Act II: Cowboy Carter (Beyonce)
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Re: Act II: Cowboy Carter (Beyonce)
"Ya Ya" has Janelle Monae energy and I love it
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Re: Act II: Cowboy Carter (Beyonce)
tragabigzanda wrote:I'd maybe bump Life & Limb for Epic Problemtragabigzanda wrote:Top 10 maybe?
Hello Morning
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Last edited by tragabigzanda on Sun January 11, 2026 11:04 pm, edited 1 time in total.
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Re: Act II: Cowboy Carter (Beyonce)
Last edited by tragabigzanda on Sun January 11, 2026 11:04 pm, edited 1 time in total.
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Re: Act II: Cowboy Carter (Beyonce)
Last edited by tragabigzanda on Sun January 11, 2026 11:03 pm, edited 1 time in total.
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Re: Act II: Cowboy Carter (Beyonce)
"Riverdance" is very cool. Very creative and interesting arrangement
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Re: Act II: Cowboy Carter (Beyonce)
Last edited by tragabigzanda on Sun January 11, 2026 11:03 pm, edited 1 time in total.
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Re: Act II: Cowboy Carter (Beyonce)
Damn, "II Hands II Heaven" is very cool too. Album has almost completely won me over
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Re: Act II: Cowboy Carter (Beyonce)
Oh yeah, read about that. No refunds either. Poor form, Beytragabigzanda wrote:Just read this on Variety:
“Throughout the weekend, fans have been complaining online that their “Cowboy Carter” vinyls were missing the songs “Spaghettii,” “Flamenco,” “The Linda Martell Show,” “Ya Ya” and “Oh Louisiana.”
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Re: Act II: Cowboy Carter (Beyonce)
tragabigzanda wrote:I'd maybe bump Life & Limb for Epic Problemtragabigzanda wrote:Top 10 maybe?
Hello Morning
Close Captioned
The Kill
Place/Position
Do You Like Me?
Latest Disgrace
Recap Modotti
Nightshop
Break
Life & Limb
Last edited by tragabigzanda on Sun January 11, 2026 11:03 pm, edited 1 time in total.
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Re: Act II: Cowboy Carter (Beyonce)
It ends really strong. "Sweet Honey Buckin'" and "Amen" have a lot of really cool and surprising moments. Overall, another very good album by Beyonce. I'll have to listen to it more to see if those first few songs grow on me more.
I'm most surprised by is how... not specifically country it is, at least musically. It's clearly framed as a country album in everything from its cover, title, marketing, the involvement of country music pioneers... sounds like it tackles some traditional country themes lyrically... but musically it's really not, right? Save for a handful of tracks it's a soul / pop album with a few country touches. Like "Tyrant" is a straight-up trap beat with a 2000s R&B vocal. It has a fiddle hook that repeats throughout but it's such a minor detail.
I don't wanna get too caught up in this point because conversations about genre are tiresome and I'm sure there are a bunch of country purists already shaking their fists at this album's general direction. And fuck those people, like fuck genre purists of any kind. But I'm just surprised, I really thought this would be more of a full-on country album musically based on how it's being discussed. It's a lot more expansive and eclectic than that, which I'm happy about.
I'm most surprised by is how... not specifically country it is, at least musically. It's clearly framed as a country album in everything from its cover, title, marketing, the involvement of country music pioneers... sounds like it tackles some traditional country themes lyrically... but musically it's really not, right? Save for a handful of tracks it's a soul / pop album with a few country touches. Like "Tyrant" is a straight-up trap beat with a 2000s R&B vocal. It has a fiddle hook that repeats throughout but it's such a minor detail.
I don't wanna get too caught up in this point because conversations about genre are tiresome and I'm sure there are a bunch of country purists already shaking their fists at this album's general direction. And fuck those people, like fuck genre purists of any kind. But I'm just surprised, I really thought this would be more of a full-on country album musically based on how it's being discussed. It's a lot more expansive and eclectic than that, which I'm happy about.
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
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Re: Act II: Cowboy Carter (Beyonce)
to my mind, it's absolutely an album grounded in country (and blues, folk, and gospel) but almost situates it in an alternative history where it was Black experimentation that took the reins and expanded the genre outwards to what we find familiar instead of white country radio, hence all the genre experimentation (into hiphop segues, etc); I'm sure "is this really country though?" was a question Beyoncé deliberately set out to get us asking, and I'm sure her answer would be yes, through and through; that she seems to have done all of this on purpose definitely infuses the whole thing with Janelle Monae energy (whose run of arch-android albums was conceptually obsessed with Afrofuturist alternative history)
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Re: Act II: Cowboy Carter (Beyonce)
also I love the sprawling nature of it, not a second out of place imo (except maybe Post Malone); American Requiem and Blackbird seem essential to the concept
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Re: Act II: Cowboy Carter (Beyonce)
Okay yeah, I just listened to it again (not stoned this time) and it's very clearly her. Still impressive though!Jorge wrote:It sounds exactly like her! And (with all respect to Beyonce's incredible singing talent) not like an opera singerFarmer John wrote:Wait, is that Beyonce singing the opera part in Daughter? That's incredibly impressive if so.
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Re: Act II: Cowboy Carter (Beyonce)
Seriously though, this is my jam.
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liebzz
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Re: Act II: Cowboy Carter (Beyonce)
Giving this a listen today. Probably about half this morning and half on the way home. This is fantastic thus far, coming from someone who hasn’t ever cared about Beyoncé even after seeing her live. I’m quite impressed.
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Re: Act II: Cowboy Carter (Beyonce)
Apparently this album is "Act II" of a 3-parter with Renaissance as the first act.tragabigzanda wrote:Also what’s with the repeated use of “ii” in the song titles? I’m missing something
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Re: Act II: Cowboy Carter (Beyonce)
yep this is where I'm at, never really cared before, love thisliebzz wrote:Giving this a listen today. Probably about half this morning and half on the way home. This is fantastic thus far, coming from someone who hasn’t ever cared about Beyoncé even after seeing her live. I’m quite impressed.
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Re: Act II: Cowboy Carter (Beyonce)
this is correct; apparently each album in the trilogy is a "love letter" to different styles of music (this one of course being country)oftheearth wrote:Apparently this album is "Act II" of a 3-parter with Renaissance as the first act.tragabigzanda wrote:Also what’s with the repeated use of “ii” in the song titles? I’m missing something
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Re: Act II: Cowboy Carter (Beyonce)
Yeah I agree with this.Ms Harmless wrote:to my mind, it's absolutely an album grounded in country (and blues, folk, and gospel) but almost situates it in an alternative history where it was Black experimentation that took the reins and expanded the genre outwards to what we find familiar instead of white country radio, hence all the genre experimentation (into hiphop segues, etc); I'm sure "is this really country though?" was a question Beyoncé deliberately set out to get us asking, and I'm sure her answer would be yes, through and through; that she seems to have done all of this on purpose definitely infuses the whole thing with Janelle Monae energy (whose run of arch-android albums was conceptually obsessed with Afrofuturist alternative history)
Just For Fun is a pretty good example of all that actually. Great song.
And the duet with Miley is awesome.
BONE FUCKIN´ TOMAHAWK.
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Re: Act II: Cowboy Carter (Beyonce)
absolutely yepVinylGuy wrote:Yeah I agree with this.Ms Harmless wrote:to my mind, it's absolutely an album grounded in country (and blues, folk, and gospel) but almost situates it in an alternative history where it was Black experimentation that took the reins and expanded the genre outwards to what we find familiar instead of white country radio, hence all the genre experimentation (into hiphop segues, etc); I'm sure "is this really country though?" was a question Beyoncé deliberately set out to get us asking, and I'm sure her answer would be yes, through and through; that she seems to have done all of this on purpose definitely infuses the whole thing with Janelle Monae energy (whose run of arch-android albums was conceptually obsessed with Afrofuturist alternative history)
Just For Fun is a pretty good example of all that actually. Great song.
And the duet with Miley is awesome.