Re: Lets Actually Listen to the Album: Yield
Posted: Sun January 12, 2014 8:40 am
Infallible does sound a bit like Champagne Supernova, thinking about it.
I agree, that note-bending is pretty off-putting. I think he thinks he's doing motown or something, isn't that right?McParadigm wrote:At least 50% of in Infallible Aguilara thing comes down to HOW he sings the chorus. Lots of little vocal flourishes typically associated with pop singers (see: the little up and down run at the end of the word infallible).
harmless wrote:I agree, that note-bending is pretty off-putting. I think he thinks he's doing motown or something, isn't that right?McParadigm wrote:At least 50% of in Infallible Aguilara thing comes down to HOW he sings the chorus. Lots of little vocal flourishes typically associated with pop singers (see: the little up and down run at the end of the word infallible).
I realise that.@SkitchP wrote:harmless wrote:I agree, that note-bending is pretty off-putting. I think he thinks he's doing motown or something, isn't that right?McParadigm wrote:At least 50% of in Infallible Aguilara thing comes down to HOW he sings the chorus. Lots of little vocal flourishes typically associated with pop singers (see: the little up and down run at the end of the word infallible).
Motown didnt do a ton of this.
BurtReynolds wrote:You're thinking of O-Town
Yeah, I lol'dharmless wrote:BurtReynolds wrote:You're thinking of O-Town
BurtReynolds wrote:You're thinking of O-Town

ive seen the chorus compared to motown in a couple of placesharmless wrote:I agree, that note-bending is pretty off-putting. I think he thinks he's doing motown or something, isn't that right?McParadigm wrote:At least 50% of in Infallible Aguilara thing comes down to HOW he sings the chorus. Lots of little vocal flourishes typically associated with pop singers (see: the little up and down run at the end of the word infallible).
I thought this sounded made up, so I typed "pearl jam motown infallible" into Google, and indeed you were correct:warehouse wrote:ive seen the chorus compared to motown in a couple of places
Sirens is as dynamic as anything the band has produced, with emphasizing piano chords pounding a framework around a mix of electric & acoustics guitars. The song is an Ibogaine bath of the soul, a rejuvenation of spirit, connecting the constellations in a chaotic sky.
The surprises are continuous throughout Lightning Bolt, with a consistency that challenges the Rock veterans’ familiar musical architecture. There’s a distinctly Glen Ballard feel to the ominous cuts of Infallible that give way to Motown-level soul striding. In keeping with the fragility of existence, Pendulum illustrates a mortality of heart, an escalating purgatory amidst a minimal instrumental echo and clean percussion keeping the vessel afloat.
Naturally, it’s not a Pearl Jam record without the sun rising again, a brighter balance if not outright redemption. The Into The Wild fire of Swallowed Whole follows and fits the bill, while the bolt of lightning Vedder lamented having to let go in Nothingman is in full flesh on the title track, love in fifth gear. She is rejuvenating, reinvigorating, a fountain of truth within the heart that anyone who’s felt the true strike of love can attest to: it’s a key to unlocking the shackles of life we’re anchored by daily. A soul, given to fly, takes flight once more.
Lightning Bolt is the experimenting, declarative passion project we’ve been waiting for from Pearl Jam since 2002′s Riot Act.
Kevin Davis wrote:while the bolt of lightning Veddered having to let go in Nothingman is in full flesh on the title track, love in fifth gear.