How The West Was Won And Where It Got Us: An REM Thread

[Bee Girl]

I am really looking forward to this one.

[Rangi Guy]

It's pretty great. Spun this a few times since picking it up

[AndySlash]

May 19th for the CD/Digital release of the MTV Unplugged Set...

http://remhq.com/news_story.php?id=1981

checking out the other news items posted on remhq there, i saw they linked to this article:

http://www.salon.com/2014/04/19/r_e_m_s ... preciated/

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For Record Store Day today, R.E.M. is releasing a limited-edition four-LP collection, “Unplugged: The Complete 1991 and 2001 Sessions.” Recorded a decade apart, the two shows have striking differences. The R.E.M. of 1991 was fresh off the release of the No. 1 album “Out of Time,” but still clung tight to their earnest college rock roots — even as it was clear they were on the cusp of a mature creative breakthrough. The R.E.M. of 2001 was now an established mainstream draw, but was certainly at a crossroads, trying to figure out where to go next.

Part of this crisis stemmed from the fact their cerebral, intricate music was out of step with prevailing trends. But the ongoing concern was achieving balance after the departure of drummer Bill Berry. At the time he left, vocalist Michael Stipe was quoted as saying, “I guess a three-legged dog is still a dog, it just has to learn to run differently.” Four years after this amicable decision, Stipe, Peter Buck and Mike Mills were still learning how to find their footing and create without him.

In 2001, that process had already produced some interesting (and uncharacteristic) music. 1998′s “Up” was a murky, keyboard-tinted record that found beauty in feeling unmoored, while that year’s “Reveal” delved deeper into electronic textures, beats and remixes. During the following years, R.E.M. continued to obliterate their comfort zones and rebel against their past selves — with admittedly mixed results — before finally reaching equilibrium with 2011′s “Collapse Into Now.”

Still, the argument about R.E.M.’s post-Berry output continues to be a heated one, nearly two decades after his departure. In reality, R.E.M. without Berry was simply a different band with different chemistry. Examining their catalog in this light reveals some real gems, cuts that stand tall next to any of the band’s beloved early work. Below are 10 of the best post-Berry songs.

“The Lifting”

R.E.M. tended to make bold statements with the first track on a given album. In the post-Berry era, that hadn’t changed: 2001′s “Reveal”immediately erased the darker sonic textures of “Up” with “The Lifting,” a lighter-than-air psych-pop song on which orbiting synths zap around scrambled sound effects and strident piano. Surging vocal melodies and key changes contribute to the tune’s head-in-the-clouds atmosphere — and create a cumulative effect of emotional exhale and release from tension.

“Electron Blue”

To say 2004′s “Around The Sun” is critically maligned is putting it mildly; even among many hardcore fans, the record rarely merits a defense. However, time has been kind to many of the album’s songs, including the futuristic, anxious second track “Electron Blue.” Layers upon layers of vivid keyboards — which sound like everything from percolating coffee to buzzing fluorescent lights — intertwine with faint hints of chiming guitars and quivering strings. The resulting music is otherworldly, and intoxicating in the way it quells fear of the unknown with delicate calm.

“Hope”

Perhaps it’s not surprising that the uncertainty surrounding “Up” produced lyrics focused on finding order and logic within chaos. The stream-of-consciousness-like “Hope” attempts to reconcile scientific and religious beliefs with the more nebulous ideas of faith and the supernatural. And although the song draws no concrete conclusions, the tinny drum machine and childlike keyboard drones make these philosophical musings hypnotizing.

“Imitation of Life”

On the surface, “Imitation of Life” certainly sounded like good ol’ bittersweet R.E.M. jangle-pop. But the “Reveal” single was a far cry from the scrappy, angsty rock of the band’s youth: Sugary strings, swampy keyboards and glossy production — not to mention a loping pace and cheer-up lyrical attitude — mean “Imitation of Life” is one of R.E.M.’s most life-affirming moments.

“Living Well Is the Best Revenge”

2008′s “Accelerate” was a “return to form” in the sense that R.E.M. sounded galvanized by global and political injustices. The raucous opener “Living Well Is the Best Revenge” is a scornful, spite-filled song itching for action to combat idiocy: “Well, I’m not one to sit and spin/’Cause living well’s the best revenge.” While the tune is a showcase for Buck’s buzzsawing riffs, its true secret weapons are Mills’ nimble, lively bass lines and vocal countermelodies.

“Hollow Man”

As the name implies, “Hollow Man” is full of self-doubt and self-reproach. In fact, the protagonist is rather torn up about losing depth and authenticity, and is longing to get back in the good graces of others: “You trusted me, I want to show you/I don’t want to be the hollow man.” This urgency and desperation only benefit the “Accelerate” song, however; the dynamic song segues from sparse verses to barnstorming choruses with sunny-side-up guitars.

“At My Most Beautiful”

The piano-heavy, intricate Beach Boys homage is one of R.E.M.’s most direct songs — and a love song to boot. But the emotional honesty works remarkably well, mainly because the vulnerability pushes Stipe to be concise and pointed, leading to detail-rich lines such as, “At my most beautiful, I count your eyelashes secretly/With every one, whisper I love you.”

“Walk Unafraid”

A staple of the band’s later tours, “Walk Unafraid” harkens to the troubled guitar jags and biblical references of 1985′s “Fables of the Reconstruction.” However, the protagonist of this “Up” highlight brings world-weary confidence and clear-eyed conviction to the song’s lyrics. An elegant allegory, “Walk Unafraid” espouses the idea of living a fearless life, even if this path is different: “They claim to walk unafraid, I’ll be clumsy instead.”

“Alligator_Aviator_Autopilot_Antimatter”

In the twilight of their career, R.E.M. glammed up their sound here and there, in a style reminiscent of 1994′s “Monster.” The “Collapse Into Now” cut ”Alligator_Aviator_Autopilot_Antimatter” is the best of these glitter bombs: Buck’s metallic garage-guitar glints underneath a hollering vocal duel between Stipe and guest Peaches. Although the pair’s bravado masks lyrics cut through with insecurity (“I have, have got a lot to learn”), the song has devastating swagger.

“It Happened Today”

As far as swan songs go, 2011′s “Collapse Into Now” was pretty much note-perfect; the album neatly tied a bow on R.E.M.’s legacy by nodding to all eras and styles of the band. Perhaps the album’s finest, most affecting moment is the deceptively simple “It Happened Today.” The song’s prominent musical elements – proud acoustic guitar, wordless dueling harmonies from Mills and Stipe, and folksy percussion — seem basic. But buried underneath this foundation are dozens of sonic ideas, in the form of (to name a few) dulcimer, mandolin, glockenspiel and pianos. It’s the best kind of R.E.M. song: one whose nooks and crannies reveal new nuances with each listen.

Annie Zaleski is the managing editor of Alternative Press magazine.
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i think the author and i would get along well. 3 up songs out of 10 is a pretty good showing for that record, i think. and her description of collapse into now is spot on.

[Lament]

Yeah, the author picked some pretty solid tracks there. I love The Lifting.

[stip]

Me too. Maybe my favorite post berry song.

Or living well or it happened today.

And electron blue has aged pretty nicely

[Rangi Guy]

I've not heard that version of It Happened Today before...

[Jorge]

Let's celebrate the release of their MTV Unplugged set by listening to this classic.

[Norah]

Hope is such a great fucking song.

And no stip, it doesn't meander for too long.

[stip]

I don't think it does. Just the ending. I could listen to the verses of that song all day. Its in my top 5 of the post berry years. It's probably my 4th favorite song of the post berry years

[VinylGuy]

i love Blue...and actually that last song...we all go back ? something like that...it was really good too.

[kreng]

no word on the LP set getting a proper release? i really don't want to fork over $250+ :\

[stip]

i love Blue...and actually that last song...we all go back ? something like that...it was really good too.

It was.

[AndySlash]

i love Blue...and actually that last song...we all go back ? something like that...it was really good too.

It was.

indeed.

[philpritchard]

I've become obsessed with Collapse Into Now recently. I liked it when it first came out, but I've been listening to it over and over lately and I can't get enough. There are so many high points.

[epilogue]

Yeah, Collapse is probably my third favorite REM album. Maybe #2.

[PryTo]

I'm sure this has been posted at some point, but the It Happened Today remix project was a great idea.

https://soundcloud.com/groups/iht-remix

You can still download the Garageband tracks here

http://download.wbr.com/remhq/iht_remix ... geband.zip

and create your own mix, add your own instruments/vocals or whatever. It was fun being able to isolate individual tracks and break everything down. I made some acoustic mixes of It Happened Today, with some fun acapella parts. For you Garageband freaks who happen to be R.E.M. fans, it's pure (wild) heaven.

[stip]

I noticed today that rem's career divides really nicely into 3 5 album sequences

[stip]

Favorite 2 songs for each album: go!

Murmur: perfect circle, sitting still
Reckoning: harborcoat, little America
Fables: driver 8, life and how to live it
Pageant: begin the begin, I believe
Document: finest worksong, end of the world...
Green: you are the everything, untitled
Out of time, country feedback, losing my religion
Automatic: night swimming, find the river
Monster: let me in, tongue
Hi fi: ebow, electrolite
Up: lotus, hope
Reveal: the lifting, chorus and the ring
Around the sun: electron blue, I wanted to be wrong
Accelerate: living well..., I'm gonna do
Collapse: uberlin, it happened today

[Norah]

I can't do it past Up. I never really revisited the post Up records enough to rank those songs.

[Norah]

Fables and Pageant would be tough for me too. It's been a while since I really listened to those ones (even though I loved them when I was going through in order).