Ms Harmless wrote:the reason I characterised this argument (not you personally) this way is that those making it seem to think that if they keep explaining what they mean, it'll somehow recruit other people into the "you're right, it sounds terrible" fold; I don't think anyone has any trouble *understanding* why you or Trag might not like the sound, it's definitely a choice, but it's hardly a choice only Pearl Jam has made, and it's not the worst any classic rock band has sounded since... what was it, 1992?
I hear you, but, I don't think I've tried to explain anything about why I disagree with any production choices here..I'm merely advocating for those who wish to discuss such things, that's all.
If that wasn't clear, I'll raise my hand there.
I saw people getting annoyed at Trag (among others) for talking about it, but, no one gets annoyed at people writing essays over any other aspect of the song, and, to me, it's all equally valid.
Maybe people just don't like listening to me or Trag in general? LOL
In any case, it's all done in the name of killing time until we can start dissecting the next one, yeah?
We still make records to be listened to — not that everyone will listen to a record track one to twelve in a row or side A or Side B — but we still make 'em in case somebody does want to listen to it like that, that's how we make em…