The Cinematic Motion Picture News Thread

[Jorge]

I hope we get to see Noah doing some SMACK

[epilogue]

Is... this... real... ?

http://www.slashfilm.com/sequel-to-fran ... 4-release/

[McParadigm]

If they find a way to work ninjas and full on penetration into it, we might be looking at a masterpiece.

[Harry Lime]

Alfonso Cuarón Tells Indiewire Why TV Trumps Cinema at 'Gravity' Reception

http://www.indiewire.com/article/televi ... mps-cinema

Alfonso Cuarón shook up The Hollywood Reporter's Directors Roundtable a week back (and drew a baffled look from Steve McQueen) when he said that television is more interesting than mainstream cinema nowadays --

Spoiler: show

this coming from the man whose "Gravity" is arguably the most audaciously cinematic studio effort of the year.

"I enjoyed the directors talk," Cuarón told Indiewire this morning at a "Gravity" reception hosted by Warner Bros. in New York. "There's not enough time to get into real disagreements. I disagree with them about TV vs. mainstream cinema, but I was not going to get into it because it would have turned into a thing."


Still, for anyone following Cuarón closely, his viewpoint shouldn't come as a huge surprise. As his follow-up to "Gravity," Cuaron is heading to the small screen with "Believe," the NBC drama that he co-created and that J.J. Abrams is executive producing. The show is set for a mid-season premiere in 2014 with a pilot Cuarón directed himself.


"Mainstream TV offers better variety than most mainstream cinema.""I enjoyed doing it," Cuarón said of shooting the pilot (you can watch the trailer here). "After doing people floating in space, everything seemed easy. So I had a blast."

Given Cuarón was cut short from discussing in detail why he feels TV trumps mainstream film at the moment during the THR discussion, Indiewire asked him to elaborate.

"I feel that mainstream TV offers better variety than most mainstream cinema," he said. "Cinema is a cinematic experience, there's no question about that, but it's a small percentage compared to TV. TV offers you narrative; better narrative than cinema. Some shows they even have good cinematic moments, like 'Breaking Bad.' But it's not the norm."

Citing "Broadchurch" and "Mad Men" as two other shows he admires, he went on to stress that TV is where the good dramas are. "There's a complexity to the characters; you miss that in most mainstream cinema.

"Sometimes my kids get upset when I say this. I'm not putting cinema down. But the thematics you can explore in mainstream TV, film studios don't dare touch."

[BurtReynolds]

Is... this... real... ?

http://www.slashfilm.com/sequel-to-fran ... 4-release/

dead.

http://www.avclub.com/article/paramount ... :1:Default

[BurtReynolds]

[malice]

you encourage artists, and then you'll get - you know - art.

[McParadigm]

Well, about half of all movies these days are based on picture books anyway, so.

[epilogue]

Well, about half of all movies these days are based on picture books anyway, so.

I don't... huh?

[Jorge]

Well, about half of all movies these days are based on picture books anyway, so.

Just half of the ones you watch

[BurtReynolds]

Well, about half of all movies these days are based on picture books anyway, so.

Protest all you want, but I know you have at least a Boba Fett somewhere in your house.

[McParadigm]

Well, about half of all movies these days are based on picture books anyway, so.

Just half of the ones you watch

I have a friend with a Star Wars room. A goddamn Star Wars room. My movie going experiences are...influenced.

Protest all you want, but I know you have at least a Boba Fett somewhere in your house.

Boba Fett is a tool, and he dies like an asshole.

[BurtReynolds]

http://juanluisgarcia.com/dear-spike-lee/

working for "exposure". lol. I've gotten a few of those "job" offers.

[Harry Lime]

http://juanluisgarcia.com/dear-spike-lee/

working for "exposure". lol. I've gotten a few of those "job" offers.

Man, I feel for this guy. I only had one conversation with a major agency in LA before, and they sure know how to berate & strike fear into you. I'm sure there is a good way to protect yourself from that mentally, and I sure hope I'm prepared for it if there is ever a next time.

[Harry Lime]

Tarantino is writing another western.

[Harry Lime]

Uh oh.

http://blogs.indiewire.com/theplaylist/ ... s-20131206

Disney Cracks The Whip, Nabs Rights To Future 'Indiana Jones' Films

"I would do it in a New York minute, yes," Harrison Ford said earlier this year about returning for another "Indiana Jones" sequel. "I don’t think there is any barrier to Indiana Jones being an old fart. I’m old enough that we don’t need (Sean) Connery any more. I’m old enough to play my own father!" And, he might just get his chance to put on the hat and crack the whip one more time.


Last year, when Disney made the monumental deal for Lucasfilm, the focus at the time was on the "Star Wars" brand, resulting in a wave of sequels and spinoffs on the way, starting with J.J. Abrams' "Star Wars: Episode 7" dropping on December 18, 2015. In fact, the studio went out of their way to say they had no plans for Indiana Jones. But Disney has reassessed, it seems, and taken a moment away from star-gazing to focus on the other properties in the Lucasfilm catalog and have struck a deal, obtaining the rights to all future "Indiana Jones" movies. Well, don't they own them already? Not exactly.

Since Paramount produced and distributed the first four movies, they'll be hanging on to those. Moreover, Paramount will also get a cut of any future "Indiana Jones" movies. A small price to pay perhaps for Disney, but they'll more than make up for it as it's a huge property, a still very viable brand with lots of opportunities for them to utilize it via their theme parks and more. In short, it's not a complete surprise they're making this move.

As for whether or not "Indiana Jones 5" is happening anytime soon or has a date on the calendar, that's not clear just yet. But given that shortly following the purchase of Lucasfilm last year, the plans for sequels and spinoffs quickly followed, we wouldn't be shocked if Disney already has a tentative gameplan

And also:

Time Magazine Worst Movies of 2013

10. The Hangover Part III
9. Oz the Great and Powerful
8. The Counselor
7. The Big Wedding
6. Only God Forgives
5. RIPD
4. After Earth
3. The Host
2. Salinger
1. Grown Ups 2

[Harry Lime]

And Time Magazine's (Richard Corliss') Top 10 Best Movies of 2013. What a stupid list, just because of Gravity being number one.



1. Gravity. "In depicting the fearful, beautiful reality of the space world above our world, Gravity reveals the glory of cinema’s future; it thrills on so many levels."

2. The Great Beauty. "Giving even the cynics a faith in the vibrancy of movies, The Great Beauty is the year's grandest, most exhilarating film that takes place on Earth."

3. American Hustle. "This portrait of the '70s revels in the decade’s gaudiness -- its disco dancing and casino dreams, its ugly coiffures and facial hair -- and in the eternal abrasion of sexy women and covetous men."

4. Her. "Spike Jonze... creates a splendid anachronism: a modern rom-com that is laugh-and-cry and warm all over, totally sweet and utterly serious."


5. The Grandmaster. "A fittingly elegiac climax for a world-class filmmaker who's always in the mood for lost love."


6. Furious 6. "This adrenaline-stoking series is addictive, for its chases, crashes, crushes -- and for its poetic limning of the closest camaraderie many men can ever know: with their cars."


7. Frozen. "The first animated feature in the Walt Disney studio's glorious history to offer two princess heroines, Frozen transforms Hans Christian Andersen's 'The Snow Queen' into a fable of modern, timeless sisterhood."


8. The Act of Killing. "Making the movies, which vault from film noir to bizarre musical, eventually gets under Anwar's skin and into his dreams.... For any viewer, the effect is no less haunting."


9. 12 Years a Slave. "The movie has the eerie impact of a museum exhibit; it is a diorama of atrocity."


10. The Hobbit: The Desolation of Smaug. "Each complex encounter, especially a flume-ride escape of the dwarves, boasts a teeming ingenuity of action and character."

[Harry Lime]

National Board of Review

Best Film
HER
Best Director
Spike Jonze, HER

Best Actor
Bruce Dern, NEBRASKA

Best Actress
Emma Thompson, SAVING MR. BANKS

Best Supporting Actor
Will Forte, NEBRASKA

Best Supporting Actress
Octavia Spencer, FRUITVALE STATION

Best Original Screenplay
Joel and Ethan Coen, INSIDE LLEWYN DAVIS

Best Adapted Screenplay
Terence Winter, THE WOLF OF WALL STREET

Best Animated Feature
THE WIND RISES
Breakthrough Performance
Michael B. Jordan, FRUITVALE STATION

Breakthrough Performance
Adele Exarchopoulos, BLUE IS THE WARMEST COLOR

Best Directorial Debut
Ryan Coogler, FRUITVALE STATION

Best Foreign Language Film
THE PAST

Best Documentary
STORIES WE TELL

William K. Everson Film History Award
George Stevens, Jr.

Best Ensemble
PRISONERS

Spotlight Award
Career Collaboration of Martin Scorsese and Leonardo DiCaprio

NBR Freedom of Expression Award
WADJDA

Creative Innovation in Filmmaking Award
GRAVITY

Top Films
(in alphabetical order)
12 YEARS A SLAVE
FRUITVALE STATION
GRAVITY
INSIDE LLEWYN DAVIS
LONE SURVIVOR
NEBRASKA
PRISONERS
SAVING MR BANKS
THE SECRET LIFE OF WALTER MITTY
THE WOLF OF WALL STREET

Top 5 Foreign Language Films
(In Alphabetical Order)
BEYOND THE HILLS
GLORIA
THE GRANDMASTER
A HIGHJACKING
THE HUNT

Top 5 Documentaries
(In Alphabetical Order)
20 FEET FROM STARDOM
THE ACT OF KILLING
AFTER TILLER
CASTING BY
THE SQUARE

Top 10 Independent Films
(In Alphabetical Order)
AIN’T THEM BODIES SAINTS
DALLAS BUYERS CLUB
IN A WORLD…
MOTHER OF GEORGE
MUCH ADO ABOUT NOTHING
MUD
THE PLACE BEYOND THE PINES
SHORT TERM 12
SIGHTSEERS
THE SPECTACULAR NOW

The New York Film Critics Circle

Best Film
American Hustle

Best Actor
Robert Redford, All Is Lost

Best Actress
Cate Blanchett, Blue Jasmine

Best Director
Steve McQueen, 12 Years A Slave

Best Supporting Actress
Jennifer Lawrence, American Hustle

Best Foreign Language Film
Blue Is The Warmest Color

Best Supporting Actor
Jared Leto, Dallas Buyers Club

Best Animated Film
The Wind Rises

Best Screenplay
American Hustle

Special Award
Frederick Wiseman
Best Cinematography
Bruno Delbonnel, Inside Llewyn Davis

Best First Film
Fruitvale Station

Best Non-fiction Film (Documentary)
Stories We Tell

[epilogue]

Salinger was awesome. Not like best picture or even best documentary or anything. But awesome. Keep that fucker away from any / all "worst" lists.

[BurtReynolds]

hey yo yo yo check this out.

hollywood auction of stuff. Pretty great nerd stuff in there. Wouldn't mind my own Aliens facehugger prop.
http://www.profilesinhistory.com/flipbo ... index.html