I like all three parts of it, but they just do not fit together or transition well. The bridge belongs in a completely different song. Maybe it will grow on me.
The fact that they literally had Brendan o Brien remix and master self titled to obviously remove the harshness but then went full Tits with this is truly something
Ensign9 wrote:This is overproduced but fun and I like it. It'll sound better live.
Yeah I can't stand the production talk but this thing is produced to within an inch of its life. Everything but Ed's vocals is smashed together and brought forward. But I guess it kinda works for me for a short little fun aggressive song.
Haha, this song is getting more and more fun. Listening with Air Pods now and am suddenly charmed by the "Container! Contain us!" (or whatever exactly) chants.
I'm too tired to be sure but I think the Spotify version sounds better than iTunes (referring specifically to audio quality/fidelity; they're not different versions).
Ensign9 wrote:This is overproduced but fun and I like it. It'll sound better live.
Yeah I can't stand the production talk but this thing is produced to within an inch of its life. Everything but Ed's vocals is smashed together and brought forward. But I guess it kinda works for me for a short little fun aggressive song.
They should have made Mike’s solo even screechier just to fuck with yall
It's great how there's no transition into the bridge. It launches immediately from the last note of the chorus, and it's so cool and different and you're suddenly in a vastly different place.
After a few more listens, I still think this sounds like little more than a semi-interesting b-side
We still make records to be listened to — not that everyone will listen to a record track one to twelve in a row or side A or Side B — but we still make 'em in case somebody does want to listen to it like that, that's how we make em…
think this is one of Jeff’s songs, or at least he has the primary writing credit
