Gigaton: Official album thread

[scrub12]

“You’re Fired” was trending on twitter today and I thought this leaked.

[Tuolumne]

Each time I come on here I get more convinced that it's the time in between albums that shades the perception, IMO. People pretty much dug MYM around here when it came out, and I remember alot of really good things were said about LB. And, w/ the exception of LTRP and Sleeping by Myself, I contend that it's a strong album. My view is very much aligned w/ Stip in his evaluations, especially about Backspacer which was about as strong as they could have hoped for. That is one helluva stellar album. I've followed tons of bands' discographies, most of the greats. I know clunkers when I hear them and PJ is definitely a "high batting avg" band. Their classics may not be up their w/ the highest tier classics, but they've been remarkably consistent. I think they have a good sense of timing, and should deliver something strong (as usual) w/ Gigaton. I'm sure they'll be stuff on their I like, and maybe some stuff I won't or will atleast need some time with. This may not be as dramatic a fan narrative as other ones here, but I think it's the more dominant sentiment amongst the wider fanbase.

I love their departures, but this isn't a band of *just* departures. They need a baseline to depart *from*. I think they've more than established that, and if they have some oddball stuff coupled w/ a few familiar sounding things this time out, I think that'd be great.

[VinylGuy]

I like backspacer enough, and i would say half of LB. I hate LB´s production. Awful...but in their catalogue those two are at the bottom for me....sure, from an amazing catalogue but still.

There are a lot more going on with the new single than, lets say the song Lightning Bolt. Hidden guitars, vocals, structures...hell, even Mike´s guitar. I havent felt this way of a PJ song since something from avocado i think...so yeah, i think the new album has a very strong chance of being way better than LB for sure.

[vedder316]

https://twitter.com/katcorbett/status/1 ... 18496?s=21

Looks like they had a listening party today.

[KidC-]

Yes. I was there.

[96583UP]

What kind of tequila was it

[Thurman Murman]

https://variety.com/2020/music/news/pea ... 203479780/

Produced by the group in tandem with longtime collaborator Josh Evans, the 12-track “Gigaton” is arguably the band’s strongest and most diverse work since 1998’s “Yield.”

[96583UP]

https://variety.com/2020/music/news/pearl-jam-eddie-vedder-unveils-new-album-gigaton-1203479780/

Produced by the group in tandem with longtime collaborator Josh Evans, the 12-track “Gigaton” is arguably the band’s strongest and most diverse work since 1998’s “Yield.”

whoa

Vedder said he is particularly proud of the lyrics on track “Seven O’Clock,” which evokes trippy, Pink Floyd vibes and finds him in full falsetto as the song winds down.

[96583UP]

although I guess we did that in DTE

[evenslow]

holy shit bros, it's fucking on:

Pearl Jam unveiled its upcoming 11th studio album “Gigaton” today at NeueHouse in Los Angeles during an intimate playback in Dolby Atmos sound — complete with frontman Eddie Vedder pouring tequila shots for attendees while the music blared. As previously reported, “Gigaton” will be released March 27 on the band’s Monkeywrench imprint through Republic, and is preceded by the Talking Heads-tinged first single “Dance of the Clairvoyants,” which dropped earlier this week.

Produced by the group in tandem with longtime collaborator Josh Evans, the 12-track “Gigaton” is arguably the band’s strongest and most diverse work since 1998’s “Yield.” It begins with the driving rocker “Who Ever Said,” with Vedder intoning, “All the answers will be found in the mistakes we have made,” and shifts directly into the similarly propulsive “Super Blood Wolf Moon,” featuring a sizzling Mike McCready guitar solo.

“Quick Escape” is led by a huge Jeff Ament bass groove, as Vedder narrates an international road trip armed with a “sleep sack, a bivouac and Kerouac sense of time.” “Alright” builds more slowly atop an uplifting melody, with Vedder offering, “if your heart still beats free, keep it to yourself.” Vedder said he is particularly proud of the lyrics on track “Seven O’Clock,” which evokes trippy, Pink Floyd vibes and finds him in full falsetto as the song winds down. “That one started as a jam early in the recording sessions, and then they moved on and did other things,” Evans tells Variety. “We went through and pulled out a bunch of different cool moments and cut them together, and then the band layered a bunch of new things on top of it.”

“Never Destination” evokes strident, uptempo Pearl Jam songs such as “MFC” with a tinge of U.K. post-punk, and features another strong solo from McCready. The Matt Cameron-penned “Take the Long Way” is a riffy monster in one of the drummer’s famous tricky time signatures, as Vedder shouts, “I always take the long way/ It leads me back to you.”

“Buckle Up,” written by guitarist Stone Gossard, surfs a dexterous major-key guitar line and is one of the more abstract songs on the album, but serves as the perfect lead-in to Vedder’s “Comes Then Goes,” sporting Pete Townshend-worthy acoustic guitar aggression and the memorable lyric, “We could all use a savior from human behavior.”

Evans says, “I think that vocal is maybe what we got on the first take. It was just about capturing the moment and being ready to hit ‘record’ to memorialize that feeling.”

“Gigaton” concludes with two exquisitely layered, slow-burning tracks. “Retrograde,” which dates back to recording sessions from 2017, is reminiscent of 2010-era Pearl Jam singles such as “Just Breathe” and “Sirens.” The song builds to a massive crescendo as Vedder repeatedly bellows the phrase “feel the sound.”

“River Cross” is the only song on the album previously performed live, albeit in Vedder’s solo concerts, and recalls Peter Gabriel-era Genesis songs such as “Carpet Crawlers” in its simmering intensity (lyrics include “I want this dream to last forever / I wish this moment was never-ending”). With Vedder on an 1850s-era pump organ and Ament on kalimba, it caps a gripping listening experience that found even Vedder choked up as he took it all in. “I’ve never had that much tequila in the afternoon,” he joked afterward.

“The pump organ on the finished track is from the original demo. The rest of the band felt it was so powerful,” Evans says. “They all put on these little delicate layers to help turn it into a true Pearl Jam song, like Mike with a little E-bow thing or Stone with just a hint of acoustic guitar. I even blended some synthesizers in.”

Pearl Jam’s notoriously diehard fanbase got their first taste of “Gigaton” on Jan. 11, when mysterious augmented reality billboards featuring Paul Nicklen’s album cover photo of a Norwegian ice waterfall appeared in 12 cities worldwide. Using a dedicated filter on Instagram or Facebook Lens, fans could watch the ice rapidly melt while an instrumental audio snippet from the album played in the background.

“The band wanted to scale something globally and create a unique fan experience so that wherever they were in the world, they were all discovering it in the same way at the same time,” says Pearl Jam management’s Scott Greer, who is overseeing the “Gigaton” marketing roll-out. “Everyone interacted with it differently. Some people were walking in front of the animation, and then we saw one little girl tapping on the moving waterfall. That engagement and interaction made it more than just a Pearl Jam album cover — it made it universal.”

Greer encouraged the band to mix “Gigaton” in Dolby Atmos and present it in that format at today’s playback to highlight Evans’ production work. Indeed, “Gigaton” is believed to be the first album released by the Universal Music Group in Dolby Atmos sound. “It’s such a unique way to experience the album and appreciate the level of effort the band put into it,” says Greer.

[scrub12]

WTF. Two months in advance? This thing is going to leak if they're just letting people listen to it this early.

[evenslow]

Seven O'Clock sounds like it fucking rules.

[96583UP]

sounds like it's gonna be a great album

[evenslow]

The Matt Cameron-penned “Take the Long Way” is a riffy monster in one of the drummer’s famous tricky time signatures, as Vedder shouts, “I always take the long way/ It leads me back to you.”

[96583UP]

WTF. Two months in advance? This thing is going to leak if they're just letting people listen to it this early.

yeah this seems like a long wait now...

[KidC-]

What kind of tequila was it

Casamiigos añejo

[Birds in Hell]

sounds like it's gonna be a great album

Yeah, this is all sounding great.

[evenslow]

With Vedder on an 1850s-era pump organ and Ament on kalimba

[scrub12]

I don't remember those lyrics from the version of River Cross I have, so it must be a little different.

[96583UP]

What kind of tequila was it

Casamiigos añejo

ah, sí, Jalisco

bueno

<PJ fan-sourced sales skyrocket>