Re: Sleater Kinney / Wild Flag / Quasi / related bands
Posted: Tue August 20, 2019 9:12 pm
i took a break after "Restless" to make a sandwich. i'm gonna need the energy to make it the rest of the way.bodysnatcher wrote:i've listened to this album twice: once on shitty laptop speakers, and once on a Sonos speaker that was in another room. giving it a spin now with proper headphones.
tragabigzanda wrote:I'd maybe bump Life & Limb for Epic Problemtragabigzanda wrote:Top 10 maybe?
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bodysnatcher wrote:i took a break after "Restless" to make a sandwich. i'm gonna need the energy to make it the rest of the way.bodysnatcher wrote:i've listened to this album twice: once on shitty laptop speakers, and once on a Sonos speaker that was in another room. giving it a spin now with proper headphones.
"Restless" felt that longdurdencommatyler wrote:bodysnatcher wrote:i took a break after "Restless" to make a sandwich. i'm gonna need the energy to make it the rest of the way.bodysnatcher wrote:i've listened to this album twice: once on shitty laptop speakers, and once on a Sonos speaker that was in another room. giving it a spin now with proper headphones.![]()
Jesus, you guys. The album is like 10 minutes long.
Oh youbodysnatcher wrote:"Restless" felt that longdurdencommatyler wrote:bodysnatcher wrote:i took a break after "Restless" to make a sandwich. i'm gonna need the energy to make it the rest of the way.bodysnatcher wrote:i've listened to this album twice: once on shitty laptop speakers, and once on a Sonos speaker that was in another room. giving it a spin now with proper headphones.![]()
Jesus, you guys. The album is like 10 minutes long.
**looks at tracklist times**
that was 2 minutes and 40 seconds ?!
Have you heard the band he used to play drums for in the 90s?E.H. Ruddock wrote:This seems like a good a thread as any to ask, when did Fred Armisen become such a smug, pretentious douche?
in all honesty, as much ribbing as i've been giving you and this record, i am super pumped that you love it. i wanted it to be great for you, especially with the Annie Clark collab. it's just not my thing, which is a bummer bc when the news broke, it sounded exciting. and that's all fine and good, it happens. that's the point of art, eh? as we both know, there are 1000 albums that you love and i don't, and 1000 albums i love that you don't. i actually don't listen to S-K all that much, and when i do, it's pre-Woods albums/songs, which is more my speed. i probably won't give this many more listens, unless a song pops up on the radio like it just did, and i give you free reign to bust my chops over the next album i lovedurdencommatyler wrote:Oh youbodysnatcher wrote:"Restless" felt that longdurdencommatyler wrote:bodysnatcher wrote:i took a break after "Restless" to make a sandwich. i'm gonna need the energy to make it the rest of the way.bodysnatcher wrote:i've listened to this album twice: once on shitty laptop speakers, and once on a Sonos speaker that was in another room. giving it a spin now with proper headphones.![]()
Jesus, you guys. The album is like 10 minutes long.
**looks at tracklist times**
that was 2 minutes and 40 seconds ?!
You're right, that comment was presumptuous and a little unfair. What I really meant was that it just sounds like a record by a band who didn't want to stay put but didn't really have anywhere logical to go either, so they went to a travel agent. In my experience, the most successful "transformation" records usually contain a sense of the artist and producer discovering together, stumbling into something that neither of them really had a framework or precedent for, as opposed to the artist approaching a producer or other artist and paying to be shoehorned into an already established mold. I know people are saying this doesn't really sound like a St. Vincent album, but I don't agree at all; I think it totally sounds like one, right down to the vaguely cabaret-sounding piano ballad. Don't get me wrong, I wouldn't mistake it for a St. Vincent record; it certainly isn't purged of any trace of identifiable S-K-ness. But, that's kind of how cosmetic surgery works. No one ever convincingly looks like what they're trying to look like; they just look like exaggerated, clownish versions of themselves.durdencommatyler wrote:Your last point is where you really lost me, though. I don't know the band or their minds. But your take there feels way off to me.
This is an excellent post, by the way.surfndestroy wrote:I want artists to evolve but once the length between releases gets over two and especially three years, the listener doesn't hear a evolution. They end up hearing the result of two or three evolutions. It's no longer a case of growing with the band but taking jumps with a band. That is difficult if during the 4-1/2 year gap your tastes evolved in different directions. It becomes more of a high school reunion and I don't feel bad if listeners want to rehash old times.durdencommatyler wrote:I think it can be difficult when an artist does something that you really respond to and enjoy for a long time and then they do something different in a way that leaves out or changes or even disguises the things you liked most about their art. I totally understand that side of it. Personally, I've never been much for that kind of thing. I never wanted any of my favorite bands to repeat themselves. I'd honestly love for Pearl Jam, for example, to do a record like Center.
Keep in mind this list is from someone that is very in to the new album. That's how fucking good those older ones are.tragabigzanda wrote:Id swap 1 and 2, and put the new one dead last, but I generally like this listswan wrote:My new rankings that nobody asked for:
1. All Hands on the Bad One
2. One Beat
3. The Woods
4. Dig Me Out
5. The Hot Rock
6. Call the Doctor
7. The Center Won't Hold
8. No Cities to Love
9. Sleater-Kinney
maybe we'll canoodle over the next PJ albumdurdencommatyler wrote:I'm sorry it's not your thing, snatch. I was excited for you, too and really wanted you to enjoy it. But so it goes. Maybe we'll both love the next one. And I'm sure we'll have a lot to discuss as I dive further back into their catalog.
Have you listened to the Song Exploder podcast ep about The Futre is Here?Kevin Davis wrote: What I really meant was that it just sounds like a record by a band who didn't want to stay put but didn't really have anywhere logical to go either, so they went to a travel agent. In my experience, the most successful "transformation" records usually contain a sense of the artist and producer discovering together, stumbling into something that neither of them really had a framework or precedent for, as opposed to the artist approaching a producer or other artist and paying to be shoehorned into an already established mold.
tragabigzanda wrote:I'd maybe bump Life & Limb for Epic Problemtragabigzanda wrote:Top 10 maybe?
Hello Morning
Close Captioned
The Kill
Place/Position
Do You Like Me?
Latest Disgrace
Recap Modotti
Nightshop
Break
Life & Limb