Re: Gearhead Thread
Posted: Fri August 06, 2021 1:11 am
Explain more.tragabigzanda wrote:A varied number of speaker sizes is enormously helpful when tracking. From Zeppelin to Foo Fighters (first record in particular), one of the bands-down best ways to create a sense of size/space on guitar rock albums is to pair big amp guitar tracks with small amp tracks.Ello Sailor wrote:Yeah that seems like a no-brainer. A 10" is only really useful if you often find often yourself out and about jamming.
I dont know how to record. Im never going to record a band. i tried. I dont know. Fuck.tragabigzanda wrote:No, like you track the rhythm guitar through a 10” speaker, and the lead through the twin. Experiment with mic placement, and don’t be afraid to get really creative: build tunnels with cardboard boxes or guitar cases, open the door to the bathroom and throw a room mic in there, etc.
Trying to record a 2+ guitar record with one big amp is a fool’s errand. Experiment with different sizes, placements, etc. You can really crank a low watt 10” and get some big bold colors, then get all sorts of sonic fireworks for your lead guitar through another amp.
Possibilities are endless and there’s no right way. Point is, your 10” amp has a vital place in your arsenal if you’re serious about recording songs with more than one guitar.
Yeah man. 5 teenagers in a room with like 3 total mics. That’s the way to goStrat wrote:I dont know how to record. Im never going to record a band. i tried. I dont know. Fuck.tragabigzanda wrote:No, like you track the rhythm guitar through a 10” speaker, and the lead through the twin. Experiment with mic placement, and don’t be afraid to get really creative: build tunnels with cardboard boxes or guitar cases, open the door to the bathroom and throw a room mic in there, etc.
Trying to record a 2+ guitar record with one big amp is a fool’s errand. Experiment with different sizes, placements, etc. You can really crank a low watt 10” and get some big bold colors, then get all sorts of sonic fireworks for your lead guitar through another amp.
Possibilities are endless and there’s no right way. Point is, your 10” amp has a vital place in your arsenal if you’re serious about recording songs with more than one guitar.
I should have taken some classes.
I can't even figure out mic placement nor really hear.
Sounds like Trag and I need to come stay one weekend and record some shit.Strat wrote:Wanna come over?Ello Sailor wrote:Ps fuck you and your record collection.
Ruddo: Great singer, overrated penisEllo Sailor wrote:I'll bro out with Ruddo instead. It's fine.
They seem to assume im dying for cash and need this off my hands.Ello Sailor wrote:Selling gear is always a pain in the ass. People are just so stupid. It's exhausting.
Price it for $500 over retail and label it as vintageStrat wrote:God. I just re-found a sweet spot with my SG and Twin.
Get this fucking 10" marshall amp out of here.
Fuckers keep emailing me wondering if im up for a trade for some shitty fucking acoustic guitar and some cash.
one asshole was telling me its over priced.
Bitch, its $500 under retail price and its brand fucking new. Learn something.
*meme of that guy pointing to his temple*wease wrote:Price it for $500 over retail and label it as vintageStrat wrote:God. I just re-found a sweet spot with my SG and Twin.
Get this fucking 10" marshall amp out of here.
Fuckers keep emailing me wondering if im up for a trade for some shitty fucking acoustic guitar and some cash.
one asshole was telling me its over priced.
Bitch, its $500 under retail price and its brand fucking new. Learn something.
with no air conditioning or parking to boot...surfndestroy wrote:It's really not fair that for the price of that you can buy a one bedroom condo in Vancouver, BC.