"Kitty's Back" as the first pick of the whole draft?! Over "Born to Run"?! What were you smoking, dude?! My hatred of The Wild... is well-documented, but, in your defense, this song is mostly an exception. Good tune. Though the outro is too long and starts to try my patience.
"Dancing in the Dark" is fucking fantastic.
"Johnny 99" is very good.
"Reason to Believe" is good.
"Ramrod" doesn't excite me. The keyboard is kind of irritating.
"Cadillac Ranch" is pretty great.
I LOVE "You'll Be Coming Down"! One of the best songs on Magic.
"Pink Cadillac" is a fun song; I didn't think anyone was gonna pick it!
Best Song: Dancing in the Dark
Worst Song: Ramrod
Overall: Good
VS.
evenslow:
Not a fan of "Rosalita". But I dislike this album in general.
"Brilliant Disguise" is pretty good, but it seems like the second round was way too early to choose this.
"Bobby Jean" is one of Bruce's absolute best songs. This one really packs an emotional wallop for me. Great grab.
"Girls in Their Summer Clothes" is good, though I think it gets a little overrated. There's a handful of songs on Magic I like a lot more.
"Out in the Street" is a little goofy, but it's also a lot of fun.
"Empty Sky" isn't bad, but it's not one of my favorites from The Rising. It didn't make the cut when I retracked the album recently.
I haven't listened to We Shall Overcome yet, and it's partially because I have been afraid it would sound exactly like "Pay Me My Money Down". This is just not my cup of tea.
"I Wanna Be with You" is all right, but it sounds like exactly what it is: a The River outtake.
Best Song: Bobby Jean
Worst Song: Pay Me My Money Down
Overall: Weak
VOTE FOR: DARTH VEDDER
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bada:
"Jungleland" isn't one of my favorite BTR tracks, to be honest.
"Born in the U.S.A." is a strong contender for Bruce's best song ever, and ranks pretty high among my personal favorite songs by anyone. Potent lyrics, classic production, great playing, exploding with energy. It never gets old. I can't even express how much I adore that they left in that little keyboard mistake near the end.
"Two Hearts" is another classic. So much energy! Tons of fun.
"Ain't Good Enough for You" is new to me. It's all right. Doesn't do all that much for me.
"Restless Nights" is decent. I like the guitar tones, and the way they're all layered over each other.
"Streets of Fire" was a steal in the second half of the draft. Great song. (Almost picked it myself, but decided to go with "Something in the Night" instead.)
"Fade Away" is very good.
I'd never heard "Roulette" before and I LOVE it! What an explosive song!
Best Song: Born in the U.S.A.
Worst Song: Ain't Good Enough for You
Overall: Good
VS.
LV
I feel weird giving my own team a proper evaluation, so I'll just share some thoughts on the songs I chose.
"I'm on Fire" is a perfect song. It's possibly my favorite thing Bruce has ever done. As LMS astutely pointed out, the way the song never gives you any catharsis, and feels so criminally short (for how great it is), effectively creates - in the listener - the very sexual tension and longing the song describes. Pure genius.
"Hungry Heart" is just a stone cold classic, and one of the best songs on The River. So much of Springsteen's catalog deals with the dreams and yearning of middle America, and this song's chorus lays it bare: "everybody's got a hungry heart."
"Something in the Night"...man, what can you say about something as gorgeous and moving as that intro? Bruce just wailing his lungs out as the music builds and builds...it's so fucking pure and magical. Then, again, yearning. Dreams. Longing for something you can't capture. And the tragedy of being left without that intangible something which you so desperately desire.
"Highway Patrolman" is such a powerfully written song. Trying to be a good person, to do the right thing, in the face of an obligation that pulls you into corruption - the all-too-common tragedy of toxic family ties. And delivered completely without bitterness or anger - just melancholy and matter-of-fact resignation.Well you're born with nothin', and better off that way
Soon as you've got something they send someone to try and take it away
Well you can ride this road 'til dawn without another human being in sight
Yeah, just kids wasted on, ooh, something in the night
Well if it was any other man, I'd put him straight away
But when it's your brother, sometimes you look the other way
Me and Franky laughin' and drinkin', nothin' feels better than blood on blood
Takin' turns dancin' with Maria as the band played "Night of the Johnstown Flood"
I catch him when he's strayin' like any brother would
Man turns his back on his family, well, he just ain't no good
"Radio Nowhere" is such an earworm. It has all the energy and hookiness of classic Bruce, but now it also has an edge of lived experience, with Bruce sounding almost weary in his pure, earnest desire for something simple and fulfilling, something to cut through all the bullshit. "Is there anybody left alive out there? I just wanna hear some rhythm..."
This one was sort of a personal pick, because while it doesn't seem to be very well-known, I absolutey adore "Lift Me Up". I'd say it's tied with "I'm on Fire" as my favorite Springsteen song. It doesn't really sound like anything else he's done; that high, gentle pitch he sings in that always seems to be just shy of breaking, underscored by a lush bed of synthesizers...it just hits me deep down.
"Further On (Up the Road)" is, I guess, also sort of a personal pick; I have loved this song since I first heard it when I was...wow, 14? I still love it now. Something about the combination of the bluesy, hard-driving melody, the ragged way Bruce delivers the vocals, and the worn-down hope of the lyrics always seems to bring me to brink of tears when I hear it. I really love this verse:
Gets me every time.Now I been out in the desert, just doin' my time
Searchin' through the dust, lookin' for a sign
If there's a light up ahead, well, brother, I don't know
But I got this fever burnin' in my soul
So let's take the good times as they go
And I'll meet you further on up the road
"Point Blank" is my least favorite of this bunch, but it's still a great song. I love that twinkling piano line at the beginning; sonically, this sounds a lot like something off Nick Cave's Tender Prey to me. And and it's another case of Springsteen capturing tragedy and heartache in a stinging and succinct way:
VOTE FOR: LVWell I saw you last night down on the avenue
Your face was in the shadows, but I knew that it was you
You were standin' in the doorway out of the rain
You didn't answer when I called out your name
You just turned and then you looked away like just another stranger waitin' to get blown away


by not choosing BTR first.