The Best Moment in...Binaural
- LoathedVermin72
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Re: The Best Moment in...Binaural
This thread went in an odd direction.
- Vindicator
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Re: The Best Moment in...Binaural
Binaural is my number one Pearl Jam album. 
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Release_Me
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Re: The Best Moment in...Binaural
NAIS without doubt. Not much else on this album that really stands out for me, besides Light Years and Grievance I guess.
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Habitman
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Re: The Best Moment in...Binaural
Best moment:
The bridge in "Thin Air"
on Ed's vocals:
I don't love the vocals but the mix was an opportunity wasted... In Binaural...Eds voice is was one of the instruments. It could have been a turn for the band as Post-Yield Ed just was not good enough to carry the band. This was proven in the subsequent albums as the Ed mix of "Good and loud" has been disappointing.
The band could have shifted for the better. Opportunity wasted.
The bridge in "Thin Air"
on Ed's vocals:
I don't love the vocals but the mix was an opportunity wasted... In Binaural...Eds voice is was one of the instruments. It could have been a turn for the band as Post-Yield Ed just was not good enough to carry the band. This was proven in the subsequent albums as the Ed mix of "Good and loud" has been disappointing.
The band could have shifted for the better. Opportunity wasted.
- Leatherhead
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Re: The Best Moment in...Binaural
Vindicator wrote:Binaural is my number one Pearl Jam album.
- pnjguy
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Re: The Best Moment in...Binaural
Outro of Insignificance.
- Leatherhead
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Re: The Best Moment in...Binaural
Whatever matt's doing (on the hi-hat? Idk) in grievance during "champage breakfast for everyone!"
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Re: The Best Moment in...Binaural
the part right before 'it's instilled'... is pretty great.pnjguy wrote:Outro of Insignificance.
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digster
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Re: The Best Moment in...Binaural
I think the bridge and ending of Insignificance is PJ's finest moment. Granted, I think that is their best song, but that moment in particular is great.
- Brett
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Re: The Best Moment in...Binaural
Breakerfall: Mike's spacy guitar bits, Jeff's bass in the second half, and the muffled backing vocals.
God's Dice: The bridge. Always the bridge.
Evacuation: All of the shifts into the "bridges." The diamond shore and the solemn man.
Light Years: When Eddie's vocals first enter, when the first chorus hits, the bridge/instrumental jam in the middle, the outro. One of my favorite songs, so lots of good moments to be had.
Nothing As It Seems: Mike's solos and the bridge.
Thin Air: The little break after the first chorus, the bridge into the final chorus.
Insignificance: The rolling intro, the bridge, outro
Of the Girl: The slow build in the beginning, "how he makes his getaway," all the instrumental parts.
Grievance: The pull/break the innocent part; I don't know if you'd really call that a chorus. The build into the ending.
Rival: The bridge, the outro, even though it fades out early.
Sleight of Hand: The whole thing, maybe. It's my favorite PJ song, so picking points is hard. I'm particularly partial to the first few notes hitting, the chiming guitars, Matt's drums, the instrumental break, and the final verse.
Soon Forget: I still find the lyrics amusing, even if they are petty. I also like the palm muted chords at the end of all the stanzas.
Parting Ways: The strings, the crashing choruses, and the outro.
God's Dice: The bridge. Always the bridge.
Evacuation: All of the shifts into the "bridges." The diamond shore and the solemn man.
Light Years: When Eddie's vocals first enter, when the first chorus hits, the bridge/instrumental jam in the middle, the outro. One of my favorite songs, so lots of good moments to be had.
Nothing As It Seems: Mike's solos and the bridge.
Thin Air: The little break after the first chorus, the bridge into the final chorus.
Insignificance: The rolling intro, the bridge, outro
Of the Girl: The slow build in the beginning, "how he makes his getaway," all the instrumental parts.
Grievance: The pull/break the innocent part; I don't know if you'd really call that a chorus. The build into the ending.
Rival: The bridge, the outro, even though it fades out early.
Sleight of Hand: The whole thing, maybe. It's my favorite PJ song, so picking points is hard. I'm particularly partial to the first few notes hitting, the chiming guitars, Matt's drums, the instrumental break, and the final verse.
Soon Forget: I still find the lyrics amusing, even if they are petty. I also like the palm muted chords at the end of all the stanzas.
Parting Ways: The strings, the crashing choruses, and the outro.
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Re: The Best Moment in...Binaural
This is a really tough one, I'd have to go with when Sleight Of Hand starts.
- ridleybradout
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Re: The Best Moment in...Binaural
From "she's searching for esca-aa-aa-ape" through to Mike's weeping guitar outro, echoing into the distance.
Oh, wait...
Oh, wait...
- hlniv
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Re: The Best Moment in...Binaural
"A night bird is following you all the time...." -> juicy little mccready solo...
Oh wait....
Oh wait....
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Re: The Best Moment in...Binaural
Till he had more time (boom chuck) mooooooooooore time.
Time to dream....
Boom Chuck= the two kick drum beats Cameron hits before entering the pre chorus.
Fuck me if that isnt one of the best moments of the world.
Time to dream....
Boom Chuck= the two kick drum beats Cameron hits before entering the pre chorus.
Fuck me if that isnt one of the best moments of the world.
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Re: The Best Moment in...Binaural
I really like the fifth bar of Stone's guitar during the verses to "Sleight of Hand", how it hangs like a question mark
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digster
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Re: The Best Moment in...Binaural
I love how devastating the start of the first chorus of Sleight of Hand sounds. It's like a tiny, private apocalypse.
The discordant piano in Rival. Those backing vocals may be the coolest thing Ed's ever done.
The discordant piano in Rival. Those backing vocals may be the coolest thing Ed's ever done.
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Re: The Best Moment in...Binaural
The shadow vocals in Breakerfall
GD's bridge
Evacuation's bridge
LY's sad outro
Ed's voice transforming into a guitar tone in OTG
Mike's guitar in OTG - akin to a drunken musical elephant trying to sound cool whilst failing to hump a mechanical bull in a cave
GD's bridge
Evacuation's bridge
LY's sad outro
Ed's voice transforming into a guitar tone in OTG
Mike's guitar in OTG - akin to a drunken musical elephant trying to sound cool whilst failing to hump a mechanical bull in a cave
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yofismom
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Re: The Best Moment in...Binaural
This. Certainly not Evacuation.digster wrote:I think the bridge and ending of Insignificance is PJ's finest moment. Granted, I think that is their best song, but that moment in particular is great.
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chewm
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Re: The Best Moment in...Binaural
wrong thread.
- PHATJ
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Re: The Best Moment in...Binaural
Yes. Yes. 100% Yes.Brett wrote:
Sleight of Hand: The whole thing, maybe. It's my favorite PJ song, so picking points is hard. I'm particularly partial to the first few notes hitting, the chiming guitars, Matt's drums, the instrumental break, and the final verse.