism in favor of full-on worldbuilding. Whether it be via his celebrated studio albums, film soundtracks, or compositions for stage productions, Gonzalez has proven that nothing surpasses his ability to perfectly encapsulate a specific time, emotion, or sense of place. This has led him to become a GRAMMY-nominated musical juggernaut who has headlined Los Angeles's famed Hollywood Bowl, wowed audiences across the globe, and sold over a million units of his 2011 album, Hurry Up, We're Dreaming.
For Gonzalez, Fantasy's direction and aesthetic were immediately clear. "I wanted this record to be very impactful live," he says. "The idea was to come back with something closer to the energy of Before The Dawn Heals Us. The combination of guitars and synths is always in my music, but it’s maybe more present on this new record than on the previous ones."
Gonzalez also sought to continue a trend that has become more prominent in his recent albums. "I wanted to be more present lyrically and vocally" he states. "I thought if I could achieve that, this album will be more personal than those that came before." To capture the exuberance of his dazzling live performances, Gonzalez altered his typical recording process. “I would usually write the demos and then go to my producer to start working on an album," he details. "But this time was a little different. I just wanted to feel the energy of other musicians. The feeling of musicians playing together is something that was missing a bit."
Sometimes I wanna drive around and find you
And act like it's a random thing
