Red Mosquito

KidC- wrote:

LetMeSleep wrote:Thanks for all your writings, kid. It's such a blast hearing a new PJ album for the first time. I had Vitalogy a week before the vinyl was released and I was on cloud nine.

Enjoy the buzz and bring on March 27.

Amazing!!!

Vindicator wrote:

KidC- wrote:

LetMeSleep wrote:Thanks for all your writings, kid. It's such a blast hearing a new PJ album for the first time. I had Vitalogy a week before the vinyl was released and I was on cloud nine.

Enjoy the buzz and bring on March 27.

Amazing!!!

So the two opening rockers, what heavy rockers could you compare them too?? Do The Evolution, Grievance, Go, Save You? How are Ed's vocals on here? Aggressive? or more catchy and melodic?

And what's the deal with Quick Escape? Big Jeff bass line with Ed narrating a road trip? what? lol that review confused me.

Anyway, thanks for the impressions!

evenslow wrote:holy shit bros, it's fucking on:

Variety Jonathan Cohen ultimate PJ bro writer wrote:Pearl Jam unveiled its upcoming 11th studio album “Gigaton” today at NeueHouse in Los Angeles during an intimate playback in Dolby Atmos sound — complete with frontman Eddie Vedder pouring tequila shots for attendees while the music blared. As previously reported, “Gigaton” will be released March 27 on the band’s Monkeywrench imprint through Republic, and is preceded by the Talking Heads-tinged first single “Dance of the Clairvoyants,” which dropped earlier this week.

Produced by the group in tandem with longtime collaborator Josh Evans, the 12-track “Gigaton” is arguably the band’s strongest and most diverse work since 1998’s “Yield.” It begins with the driving rocker “Who Ever Said,” with Vedder intoning, “All the answers will be found in the mistakes we have made,” and shifts directly into the similarly propulsive “Super Blood Wolf Moon,” featuring a sizzling Mike McCready guitar solo.

“Quick Escape” is led by a huge Jeff Ament bass groove, as Vedder narrates an international road trip armed with a “sleep sack, a bivouac and Kerouac sense of time.” “Alright” builds more slowly atop an uplifting melody, with Vedder offering, “if your heart still beats free, keep it to yourself.” Vedder said he is particularly proud of the lyrics on track “Seven O’Clock,” which evokes trippy, Pink Floyd vibes and finds him in full falsetto as the song winds down. “That one started as a jam early in the recording sessions, and then they moved on and did other things,” Evans tells Variety. “We went through and pulled out a bunch of different cool moments and cut them together, and then the band layered a bunch of new things on top of it.”

“Never Destination” evokes strident, uptempo Pearl Jam songs such as “MFC” with a tinge of U.K. post-punk, and features another strong solo from McCready. The Matt Cameron-penned “Take the Long Way” is a riffy monster in one of the drummer’s famous tricky time signatures, as Vedder shouts, “I always take the long way/ It leads me back to you.”

“Buckle Up,” written by guitarist Stone Gossard, surfs a dexterous major-key guitar line and is one of the more abstract songs on the album, but serves as the perfect lead-in to Vedder’s “Comes Then Goes,” sporting Pete Townshend-worthy acoustic guitar aggression and the memorable lyric, “We could all use a savior from human behavior.”

Evans says, “I think that vocal is maybe what we got on the first take. It was just about capturing the moment and being ready to hit ‘record’ to memorialize that feeling.”

“Gigaton” concludes with two exquisitely layered, slow-burning tracks. “Retrograde,” which dates back to recording sessions from 2017, is reminiscent of 2010-era Pearl Jam singles such as “Just Breathe” and “Sirens.” The song builds to a massive crescendo as Vedder repeatedly bellows the phrase “feel the sound.”

“River Cross” is the only song on the album previously performed live, albeit in Vedder’s solo concerts, and recalls Peter Gabriel-era Genesis songs such as “Carpet Crawlers” in its simmering intensity (lyrics include “I want this dream to last forever / I wish this moment was never-ending”). With Vedder on an 1850s-era pump organ and Ament on kalimba, it caps a gripping listening experience that found even Vedder choked up as he took it all in. “I’ve never had that much tequila in the afternoon,” he joked afterward.

“The pump organ on the finished track is from the original demo. The rest of the band felt it was so powerful,” Evans says. “They all put on these little delicate layers to help turn it into a true Pearl Jam song, like Mike with a little E-bow thing or Stone with just a hint of acoustic guitar. I even blended some synthesizers in.”

Pearl Jam’s notoriously diehard fanbase got their first taste of “Gigaton” on Jan. 11, when mysterious augmented reality billboards featuring Paul Nicklen’s album cover photo of a Norwegian ice waterfall appeared in 12 cities worldwide. Using a dedicated filter on Instagram or Facebook Lens, fans could watch the ice rapidly melt while an instrumental audio snippet from the album played in the background.

“The band wanted to scale something globally and create a unique fan experience so that wherever they were in the world, they were all discovering it in the same way at the same time,” says Pearl Jam management’s Scott Greer, who is overseeing the “Gigaton” marketing roll-out. “Everyone interacted with it differently. Some people were walking in front of the animation, and then we saw one little girl tapping on the moving waterfall. That engagement and interaction made it more than just a Pearl Jam album cover — it made it universal.”

Greer encouraged the band to mix “Gigaton” in Dolby Atmos and present it in that format at today’s playback to highlight Evans’ production work. Indeed, “Gigaton” is believed to be the first album released by the Universal Music Group in Dolby Atmos sound. “It’s such a unique way to experience the album and appreciate the level of effort the band put into it,” says Greer.

Owl wrote:This kid found the open road boot and did some weird shit to it...it’s kinda good.

KidC- wrote:I can’t stress enough how good Who Ever Said is. My initial thought with hearing the first 4 tracks was “well...they’ve got 4 new show openers”

I love all PJ albums but if I have to rank

VS
No Code
Yield
Vitalogy
Ten
Backspacer
Binaural
Riot Act
Lightning Bolt
Pearl Jam

BUT ALL ARE 5 STAR ALBUMS

There are 2 supersonicy punk songs (never destination and take the long way)

There are no bluesy tracks like Half Full or Let the records play.


I had Buckle Up pegged as my fav song based on the title. It was not the rocker I thought it would be.

I’ve never been able to experience a PJ release without the bias of reading reviews on boards. So that was a treat. Fuck. that opener. Once it starts it does not let go. The crowd was floored. So much energy. You can feel every single band members footprint on it. It’s huge and fun.

I see everyone enjoying this album. And Ed seems super proud of it. For very good reason. But as I’ve said before. Fuck. I gotta retool my top 10.

joostone wrote:The Variety article gets me excited for a couple of reasons:

- Seems they only used 1 track (Retrogade) from the aborted BO'B 2017 sessions. *

- River Cross is confirmed being that pump organ song. Kalimba!

- A lyric like: '“sleep sack, a bivouac and Kerouac sense of time.” '

- Evans telling that they through and pulled out a bunch of different cool moments and cut them together! Which seems to be a new way of working for this band! Fugazi made records like this. In fact maybe this is what makes me the most excited!

- Take the Long Way has trippy time signatures. A Matt penned song, maybe even more! A bigger Matt influence is always interesting!



*= So Im probably the only one here, but I would love to hear those tracks on Lost Dogs 2.

LetMeSleep wrote:

joostone wrote:The Variety article gets me excited for a couple of reasons:

- Seems they only used 1 track (Retrogade) from the aborted BO'B 2017 sessions. *

- River Cross is confirmed being that pump organ song. Kalimba!

- A lyric like: '“sleep sack, a bivouac and Kerouac sense of time.” '

- Evans telling that they through and pulled out a bunch of different cool moments and cut them together! Which seems to be a new way of working for this band! Fugazi made records like this. In fact maybe this is what makes me the most excited!

- Take the Long Way has trippy time signatures. A Matt penned song, maybe even more! A bigger Matt influence is always interesting!



*= So Im probably the only one here, but I would love to hear those tracks on Lost Dogs 2.

Release the long lost BOB album.

evenslow wrote:

scrub12 wrote:Better Days is such a random song to reference. Haven’t heard it in many many years.

This is why my head is spinning.

Sgt. Crackpot wrote:Don't worry stip, only 13 more years for the 20th anniversary remix edition!