Re: Unpopular Music Opinions
Posted: Tue March 09, 2021 8:38 pm
Very convenient...epilogue wrote:As I see it, the difference between Annie and Beck is that Annie has never presented St. Vincent as her authentic self. At least, not that I've seen -- or rather, not to a degree that feels like a con or disingenuous. She's constantly in character and she's always up front about that. Who her character is changes with each album. Each album is a play. And Annie is cast as a different lead in each new play. It doesn't come across as forced quirkiness to me. It's theater.
In interviews when she drops the latest St. Vincent character and lets Annie talk, she comes across as intelligent, thoughtful, curious, and nerdy in an endlessly endearing way. At least to me. She's guarded and protected, sure, but I can relate to that too. And I don't have the added pressures/problems of being a public figure. Or an attractive woman in an historically dangerous, masculine space.
I...honestly can't think of a description that would make me less likely to listen to her music.epilogue wrote:As I see it, the difference between Annie and Beck is that Annie has never presented St. Vincent as her authentic self. At least, not that I've seen -- or rather, not to a degree that feels like a con or disingenuous. She's constantly in character and she's always up front about that. Who her character is changes with each album. Each album is a play. And Annie is cast as a different lead in each new play. It doesn't come across as forced quirkiness to me. It's theater.
In interviews when she drops the latest St. Vincent character and lets Annie talk, she comes across as intelligent, thoughtful, curious, and nerdy in an endlessly endearing way. At least to me. She's guarded and protected, sure, but I can relate to that too. And I don't have the added pressures/problems of being a public figure. Or an attractive woman in an historically dangerous, masculine space.
Ironically, this critique was far more lobbed at Beck in the early part of his career, when he vacillated wildly between genres and styles. People presumed that wild sways between sampling hip-hop blues fan to surrealist folkie to funk falsetto singer to remaking Blood on the Tracks was inherently inauthentic. I'd say when it comes to his career now, people miss the "shtick;" that once he stopped doing that and had more sonic consistency from album to album, he became boring.tragabigzanda wrote:Oh, and then as for Beck:
Sea Changes is where he shifted gears. It didn't work for me, but I know people love that album. And then he seemed to make a heavy-handed attempt get back to the wierdo-pastiche thing, but then it felt fake. Then Sea Changes part 2 sucked even more. His whole career ever since Sea Changes has felt overly articulated, with increasingly boring music. Just like St. Vincent!
Yeah, this sounds legitimately horrible.Mickey wrote:I...honestly can't think of a description that would make me less likely to listen to her music.epilogue wrote:As I see it, the difference between Annie and Beck is that Annie has never presented St. Vincent as her authentic self. At least, not that I've seen -- or rather, not to a degree that feels like a con or disingenuous. She's constantly in character and she's always up front about that. Who her character is changes with each album. Each album is a play. And Annie is cast as a different lead in each new play. It doesn't come across as forced quirkiness to me. It's theater.
In interviews when she drops the latest St. Vincent character and lets Annie talk, she comes across as intelligent, thoughtful, curious, and nerdy in an endlessly endearing way. At least to me. She's guarded and protected, sure, but I can relate to that too. And I don't have the added pressures/problems of being a public figure. Or an attractive woman in an historically dangerous, masculine space.
tragabigzanda wrote:I'd maybe bump Life & Limb for Epic Problemtragabigzanda wrote:Top 10 maybe?
Hello Morning
Close Captioned
The Kill
Place/Position
Do You Like Me?
Latest Disgrace
Recap Modotti
Nightshop
Break
Life & Limb
100% agree -- an absolutely beautiful album, full of immaculately composed melodies and an instrumental palate that is eclectic but natural. One of my favorite albums of the '90's.Wendy Carlos's Twin wrote:"Mutations" is a fantastic album and anybody on the fence about Beck should check it out.
His best by far.
He tapped into something genuine and rare with that one.
I beg to differ.epilogue wrote:As I see it, the difference between Annie and Beck is that Annie has never presented St. Vincent as her authentic self. At least, not that I've seen -- or rather, not to a degree that feels like a con or disingenuous. She's constantly in character and she's always up front about that. Who her character is changes with each album. Each album is a play. And Annie is cast as a different lead in each new play. It doesn't come across as forced quirkiness to me. It's theater.
In interviews when she drops the latest St. Vincent character and lets Annie talk, she comes across as intelligent, thoughtful, curious, and nerdy in an endlessly endearing way. At least to me. She's guarded and protected, sure, but I can relate to that too. And I don't have the added pressures/problems of being a public figure. Or an attractive woman in an historically dangerous, masculine space.
