Red Mosquito

The Town wrote:

96583UP wrote:yeah

and it's also a word that's been around for a while

to think such a stupid comment would be the first one made underneath such an earth-shattering, insightful comment

so i will try this again:

GIGATON IS THE LOGICAL EXTENSION OF BINAURAL

get ready for it

Okay
I'm ready for the other 5 insightful comments you'll no doubt be editing your p. 641 place holders with.

DWFB wrote:theyre too different , so i cant decide. I cant decide where dotc ranks for me among pj tunes.

Ms Harmless wrote:

DWFB wrote:theyre too different , so i cant decide. I cant decide where dotc ranks for me among pj tunes.

I like them about the same, for completely different reasons

I'm enjoying the aesthetic comparisons the new album is getting to Binaural; PJ have had their glitzy schmoozing Hall of Fame moment, now would be a good time to pare everything back and just release a modestly solid record

Bi_3 wrote:

Ms Harmless wrote:

DWFB wrote:theyre too different , so i cant decide. I cant decide where dotc ranks for me among pj tunes.

I like them about the same, for completely different reasons

I'm enjoying the aesthetic comparisons the new album is getting to Binaural; PJ have had their glitzy schmoozing Hall of Fame moment, now would be a good time to pare everything back and just release a modestly solid record

Post lightning bolt legacy rebuild? PLiBLeR

burl jam wrote:There is only one song on ST I would definitely skip and that is Comatose.

Love the Parachutes and Army Reserve live here.

Monkey_Driven wrote:

tragabigzanda wrote:Another guy on the Porch who attended the Atmos thing saying the album reminds him most of Binaural, but notes there are a couple big ballads.

This makes me weak in the knees.

dimejinky99 wrote:Looking at the length of each track...so long... it’s an album full of nothing as it seems

dimejinky99 wrote:Looking at the length of each track...so long... it’s an album full of nothing as it seems

stip wrote:In defense of Tuolumne, he isn't talking about people being dissatisfied or critical as much as the relentless negativity and viciousness -which maybe was playful to some people but made it really difficult to actually enjoy the music for others. It's one of the reasons I walked away. There was no music coming and I was tired of just listening to people shit on stuff I cared about. There is enough of that in the rest of the world, and I don't need it in my escapes.

Maybe I'm just reading my own experience into his comment.

Strat wrote:Also, a number of people here have experience with mixing, mastering, recording, of music and all that goes into it. Its fasincating to hear there thoughts on recent releases pearl jam have done and why many people feel distant to modern day pearl jam and how it relates to some of these studio techniques.

These are awesome discussions.

"oh but its pealr jam dont make me choose between cant dney me and dance of the clarvoyants!!!". Fuck that.

lecherouslittlestump wrote:Trying to distill my thoughts after the listening party the other day. If I could write it in a single sentence, I'd say that Gigaton has the majesty of Ten, the aggressiveness of Vs, the intensity of Vitalogy, the rawness of Merkinball, the eccentricity of No Code, the warmth of Yield, the darkness of Binaural, the cynicism of Riot Act, the toughness of S/T, the lightness of Backspacer and the world-weariness of Lightning Bolt. This is Pearl Jam as you've always known...but also Pearl Jam reborn.

To quote Ed at the press conference - "we had to go away and dream it all up again."

E.H. Ruddock wrote:

lecherouslittlestump wrote:Trying to distill my thoughts after the listening party the other day. If I could write it in a single sentence, I'd say that Gigaton has the majesty of Ten, the aggressiveness of Vs, the intensity of Vitalogy, the rawness of Merkinball, the eccentricity of No Code, the warmth of Yield, the darkness of Binaural, the cynicism of Riot Act, the toughness of S/T, the lightness of Backspacer and the world-weariness of Lightning Bolt. This is Pearl Jam as you've always known...but also Pearl Jam reborn.

To quote Ed at the press conference - "we had to go away and dream it all up again."

You're too late. A different poster already came here claiming to have been there. We already believe them. Can't buy into two of you being there, sorry pal

bluestate wrote:

The Town wrote:

96583UP wrote:yeah

and it's also a word that's been around for a while

to think such a stupid comment would be the first one made underneath such an earth-shattering, insightful comment

so i will try this again:

GIGATON IS THE LOGICAL EXTENSION OF BINAURAL

get ready for it

Okay
I'm ready for the other 5 insightful comments you'll no doubt be editing your p. 641 place holders with.

965, you aiming for the "Harmless Album Cycle Achievement Award, Gigaton Squad Version"?

Coach wrote:

Tuolumne wrote:

Strat wrote:

Tuolumne wrote:From what I can interpret from these descriptions, I feel like the song variety and the possibly more layered work could make it fall into an attempt at Yield/Binaural territory.

And, I feel fortunate they're still around. It is very rare to have band situations where people are even around, together, and alive much less have an opportunity to put out a song like DoTC.

Some of the fan entitlement over the last 15 years, as if the band is required a certain level of customer service in terms of creative approach, is nauseating to me. I want them to make something that represents where they are spiritually at as accurately as possible. Whatever that is. If they can accomplish that to a successful degree, then it's good art to follow. The whole idea of people wanting specific tempos, styles, lyrics, and technical approaches, is a fanbase that has lost it's way more than the band themselves. They are not a fuckin jukebox.

I’m not sure why you have such a problem with fans - who love the band - discuss things they love most about the band and would like to see from them. This is the internet and a message board devoted to the band for discussions about the band. If we took your approach of “whatever they give is fine” then this board would cease to exist. Also I don’t think you really understand much of how this board interacts.

I was on the pre-historic nucleus of this board going way back to 1999-2000. Twenty fuckin years, so please save any 'new guys don't get this place' BS. I had a role in the earliest intelligent deep dive conversations that this board was about. It's gone to shit and I have every right to bitch about it. Lots of people like me have walked away, leaving this toilet bowl that always had so much potential. It's why I revisit every so often, to see if there is some life still left in here. It's probably better to just leave the same 20 people to circle jerk and prejudge their way into hating the next album after they've had 4 months to kick it around.

Just engage and post about the music? I've tried that, but it gets followed up w/ 5 pages of snark that people who think they own this place believe is really charming (again, I was around these parts 20 years ago, if it's meant to be humorous and fails on any kind of comedic level). It's toxic, and I wish this place could help me enjoy the musical journey but that's probably wishful thinking. I'm pretty much right where Stip is, and I doubt I'll be able to experience Gigaton in any meaningful way here.

This had me thinking......Who is the board's longest active member? Peeps, me, Stip, Tuolumne? I recall the two crashes prior to the '04 crash and the data was lost, but was still curious if a data scientist (or climatologist) could find out. Thx.

Also, rip, Sunny, who was a long-timer from Boston who left too