Which absolutely not self-evident because by all means this approach should be yielding the opposite resulttragabigzanda wrote:I’m personally not disputing any of this, only that this process leads to shitty musiclvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
Post-Riot Act Moneygrab
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Re: Post-Riot Act Moneygrab
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Re: Post-Riot Act Moneygrab
Last edited by tragabigzanda on Thu January 01, 2026 6:09 pm, edited 1 time in total.
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Re: Post-Riot Act Moneygrab
this feels accuratelvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
and fortunately for me, my tastes in this period have been pretty aligned with what they want to do
I Am No Guide - Pearl Jam Song by Song - Out now!
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Re: Post-Riot Act Moneygrab
I think you're probably right, lvc
whole lotta delegatin' goin' on
it doesn't bother me too much anymore, I accept diminishing returns after so many years; as long as I don't hate the music (and I don't, mostly)
whole lotta delegatin' goin' on
it doesn't bother me too much anymore, I accept diminishing returns after so many years; as long as I don't hate the music (and I don't, mostly)
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Re: Post-Riot Act Moneygrab
I only wished they release more studio albums. Thats it.
And im glad LB seems to be a distant memory.
And im glad LB seems to be a distant memory.
BONE FUCKIN´ TOMAHAWK.
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Re: Post-Riot Act Moneygrab
I can see why this might lead to shitty business decisions, but why would it lead to shitty music? Negotiating curfew rates and vendor placement leads to artistic inspiration?tragabigzanda wrote:I’m personally not disputing any of this, only that this process leads to shitty musiclvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
I Am No Guide - Pearl Jam Song by Song - Out now!
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Re: Post-Riot Act Moneygrab
that LB-gigaton gap was insaneVinylGuy wrote:I only wished they release more studio albums. Thats it.
And im glad LB seems to be a distant memory.
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Re: Post-Riot Act Moneygrab
yeah, totally. It helped that they toured a lot, but it was very hard that they didnt seemed to be actually doing stuff on the studio. It was such a surprise to know about Gigaton and how they did it.stip wrote:that LB-gigaton gap was insaneVinylGuy wrote:I only wished they release more studio albums. Thats it.
And im glad LB seems to be a distant memory.
Thats why maybe they seem so happy with the new album and the approach to make it, and the fact that it was recorded on Shangri La its a very good sign of the place the band is right now.
BONE FUCKIN´ TOMAHAWK.
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Re: Post-Riot Act Moneygrab
Last edited by tragabigzanda on Thu January 01, 2026 6:08 pm, edited 1 time in total.
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Re: Post-Riot Act Moneygrab
well, once the music is played and recorded, it could be that they're just giving up mixing / mastering etc. to the people they've chosen, without listening to it first and OK-ing it after a few edits, like a younger band with more to prove might; it could be that after playing the songs, they don't see the record until it's in their handsstip wrote:I can see why this might lead to shitty business decisions, but why would it lead to shitty music? Negotiating curfew rates and vendor placement leads to artistic inspiration?tragabigzanda wrote:I’m personally not disputing any of this, only that this process leads to shitty musiclvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
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Re: Post-Riot Act Moneygrab
That's not struggle, those are pretty mundane tasks.tragabigzanda wrote:Detachment from the struggle > created shitty art. It’s not absolute but it’s a pretty common phenomenonstip wrote:I can see why this might lead to shitty business decisions, but why would it lead to shitty music? Negotiating curfew rates and vendor placement leads to artistic inspiration?tragabigzanda wrote:I’m personally not disputing any of this, only that this process leads to shitty musiclvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
I'm sure great art is triggered by things a lot more inspiring than bookkeeping, procurements, mergers and acquisitions (unless you're a phsycho)
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Re: Post-Riot Act Moneygrab
I've recorded two EPs with my band years ago, and both times we were in the room while it was being engineered and also had versions of the finished product played to us until we were totally happyMs Harmless wrote:well, once the music is played and recorded, it could be that they're just giving up mixing / mastering etc. to the people they've chosen, without listening to it first and OK-ing it after a few edits, like a younger band with more to prove might; it could be that after playing the songs, they don't see the record until it's in their handsstip wrote:I can see why this might lead to shitty business decisions, but why would it lead to shitty music? Negotiating curfew rates and vendor placement leads to artistic inspiration?tragabigzanda wrote:I’m personally not disputing any of this, only that this process leads to shitty musiclvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
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Re: Post-Riot Act Moneygrab
Can we listen to them?Ms Harmless wrote: I've recorded two EPs with my band years ago, and both times we were in the room while it was being engineered and also had versions of the finished product played to us until we were totally happy
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Re: Post-Riot Act Moneygrab
haha I don't think soVal wrote:Can we listen to them?Ms Harmless wrote: I've recorded two EPs with my band years ago, and both times we were in the room while it was being engineered and also had versions of the finished product played to us until we were totally happy
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Re: Post-Riot Act Moneygrab
Val wrote:Can we listen to them?Ms Harmless wrote: I've recorded two EPs with my band years ago, and both times we were in the room while it was being engineered and also had versions of the finished product played to us until we were totally happy
We still make records to be listened to — not that everyone will listen to a record track one to twelve in a row or side A or Side B — but we still make 'em in case somebody does want to listen to it like that, that's how we make em…
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Re: Post-Riot Act Moneygrab
Last edited by tragabigzanda on Thu January 01, 2026 6:08 pm, edited 1 time in total.
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Re: Post-Riot Act Moneygrab
which they had the financial wherewithal to do for every album
since Ten
since Ten
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Re: Post-Riot Act Moneygrab
I agree. I've never hated much (except Future Days which I didn't even import to iTunes after I got the CD. Lightning Bolt ends with Yellow Moon.) I can't afford to go to concerts any more, so Pearl Jam will always be a life-changing band that I'm interested in enough to buy the next record and see what they're up to. They already changed my life once, I can free them from needing to do it again.stip wrote:this feels accuratelvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
and fortunately for me, my tastes in this period have been pretty aligned with what they want to do
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Re: Post-Riot Act Moneygrab
Hey, I think you could make a pretty interesting novel out of the development of current accounting standards because it perfectly aligns with the development of corruption. But maybe I am a psycho. I think I need to think that over.Val wrote:That's not struggle, those are pretty mundane tasks.tragabigzanda wrote:Detachment from the struggle > created shitty art. It’s not absolute but it’s a pretty common phenomenonstip wrote:I can see why this might lead to shitty business decisions, but why would it lead to shitty music? Negotiating curfew rates and vendor placement leads to artistic inspiration?tragabigzanda wrote:I’m personally not disputing any of this, only that this process leads to shitty musiclvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
I'm sure great art is triggered by things a lot more inspiring than bookkeeping, procurements, mergers and acquisitions (unless you're a phsycho)
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Re: Post-Riot Act Moneygrab
that's well put and I agree; they were my favourite band for 7 albums, and now they aren't, but they were with me for long enough that they still matter and I'll still appreciate as much as I can; I'm polybandarous nowlvc wrote:I agree. I've never hated much (except Future Days which I didn't even import to iTunes after I got the CD. Lightning Bolt ends with Yellow Moon.) I can't afford to go to concerts any more, so Pearl Jam will always be a life-changing band that I'm interested in enough to buy the next record and see what they're up to. They already changed my life once, I can free them from needing to do it again.stip wrote:this feels accuratelvc wrote:I was reading through this and I just want to say the members of Pearl Jam have enough personal wealth that they probably make far more from leveraging their existing wealth than anything they do artistically.
What if they made the records they made because those were the records they wanted to make? And what if they surrendered the business side to business people so they wouldn't have to make all those decisions (and go to all the damned meetings to form the committees needed to examine the white papers on the various choices in order to draft a proposal to the regional manager of procurement in order to get the ball rolling on planning the rollout of the next record) because they'd rather be surfing or taking their kids to the zoo in Lisbon or whatever?
and fortunately for me, my tastes in this period have been pretty aligned with what they want to do