Steve Albini wrote:Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
Last edited by tragabigzanda on Fri January 09, 2026 9:49 pm, edited 1 time in total.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
One more vote for Anna Kendrick.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
agreedJorge wrote:Saw Woman of the Hour today. Anna Kendrick is a good director. She shoots like a total cinephile. Very weird title for that movie though
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
this is nothing like how it was portrayed in the movie
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
I havent seen the movie, but it kinda makes sense right
BONE FUCKIN´ TOMAHAWK.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
I did the same thing, tree, looked up the original video after watching the movie
Please consider voting for me
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
not even close, right?!The Argonaut wrote:I did the same thing, tree, looked up the original video after watching the movie
she doesn't quiz them with philosophical questions. it's playful sex banter the whole time. also I just learned that she didn't even actually go on a date with him after the show.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
You're basically describing what happens on every "based on a true story" adaptation.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
that doesn't make it OKBuby wrote:You're basically describing what happens on every "based on a true story" adaptation.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
But it is OK. It's a movie.
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
Maybe make it more clear that it is a highly fictionalized version of SOME actual events and people, as a gesture of respect.Jorge wrote:But it is OK. It's a movie.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
It really doesn't matter
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
It does to some of the people being represented who actually lived through it.Jorge wrote:It really doesn't matter
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
Too bad
A film is a piece of artistic expression, not a historical document
All "based on a true story" movies are fiction, you're better off just taking them as such
A film is a piece of artistic expression, not a historical document
All "based on a true story" movies are fiction, you're better off just taking them as such
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
yeah i get that, taking liberties where you have to, but i mean, we have the actual dating show being depicted for all to see, and then you watch the movie and you're like "whaaaaaaat?!" .. not even close
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
Steve Albini wrote:Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
Last edited by tragabigzanda on Fri January 09, 2026 9:41 pm, edited 1 time in total.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
Your stance on whether it's acceptable to take artistic liberties is based on rights agreements? So it's more a legal position than an ethical one?
How about when an artist depicts public or historical events and life rights aren't secured? You know they're not legally necessary, right?
"Broad artistic license" is a given in these films; you're talking about life rights, but all they do is help avoid legal disputes or provide access to unique personal stories or insights that aren’t publicly known. The don't necessarily represent a commitment or responsibility to stick to the facts by the letter, if the filmmakers even choose to pursue them.
How about when an artist depicts public or historical events and life rights aren't secured? You know they're not legally necessary, right?
"Broad artistic license" is a given in these films; you're talking about life rights, but all they do is help avoid legal disputes or provide access to unique personal stories or insights that aren’t publicly known. The don't necessarily represent a commitment or responsibility to stick to the facts by the letter, if the filmmakers even choose to pursue them.
Last edited by Jorge on Fri November 01, 2024 5:32 pm, edited 1 time in total.
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
Steve Albini wrote:Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
Last edited by tragabigzanda on Fri January 09, 2026 9:41 pm, edited 1 time in total.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
Specifically what frustrates me is in the movie the chick on the dating show takes this dramatic stance by directing questions to the contestants like "what are women for?" as like an "F you" to all the chauvinist pigs in the world, depicting her as some kind of feminist icon, but in reality she just played along with all the sexual banter. It's not even trying to get the most basic facts right when they're on display for all to see.
Last edited by tree_ on Fri November 01, 2024 5:35 pm, edited 1 time in total.
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Re: The Official ANNA KENDRICK and/or OLIVIA WILDE Thread
Basically, anyone can make a movie about anyone they like. You could get sued if the person you're representing feels your depiction is defamatory. Securing life rights accomplishes three things: 1- It shields you from legal action, 2- It can get you insights/info that's not publicly available, and 3- It gives your movie more credence in the public eye. Like having an "authorized biography." But you don't really need it.tragabigzanda wrote:I have no idea what the law is. I'm not sure what the legal difference is between a living household name like Donald Trump; a dead household name like Julius Caesar; and a living no-name, like the guy from the Beanie Babies movie.Jorge wrote:How about when an artist depicts public or historical events and life rights aren't secured? You know they're not legally necessary, right?
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.