The Best Moment in Vs.
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The Best Moment in Vs.
In this thread we post about our favorite moments in each of the songs on the appropriate record. What could be a better use of your time?!
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Re: The Best Moment in X is: Vs. Edition
Go: The churning bass during the extended intro.
Animal: That’s a tough one. There are a lot of them. The opening riff (not that it changes, but Animal has a great beginning). But I also really like the hanging spaces during the verses—the way the brief silences make everything else so much louder. The moment where the solo begins is really awesome too. But I also like when the solo kicks in about 1:50 or so. Hmmm, but the bit where the drums are loudest in the mix at the start of the outro is also awesome. Lots to love here
Daughter: Probably the solo. It’s a good ‘un. Nice and clean and simple. I also really like the chorus coming out of the solo where it’s mostly drums. Dave A is pretty awesome top to bottom on this thing. I wonder why they fired him.
Glorified G: When they repeat the main riff coming right out of the bridge, maybe. Nothing obvious here.
Dissident: The opening riff. It gets a bit stale by the end, but it’s pretty great for a while. Or maybe the ‘SHE GAVE HIM AWAY’ delivery right after the bridge.
W.M.A.: The ‘Jesus greets me/looks just like me’ moment. Maybe the ‘all my pieces set me free/human devices set me free’ chanting
(as an aside, the backing vocals on this song are terrible during the ‘police stopped…’ sequence)
Blood: The way it explodes right at the beginning catching you totally unaware after the drone of WMA
RVM: The final 30 seconds or so. One of the most intense moments they’ve ever captured. I think this is my favorite moment on the whole record, actually
Rats: The bass in the intro. Jeff is one of the unsung heroes of this record
Elderly Woman: I just want to scream…hello
Leash: the ‘I am lost, I am no guide’ verse, which is one of my favorites ever
Indifference: ‘I’ll swallow poison…’
Animal: That’s a tough one. There are a lot of them. The opening riff (not that it changes, but Animal has a great beginning). But I also really like the hanging spaces during the verses—the way the brief silences make everything else so much louder. The moment where the solo begins is really awesome too. But I also like when the solo kicks in about 1:50 or so. Hmmm, but the bit where the drums are loudest in the mix at the start of the outro is also awesome. Lots to love here
Daughter: Probably the solo. It’s a good ‘un. Nice and clean and simple. I also really like the chorus coming out of the solo where it’s mostly drums. Dave A is pretty awesome top to bottom on this thing. I wonder why they fired him.
Glorified G: When they repeat the main riff coming right out of the bridge, maybe. Nothing obvious here.
Dissident: The opening riff. It gets a bit stale by the end, but it’s pretty great for a while. Or maybe the ‘SHE GAVE HIM AWAY’ delivery right after the bridge.
W.M.A.: The ‘Jesus greets me/looks just like me’ moment. Maybe the ‘all my pieces set me free/human devices set me free’ chanting
(as an aside, the backing vocals on this song are terrible during the ‘police stopped…’ sequence)
Blood: The way it explodes right at the beginning catching you totally unaware after the drone of WMA
RVM: The final 30 seconds or so. One of the most intense moments they’ve ever captured. I think this is my favorite moment on the whole record, actually
Rats: The bass in the intro. Jeff is one of the unsung heroes of this record
Elderly Woman: I just want to scream…hello
Leash: the ‘I am lost, I am no guide’ verse, which is one of my favorites ever
Indifference: ‘I’ll swallow poison…’
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Re: The Best Moment in X is: Vs. Edition
The best moment is when Stone's backing vocals come in. What the fuck is wrong with you?stip wrote:Glorified G: When they repeat the main riff coming right out of the bridge, maybe. Nothing obvious here.
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Re: The Best Moment in X is: Vs. Edition
The whole part from the "saw things" till the end in Rearviewmirror.
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Re: The Best Moment in X is: Vs. Edition
WMA - The drum loop. Everything after that is a huge letdown. When Dave comes in on the toms at 1:30 is pure magic.
Go - How it starts off with each member doing a small warm-up. Like they're caged animals, waiting to be let loose.
RVM - At the time, the breakdown at the end of the song. Live, the opening notes as they hold the promise of what's to come.
Small Town - Pretty much every vocal line and Mike's understated accompanying support. This song reminds me of a lot of Ten. A pretty generic song musically that is transported by Eddie and one or two players adding something special.
This is a weird album for me. On Ten, they played to strengths on every song. With Vs, they went places that they can't completely own.
Rats - Stone, Jeff and Dave are great. Mike is lost and Eddie tries to power through what requires a modicum of finesse.
Glorified G - Dave left space for Jeff or Stone to do more, and they don't. I appreciate their stabs to getting a little funkier but they're never all on the same page.
Leash - Up until the vocals kick in. the gang vocals are just all kinds of awful. Dave is an absolute star. I'd hate to hear this done with Matt.
Indifference - Horrible placement right after Leash. I'm ADD and I have a hard time switching from Leash to Indifference. Plus, this is where Hard To Imagine belongs to be. This is HTI not nearly as hot cousin.
Blood - Mike sounds like a ten year old with his first wah. A jarring juxtapositions between the verses and choruses that never fully comes together.
I feel bad for not mentioning Stone, He's pretty amazing. A much better pure rhythm and funk guitarist than he's ever given credit for. He's golden during RVM.
Go - How it starts off with each member doing a small warm-up. Like they're caged animals, waiting to be let loose.
RVM - At the time, the breakdown at the end of the song. Live, the opening notes as they hold the promise of what's to come.
Small Town - Pretty much every vocal line and Mike's understated accompanying support. This song reminds me of a lot of Ten. A pretty generic song musically that is transported by Eddie and one or two players adding something special.
This is a weird album for me. On Ten, they played to strengths on every song. With Vs, they went places that they can't completely own.
Rats - Stone, Jeff and Dave are great. Mike is lost and Eddie tries to power through what requires a modicum of finesse.
Glorified G - Dave left space for Jeff or Stone to do more, and they don't. I appreciate their stabs to getting a little funkier but they're never all on the same page.
Leash - Up until the vocals kick in. the gang vocals are just all kinds of awful. Dave is an absolute star. I'd hate to hear this done with Matt.
Indifference - Horrible placement right after Leash. I'm ADD and I have a hard time switching from Leash to Indifference. Plus, this is where Hard To Imagine belongs to be. This is HTI not nearly as hot cousin.
Blood - Mike sounds like a ten year old with his first wah. A jarring juxtapositions between the verses and choruses that never fully comes together.
I feel bad for not mentioning Stone, He's pretty amazing. A much better pure rhythm and funk guitarist than he's ever given credit for. He's golden during RVM.
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Re: The Best Moment in X is: Vs. Edition
this.chewm wrote:The whole part from the "saw things" till the end in Rearviewmirror.
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Re: The Best Moment in X is: Vs. Edition
Although I absolutely love the bridge in Glorified G
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Re: The Best Moment in X is: Vs. Edition
the beginning of daughter, probably
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Re: The Best Moment in X is: Vs. Edition
you mean the "you guys ready?" part, or the actual music?cutuphalfdead wrote:the beginning of daughter, probably
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Re: The Best Moment in X is: Vs. Edition
all of itbodysnatcher wrote:you mean the "you guys ready?" part, or the actual music?cutuphalfdead wrote:the beginning of daughter, probably
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Re: The Best Moment in X is: Vs. Edition
numbers wrote:this.chewm wrote:The whole part from the "saw things" till the end in Rearviewmirror.
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Re: The Best Moment in X is: Vs. Edition
Intro to Go.
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Re: The Best Moment in X is: Vs. Edition
Has the intro to Go ever been played live? and why would they not just do it and allow jeff to go all bass crazy?Thejambi wrote:Intro to Go.
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Re: The Best Moment in X is: Vs. Edition
I've never understood why they don't play the intro live.lowlight79 wrote:Has the intro to Go ever been played live? and why would they not just do it and allow jeff to go all bass crazy?Thejambi wrote:Intro to Go.
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Re: The Best Moment in X is: Vs. Edition
I was hoping someone would ask this during the town hall, but since pearl jam is a communist organization, they probably had certain questions hand picked.tommymctom wrote:I've never understood why they don't play the intro live.lowlight79 wrote:Has the intro to Go ever been played live? and why would they not just do it and allow jeff to go all bass crazy?Thejambi wrote:Intro to Go.
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Re: The Best Moment in X is: Vs. Edition
a lot of my "best moments" probably gravitate towards Ed, bc he stood out to me the most when this album came out. Saying that, I'd go with:
- the intro bass and first guitar hits of Go
- the general riff of Animal. always loved Ed's growl/bark around in the middle of the song. miss that side of him.. just some sort of pent up emotion ready to burst
- the "shades go down" outro in Daughter, and their ability to have a "soft" song and still manage to pull off a great deal of intensity
- Stone on Glorified G
- Ed coming out of the bridge of Dissident until the end of the song
- the outro chanting of WMA
- Blood's relentless intro; that long ass scream Ed does; Ed's vocal cords on the brink of collapse the entire time
- the end of RVM, obvs
- Jeff's bassline in Rats
- "My God, it's been so long / Never dreamed you'd return" delivery
- the feedback into the intro of Leash, and that distant Ed scream before the drums hit
- the atmosphere and space of Indifference
- the intro bass and first guitar hits of Go
- the general riff of Animal. always loved Ed's growl/bark around in the middle of the song. miss that side of him.. just some sort of pent up emotion ready to burst
- the "shades go down" outro in Daughter, and their ability to have a "soft" song and still manage to pull off a great deal of intensity
- Stone on Glorified G
- Ed coming out of the bridge of Dissident until the end of the song
- the outro chanting of WMA
- Blood's relentless intro; that long ass scream Ed does; Ed's vocal cords on the brink of collapse the entire time
- the end of RVM, obvs
- Jeff's bassline in Rats
- "My God, it's been so long / Never dreamed you'd return" delivery
- the feedback into the intro of Leash, and that distant Ed scream before the drums hit
- the atmosphere and space of Indifference
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Re: The Best Moment in X is: Vs. Edition
They used to play it, or a version of it, at some of the early 1995 shows with Jack:lowlight79 wrote:I was hoping someone would ask this during the town hall, but since pearl jam is a communist organization, they probably had certain questions hand picked.tommymctom wrote:I've never understood why they don't play the intro live.lowlight79 wrote:Has the intro to Go ever been played live? and why would they not just do it and allow jeff to go all bass crazy?Thejambi wrote:Intro to Go.
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Re: The Best Moment in X is: Vs. Edition
It's probably for the best they stopped that.
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Re: The Best Moment in X is: Vs. Edition
I still miss Jack Irons something fierce.
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Re: The Best Moment in X is: Vs. Edition
Sometimes I feel that way about Dave A.