I would, assholetheplatypus wrote:And you would know, "e-cig lover".eciglover wrote:Does for me.lecherouslittlestump wrote:The fuck? It doesn't sound like that at all.But it almost ruins the song considering Ed smoked a million or two cigarettes from the time that song was recorded to the time he re-recorded the line; its pretty noticeable
My review of the No Code reissue
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Re: My review of the No Code reissue
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Re: My review of the No Code reissue
I'm a big fan of your avatar picture, eciggy.
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Re: My review of the No Code reissue
Off The Goes sounds tremendous on this. Can really hear each instrument doing their thing.
I also agree about the avalanche line, it sounds like it is from the same session.
I also agree about the avalanche line, it sounds like it is from the same session.
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Re: My review of the No Code reissue
No doubt it is - the backing vocals singing the same line are a dead give away.Monkey_Driven wrote:I also agree about the avalanche line, it sounds like it is from the same session.
Nope - first appearance of avalanche was on RVM Greatest Hits in 2004. Given Ed has never sung the avalanche lyric live, I would say this was simply an oversight after going back to the original masters like McP and BIH mentioned earlier, rather than intentional post-hoc tinkering. Not sure which is worse thoughGreenMosquito1996 wrote: Long story short : I think the " Avalanche " line was on the original single which came out before the album.
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rimb
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Re: My review of the No Code reissue
Post-hoc tinkering is far worse IMO.ridleybradout wrote:No doubt it is - the backing vocals singing the same line are a dead give away.Monkey_Driven wrote:I also agree about the avalanche line, it sounds like it is from the same session.
Nope - first appearance of avalanche was on RVM Greatest Hits in 2004. Given Ed has never sung the avalanche lyric live, I would say this was simply an oversight after going back to the original masters like McP and BIH mentioned earlier, rather than intentional post-hoc tinkering. Not sure which is worse thoughGreenMosquito1996 wrote: Long story short : I think the " Avalanche " line was on the original single which came out before the album.
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Re: My review of the No Code reissue
Nope - first appearance of avalanche was on RVM Greatest Hits in 2004. Given Ed has never sung the avalanche lyric live, I would say this was simply an oversight after going back to the original masters like McP and BIH mentioned earlier, rather than intentional post-hoc tinkering. Not sure which is worse thoughGreenMosquito1996 wrote: Long story short : I think the " Avalanche " line was on the original single which came out before the album.
Well, that's sad. Do they still care about how they are reissuing stuff ?
Montreal June '03, Montreal September '05, Quebec May '16, Quebec September '22.
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Re: My review of the No Code reissue
Have they ever?GreenMosquito1996 wrote:Well, that's sad. Do they still care about how they are reissuing stuff ?
Let me tell you, Homer Simpson is cock of nothing!
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Re: My review of the No Code reissue
People have every right to wish for higher-quality reissues, but I think this has been going on long enough that we can stop making snide comments about the band "caring" or not. Vinyl has always been a fetish object for them, more about the experience than the sound quality. Sometimes we just get lucky (the PJ Vault releases, for example, are aces across the board--packaging, sound quality, etc.).
McParadigm wrote:lol
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Re: My review of the No Code reissue
Why do you care? Are you their personal nut fluffer?Simple Torture wrote:People have every right to wish for higher-quality reissues, but I think this has been going on long enough that we can stop making snide comments about the band "caring" or not. Vinyl has always been a fetish object for them, more about the experience than the sound quality. Sometimes we just get lucky (the PJ Vault releases, for example, are aces across the board--packaging, sound quality, etc.).
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Re: My review of the No Code reissue
I think I need a personal nut fluffer...
Let me tell you, Homer Simpson is cock of nothing!
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Re: My review of the No Code reissue
Hey, we prefer the term "scrotum scrunchers"!
And I'm not necessarily defending the band. It's just kind of ridiculous, I think, to expect a couple of fifty-somethings to suddenly start caring about sound quality.
And I'm not necessarily defending the band. It's just kind of ridiculous, I think, to expect a couple of fifty-somethings to suddenly start caring about sound quality.
McParadigm wrote:lol
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Re: My review of the No Code reissue
Spot on. They temporarily championed vinyl around the Vitalogy era, and they release Xmas 7" singles, and recently, these Vault shows. I don't know why we hold them up to be these vinyl champs, with the assumption of them being audiophiles that wrongfully is attached to vinyl in general. Just bc they are interested in vinyl doesn't mean they are incredible audio engineers. I don't know why we assume they know jack shit about it. They're just like the majority of vinyl collectors where the record is just a medium they enjoy... whether through nostalgia, artwork, ritual, etc. Just like most vinyl collectors.Simple Torture wrote:People have every right to wish for higher-quality reissues, but I think this has been going on long enough that we can stop making snide comments about the band "caring" or not. Vinyl has always been a fetish object for them, more about the experience than the sound quality. Sometimes we just get lucky (the PJ Vault releases, for example, are aces across the board--packaging, sound quality, etc.).
The latest reissues are based on two things: Scarcity of the originals, and the recent vinyl popularity boom. It's less to do with re-engineering albums to make them sound even better, and more about capitalizing on two markets: Vinyl reissues and their fanbase.
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Re: My review of the No Code reissue
FUCK PEARL JAM EDDIE SUCKS AND SHOULD SHUT UP AND NOT SING AND MATT PLAYS TOO FASTbodysnatcher wrote:Spot on. They temporarily championed vinyl around the Vitalogy era, and they release Xmas 7" singles, and recently, these Vault shows. I don't know why we hold them up to be these vinyl champs, with the assumption of them being audiophiles that wrongfully is attached to vinyl in general. Just bc they are interested in vinyl doesn't mean they are incredible audio engineers. I don't know why we assume they know jack shit about it. They're just like the majority of vinyl collectors where the record is just a medium they enjoy... whether through nostalgia, artwork, ritual, etc. Just like most vinyl collectors.Simple Torture wrote:People have every right to wish for higher-quality reissues, but I think this has been going on long enough that we can stop making snide comments about the band "caring" or not. Vinyl has always been a fetish object for them, more about the experience than the sound quality. Sometimes we just get lucky (the PJ Vault releases, for example, are aces across the board--packaging, sound quality, etc.).
The latest reissues are based on two things: Scarcity of the originals, and the recent vinyl popularity boom. It's less to do with re-engineering albums to make them sound even better, and more about capitalizing on two markets: Vinyl reissues and their fanbase.
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Re: My review of the No Code reissue
Last edited by tragabigzanda on Fri January 02, 2026 8:06 am, edited 1 time in total.
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Re: My review of the No Code reissue
I heard if you play the new No Code and Yield reissues at 78rpm, it sounds like one of their live showsStrat wrote:FUCK PEARL JAM EDDIE SUCKS AND SHOULD SHUT UP AND NOT SING AND MATT PLAYS TOO FASTbodysnatcher wrote:Spot on. They temporarily championed vinyl around the Vitalogy era, and they release Xmas 7" singles, and recently, these Vault shows. I don't know why we hold them up to be these vinyl champs, with the assumption of them being audiophiles that wrongfully is attached to vinyl in general. Just bc they are interested in vinyl doesn't mean they are incredible audio engineers. I don't know why we assume they know jack shit about it. They're just like the majority of vinyl collectors where the record is just a medium they enjoy... whether through nostalgia, artwork, ritual, etc. Just like most vinyl collectors.Simple Torture wrote:People have every right to wish for higher-quality reissues, but I think this has been going on long enough that we can stop making snide comments about the band "caring" or not. Vinyl has always been a fetish object for them, more about the experience than the sound quality. Sometimes we just get lucky (the PJ Vault releases, for example, are aces across the board--packaging, sound quality, etc.).
The latest reissues are based on two things: Scarcity of the originals, and the recent vinyl popularity boom. It's less to do with re-engineering albums to make them sound even better, and more about capitalizing on two markets: Vinyl reissues and their fanbase.
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Re: My review of the No Code reissue
On mile 6 of my run today. Big hill in Prospect Park. I was dying. Legs were dead. Heat and humidity were brutal. Felt sick. Then a biker rode by blaring Jeremy. And somehow... it actually helped. It was awesome.
I guess I still love the fuck out of this band.
I guess I still love the fuck out of this band.
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Re: My review of the No Code reissue
was it the "arms raised in a 'V', the dead lay, in pools of maroon below" line that did it for you?durdencommatyler wrote:On mile 6 of my run today. Big hill in Prospect Park. I was dying. Legs were dead. Heat and humidity were brutal. Felt sick. Then a biker rode by blaring Jeremy. And somehow... it actually helped. It was awesome.
I guess I still love the fuck out of this band.
Clouuuuds Rolll byyy...BANG BANG BANG BANG
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Re: My review of the No Code reissue
E.H. Ruddock wrote:was it the "arms raised in a 'V', the dead lay, in pools of maroon below" line that did it for you?durdencommatyler wrote:On mile 6 of my run today. Big hill in Prospect Park. I was dying. Legs were dead. Heat and humidity were brutal. Felt sick. Then a biker rode by blaring Jeremy. And somehow... it actually helped. It was awesome.
I guess I still love the fuck out of this band.
Did I ever tell you how much I (inappropriately) freaked out when I first saw Tommy and realized those lyrics were describing the end of the that movie?
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Re: My review of the No Code reissue
I have no complaints with the sound of my copy.
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Re: My review of the No Code reissue
how is the quality of the original vinyl supposed to be? i bought it in london ~20 years ago. i know nothing about vinyl. i liked that the 4 tabs are gigantic so when folded out they make a gigantic eye of ra symbol. i think i listened to it once. it is in a box in my basement.
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