Red Mosquito

The kid that did this went genius level.
https://soundcloud.com/g_wall/99-proble ... v2/s-d1GDg

evenslow wrote:

tragabigzanda wrote:It’s been said before, but Ed’s vocal delivery on that album has gotten better with time. Coming on the heels of the Binaural cycle, it did sound tired and bored at first. But over time, I think many on RM have come to view it as more of a creative choice — a sense of being wary and beleaguered by the politics of the time — and its captured beautifully.

The only PJ album to get significantly better with age for me.

good post. it's also post roskilde which explains the mood.

one of the things that made S/T so important was that it made Riot Act a choice. RA (at least here) underwent a massive rehabilitation after S/T and it became clearer the energy was an aesthetic choice. Its one of the reasons I had such a strong initial reaction to WWS (also because its a great song that deserves better than you people)

Does the band even rate Binaural and Riot Act that highly? I remember around the time of S/T release, Vedder said something like "previously we've been handing in B's and C's, this is our A record" or some stupid metaphor like that.

I also distinctly remember this board's excitement at the prospect of B'OB returning to produce the band for Backspacer...

lecherouslittlestump wrote:Does the band even rate Binaural and Riot Act that highly? I remember around the time of S/T release, Vedder said something like "previously we've been handing in B's and C's, this is our A record" or some stupid metaphor like that.

I also distinctly remember this board's excitement at the prospect of B'OB returning to produce the band for Backspacer...

during the lightning bolt interviews, steve gleason mentioned listening to a lot of binaural and eddie replied "glad someone liked that record.. binaural." not sure he doesn't rate it but he seems to think no one else does. they can't hate it too much seeing as they played it live in full a few years ago.

WtOB? wrote:

lecherouslittlestump wrote:Does the band even rate Binaural and Riot Act that highly? I remember around the time of S/T release, Vedder said something like "previously we've been handing in B's and C's, this is our A record" or some stupid metaphor like that.

I also distinctly remember this board's excitement at the prospect of B'OB returning to produce the band for Backspacer...

during the lightning bolt interviews, steve gleason mentioned listening to a lot of binaural and eddie replied "glad someone liked that record.. binaural." not sure he doesn't rate it but he seems to think no one else does. they can't hate it too much seeing as they played it live in full a few years ago.

Interesting. Thank you Dean Learner.

lecherouslittlestump wrote:

WtOB? wrote:

lecherouslittlestump wrote:Does the band even rate Binaural and Riot Act that highly? I remember around the time of S/T release, Vedder said something like "previously we've been handing in B's and C's, this is our A record" or some stupid metaphor like that.

I also distinctly remember this board's excitement at the prospect of B'OB returning to produce the band for Backspacer...

during the lightning bolt interviews, steve gleason mentioned listening to a lot of binaural and eddie replied "glad someone liked that record.. binaural." not sure he doesn't rate it but he seems to think no one else does. they can't hate it too much seeing as they played it live in full a few years ago.

Interesting. Thank you Dean Learner.

The Stone Gossard interview with New Music Daily was really just a very short phone call. They didn't ask about Dance, and raved about hwo well Ament played the bass on the tune, even if it's Stone on bass. I saw that Stone was quoted from the interview earlier in the thread, about how there are some traditional rockers and some ballads on the album. He also said they weren't in a rush, and taking their time to make the record was the right call. He's always excited about playing new material on tour.

Stone quote: "It's really us...We really did it by ourselves" - I don't know but maybe a slight nod to the fact that BOB was not part of this process.

The interview below:
https://www.loudersound.com/news/pearl- ... rock-songs

bros all these interviews you speak of are referenced from the one he did with zane lowe. there hasn't been anything else yet.

Stone seems so into it.

I like that.

lmao at all the people getting triggered at Stone sayin the album will have "straight ahead rock songs." This ain't Radiohead or Kraftwerk, despite everyone's desire to see some avant garde psychedelic art-rock masterpiece from a band that is essentially the grunge Bon Jovi. "Straight ahead rock songs" have been what PJ do since Ten.

Anyone remember how long it was between singles 1 and 2 last time around?

ghost wrote:Anyone remember how long it was between singles 1 and 2 last time around?

Sirens was mid september 2013 for sure. MYM was I think mid-July

lecherouslittlestump wrote:lmao at all the people getting triggered at Stone sayin the album will have "straight ahead rock songs." This ain't Radiohead or Kraftwerk, despite everyone's desire to see some avant garde psychedelic art-rock masterpiece from a band that is essentially the grunge Bon Jovi. "Straight ahead rock songs" have been what PJ do since Ten.

i know i'm setting myself up for trouble by even reacting to you but they're on a continuum. they'd never do kid a but then again bon jovi would never do anything resembling binaural.

evenslow wrote:

lecherouslittlestump wrote:lmao at all the people getting triggered at Stone sayin the album will have "straight ahead rock songs." This ain't Radiohead or Kraftwerk, despite everyone's desire to see some avant garde psychedelic art-rock masterpiece from a band that is essentially the grunge Bon Jovi. "Straight ahead rock songs" have been what PJ do since Ten.

i know i'm setting myself up for trouble by even reacting to you but they're on a continuum. they'd never do kid a but then again bon jovi would never do anything resembling binaural.

UMMM

theplatypus wrote:

evenslow wrote:

lecherouslittlestump wrote:lmao at all the people getting triggered at Stone sayin the album will have "straight ahead rock songs." This ain't Radiohead or Kraftwerk, despite everyone's desire to see some avant garde psychedelic art-rock masterpiece from a band that is essentially the grunge Bon Jovi. "Straight ahead rock songs" have been what PJ do since Ten.

i know i'm setting myself up for trouble by even reacting to you but they're on a continuum. they'd never do kid a but then again bon jovi would never do anything resembling binaural.

UMMM

i stand corrected

WtOB? wrote:

lecherouslittlestump wrote:Does the band even rate Binaural and Riot Act that highly? I remember around the time of S/T release, Vedder said something like "previously we've been handing in B's and C's, this is our A record" or some stupid metaphor like that.

I also distinctly remember this board's excitement at the prospect of B'OB returning to produce the band for Backspacer...

during the lightning bolt interviews, steve gleason mentioned listening to a lot of binaural and eddie replied "glad someone liked that record.. binaural." not sure he doesn't rate it but he seems to think no one else does. they can't hate it too much seeing as they played it live in full a few years ago.

having just listened to that show: some wild versions of the songs from the album.

Anyone else notice the [E] for explicit content on iTunes next to:

Superblood Wolfmoon
Quick Escape
Seven O'Clock

Tsuga wrote:Anyone else notice the [E] for explicit content on iTunes next to:

Superblood Wolfmoon
Quick Escape
Seven O'Clock

Guess he takes it up a notch and says "cocks" instead of "dicks."

stip wrote:

evenslow wrote:

tragabigzanda wrote:It’s been said before, but Ed’s vocal delivery on that album has gotten better with time. Coming on the heels of the Binaural cycle, it did sound tired and bored at first. But over time, I think many on RM have come to view it as more of a creative choice — a sense of being wary and beleaguered by the politics of the time — and its captured beautifully.

The only PJ album to get significantly better with age for me.

good post. it's also post roskilde which explains the mood.

one of the things that made S/T so important was that it made Riot Act a choice. RA (at least here) underwent a massive rehabilitation after S/T and it became clearer the energy was an aesthetic choice. Its one of the reasons I had such a strong initial reaction to WWS (also because its a great song that deserves better than you people)

I like WWS too. I always thought RM's opinion of it was weird.