Lament wrote:U2 and Pearl Jam are two of the bands who I've followed down the absolute smallest of minute points at some time or other (and pretty consistently for over eighteen years). I don't really see a lot of similarities other than they're both popular rock bands. Their "legacies" and what's at stake moving forward with each of them, are actually very different.
BurtReynolds wrote:People remember Michael Jordan as the greatest basketball player in history. They've already forgotten about the last years in Washington when idiot sportswriters were whining about protecting his legacy. And in a hundred years, no one will remember Michael Jordan at all.
This. So much. Every time the Stones go away for a few years it becomes ok again to be like "FROM 1968-1972 THEY WERE BETTER THAN ANY BAND EVER." Whenever they stop for good, the next generation of people who get into them isn't gonna care that they went on into the 2010's. They're gonna care about the handful of records they made that reside in the absolute elite echelon of modern popular music. Look at The Who, they made some really patchy, borderline questionable work post-Who By Numbers (which, while artistically appreciated now, was not at the time). But when some 16 year old discovers them for the first time (including myself back in the day), his (or her) initial reaction isn't "Man, Quadrophenia and The Who Sell Out and Who's Next seem way less awesome cause Face Dances sucks." Some 16 year old in 2025 who stumbles across Vitalogy or No Code and has his or her mind blown isn't gonna then be like "But wait, Backspacer sucks. Now I don't enjoy those other records. Damn."
I think this is pretty spot on, and ties back into the deterioration of the "monoculture," which many of us here grew up in and which is part of what made Pearl Jam huge, once upon a time. To some extent, that may become one of their legacies--being one of the last huge rock bands from the era of monoculture. Those days when a rock singer could be on the cover of Time magazine. When there was enough of a culture that there was something like Time magazine.
As for music, bad albums aren't going to tarnish what they did in the early 90s. I also don't think their legacy is confined to Ten. Betterman alone is enough to ensure that. But moreover, I don't think anyone is likely to remember them based on albums anyway. They'll remember the band that had Betterman, and Alive, and Even Flow, and Jeremy, and Black, and Daughter. Those are the songs I still hear on the radio and I expect them to persist.