harmless wrote:Choruses, including the falsetto parts. I found myself already recoiling (I won't say "cringing", don't worry stip) at the high notes, wondering whether he'd make the falsetto parts. It's not the worst thing ever and overall I felt that this was a good live debut. Certainly miles better than the Wrigley performances.
thank you. Recoiling is a better word.
i wonder if the recoiling was constant. sometimes life, it don't leave you alone.
harmless wrote:Choruses, including the falsetto parts. I found myself already recoiling (I won't say "cringing", don't worry stip) at the high notes, wondering whether he'd make the falsetto parts. It's not the worst thing ever and overall I felt that this was a good live debut. Certainly miles better than the Wrigley performances.
thank you. Recoiling is a better word.
i wonder if the recoiling was constant. sometimes life, it don't leave you alone.
there's a song that needs to come back..
They tried it one of the nights in camden in 08 and messed it up so the switched to corduroy
harmless wrote:Choruses, including the falsetto parts. I found myself already recoiling (I won't say "cringing", don't worry stip) at the high notes, wondering whether he'd make the falsetto parts. It's not the worst thing ever and overall I felt that this was a good live debut. Certainly miles better than the Wrigley performances.
thank you. Recoiling is a better word.
i wonder if the recoiling was constant. sometimes life, it don't leave you alone.
there's a song that needs to come back..
They tried it one of the nights in camden in 08 and messed it up so the switched to corduroy
eddie was too fat back then. it would go better now I bet.
harmless wrote:Choruses, including the falsetto parts. I found myself already recoiling (I won't say "cringing", don't worry stip) at the high notes, wondering whether he'd make the falsetto parts. It's not the worst thing ever and overall I felt that this was a good live debut. Certainly miles better than the Wrigley performances.
It was not a horrendous performance. Maybe just a little shaky.
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
harmless wrote:Choruses, including the falsetto parts. I found myself already recoiling (I won't say "cringing", don't worry stip) at the high notes, wondering whether he'd make the falsetto parts. It's not the worst thing ever and overall I felt that this was a good live debut. Certainly miles better than the Wrigley performances.
It was not a horrendous performance. Maybe just a little shaky.
In retrospect, I agree.
RisingTides wrote:There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
"Build my world of dreams around you / I'm so glad that I found you" -- Jackson 5, "I'll Be There"
"I always loved you / held you high above, too." -- Pearl Jam, "Sirens"
I've been wondering for ages what line that reminded me of, and there it is. At least it's something good and classic. I was worried it was going to be Take That.
RisingTides wrote:There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
harmless wrote:Choruses, including the falsetto parts. I found myself already recoiling (I won't say "cringing", don't worry stip) at the high notes, wondering whether he'd make the falsetto parts. It's not the worst thing ever and overall I felt that this was a good live debut. Certainly miles better than the Wrigley performances.
It was not a horrendous performance. Maybe just a little shaky.
In retrospect, I agree.
I don't think that falsetto, i'm not sure it's even technically that, ever sounds good. It sounds flat by default. It's an overtoned sound kind of what Janis Joplin used to do. For some reason i liked it more live then the studio version. It's only gets worst when it's fiddled with IMO. I do like it as a stylistic choice as an alternative to doing those notes in full voice because it makes it sound less 1987 power ballad this way.
In retrospect, I'm really glad I heard this song a few times prior to experiencing the whole album for the first time. Otherwise, I might've been thrown into a state of shock and the remainder of the album would've come across as one big sonic blur.
theplatypus wrote:A solo is when the guitar goes twiddly diddly
"Build my world of dreams around you / I'm so glad that I found you" -- Jackson 5, "I'll Be There"
"I always loved you / held you high above, too." -- Pearl Jam, "Sirens"
I've been wondering for ages what line that reminded me of, and there it is. At least it's something good and classic. I was worried it was going to be Take That.
"Build my world of dreams around you / I'm so glad that I found you" -- Jackson 5, "I'll Be There"
"I always loved you / held you high above, too." -- Pearl Jam, "Sirens"
I've been wondering for ages what line that reminded me of, and there it is. At least it's something good and classic. I was worried it was going to be Take That.
"I'll Be There" is so fucking good.
Makes me want to have a good .
Janelle has given me a new appreciation for that stuff.
RisingTides wrote:There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
I've tried to getaway from this thought, but every time I listen to this song it becomes more and more apparent that it might be the best song on the record. For all its overwrought cheese, it's just so unapologetically massive, and makes the biggest statement here.
RisingTides wrote:There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
I can definitely say I had the biggest emotional reaction to this song than I have for any song since Thumbing My Way (which makes me tear up virtually every time).
RisingTides wrote:There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
RisingTides wrote:There is more kindness on the internet than we would care to admit to ourselves. Sometimes we are so afraid of falling victim to a ruse, we miss out on actual opportunities.
this does bother me, maybe more than it should. but it bothers me more than any questionable business decision they may have made or anything like that.. i could overlook that stuff as long as the music stays real and genuine.
eddie now relies - somewhat heavily now - on machines to make himself sound different than he does naturally. is it an insecurity thing? i mean the guy can still sing quite well, just not in those higher registers. i wish he would just come to grips with the fact that he's 50, and would stick to his strengths and keep it real.
Im sure he hit the notes just in fine in the studio. He also sounded great on the video version.
I do not care if ed can hit notes live these days. We will always have the albums and a live performance is a fleeting moment that invovles many different aspects that can make or break it.
Strat wrote:Im sure he hit the notes just in fine in the studio. He also sounded great on the video version.
I do not care if ed can hit notes live these days. We will always have the albums and a live performance is a fleeting moment that invovles many different aspects that can make or break it.
yea, but the live performances are real. the albums are turning out to be misrepresentations. I mean at what point does what eddie's doing become the same as what all the phony pop 'artists' out there do? I don't want to hear a pearl jam album ten years from now that features an eddie that sounds like he's 32. yea, that might sound good, but it'd be totally artificial.
ah.. I'll try to stop dwelling on this and go back to enjoying the record. I'll try to postpone any further disappointment until my string of shows is over.
.
