Re: "Kurt Cobain and I were the top two scribes in the ninet
Posted: Thu December 11, 2014 12:55 am
*delta
You called me an idiot for my opinion, I threw it back at you. Don't be a baby.verb_to_trust wrote:Meh, its just Jorge being a douche
What if they're actually a scribe though?Strat wrote:Anyone who refers to themselves as a scribe, except lenny, is a first class Delta Bravo
selling products is thoughLoathedVermin72 wrote:This didn't really hit me until right now, but doesn't a musician approaching his contemporaries as "competitors" seem like a rather bizarre, unnecessarily adverserial way of looking at things? I mean, one's ego must be suffocatingly fragile and inflated to think that someone else's level of success detracts from one's own. Art isn't a competition.
Then you just didn't get it, because no one claimed it was about that, except Corgan, who is a world class douche.LoathedVermin72 wrote:Fair, but I think the whole grunge and '90s alt-rock movement was, generally speaking, much more about noise and fuzz than carefully crafted songwriting.McParadigm wrote:It really was a lot of noise about nothing.And there it is. Nothing to see here.
Sort of like how bands from the 90's would step on their distortion pedal in order to exaggerate dynamic transitions, and how at some of these times maybe more creative or engaging songwriting would have served them better than simply layering fuzz or volume.
But I dunno.
I think it means quite a bit insofar as it's a dead-on description of particular style that sold people on a particular sound of a particularly crowded decade of music.McParadigm wrote:Who can say what any of this means?
I don't think it means anything.
You don't have to defend yourself. You said it well the first time. Let him sort it out for himself. It was perfectly clear.McParadigm wrote:It really was a lot of noise about nothing.And there it is. Nothing to see here.
Sort of like how bands from the 90's would step on their distortion pedal in order to exaggerate dynamic transitions, and how at some of these times maybe more creative or engaging songwriting would have served them better than simply layering fuzz or volume.
But I dunno.
We should infiltrate it.theplatypus wrote:![]()
Apparently the Smashing Pumpkins have their own version of RM, named Netphoria. From what I've heard, they are merciless towards latter-day Corgan & co..
Given this insight I agree with Billy.stip wrote:Technically a scribe is just some guy who copies other people's ideas
I tried to get in but apparently the mods have to approve of your username before you can post. I chose "theysucknow" and was shut out.E.H. Ruddock wrote:We should infiltrate it.theplatypus wrote:![]()
Apparently the Smashing Pumpkins have their own version of RM, named Netphoria. From what I've heard, they are merciless towards latter-day Corgan & co..
Oh, please. Vedder copied his entire shtick from Stapp. All Billy did was steal My Bloody Valentine's guitar signal chain.Jessica Fletcher wrote:Given this insight I agree with Billy.stip wrote:Technically a scribe is just some guy who copies other people's ideas
theplatypus wrote:![]()
Apparently the Smashing Pumpkins have their own version of RM, named Netphoria. From what I've heard, they are merciless towards latter-day Corgan & co..
You cannot be serious. McParadigm's point was a vague jab at abrasive tones being used as a device to distract from a lack of musical depth. It's a pretty awkward point, and I simply wanted him to elaborate, that we might gaze upon its inaccuracies without being left wondering if he was just drunk and baiting.durdencommatyler wrote:You don't have to defend yourself. You said it well the first time. Let him sort it out for himself. It was perfectly clear.
i thought the idea that RM shits on recent pearl jam was a myth?theplatypus wrote:![]()
Apparently the Smashing Pumpkins have their own version of RM, named Netphoria. From what I've heard, they are merciless towards latter-day Corgan & co..