Re: Lightning Bolt - October 15
Posted: Sun September 15, 2013 10:59 pm
I really feel like I'm going to find agency with this album.
Yeah, it really grows. Also, I agree that these are proving very singable.harmless wrote:And Lightning Bolt will grow. The production is a shock at first.
You mean the song production is a shock or are u referring to the 128kbps hiss?harmless wrote:And Lightning Bolt will grow. The production is a shock at first.
Well, the hiss can't help. I'm just referring to the BO'B polish. There are some cheesy things added to LB, but when that begins to wear off and the song becomes more familiar, the dynamics and structure of the song begin to get awesome. Well, that's me anyway...southp wrote:You mean the song production is a shock or are u referring to the 128kbps hiss?harmless wrote:And Lightning Bolt will grow. The production is a shock at first.
I canget past the BOB sheen, I like big pruduction actually...although I hope some of the supposed darker songs on the album also have more ragged edges (glory). I miss that feeling from Vs thru Yield where it feels like you are in the studio, with the count-in, or the sticks being dropped after the take, or some extra guitar noodling. For a band that loves Neil Young so much they certainly don't emulate his sound any more!harmless wrote:Well, the hiss can't help. I'm just referring to the BO'B polish. There are some cheesy things added to LB, but when that begins to wear off and the song becomes more familiar, the dynamics and structure of the song begin to get awesome. Well, that's me anyway...southp wrote:You mean the song production is a shock or are u referring to the 128kbps hiss?harmless wrote:And Lightning Bolt will grow. The production is a shock at first.
Didn't Neil go cheesy for a while in the 80s? It would seem they're having their 80s phase at the moment. But if you listen carefully there is a tiny bit of that background studio noise between the tracks...southp wrote:I canget past the BOB sheen, I like big pruduction actually...although I hope some of the supposed darker songs on the album also have more ragged edges (glory). I miss that feeling from Vs thru Yield where it feels like you are in the studio, with the count-in, or the sticks being dropped after the take, or some extra guitar noodling. For a band that loves Neil Young so much they certainly don't emulate his sound any more!harmless wrote:Well, the hiss can't help. I'm just referring to the BO'B polish. There are some cheesy things added to LB, but when that begins to wear off and the song becomes more familiar, the dynamics and structure of the song begin to get awesome. Well, that's me anyway...southp wrote:You mean the song production is a shock or are u referring to the 128kbps hiss?harmless wrote:And Lightning Bolt will grow. The production is a shock at first.
harmless wrote:Well, the hiss can't help. I'm just referring to the BO'B polish. There are some cheesy things added to LB, but when that begins to wear off and the song becomes more familiar, the dynamics and structure of the song begin to get awesome. Well, that's me anyway...southp wrote:You mean the song production is a shock or are u referring to the 128kbps hiss?harmless wrote:And Lightning Bolt will grow. The production is a shock at first.
Yep, and I think the chords are quite nice actually.Walker Bait wrote:harmless wrote:Well, the hiss can't help. I'm just referring to the BO'B polish. There are some cheesy things added to LB, but when that begins to wear off and the song becomes more familiar, the dynamics and structure of the song begin to get awesome. Well, that's me anyway...southp wrote:You mean the song production is a shock or are u referring to the 128kbps hiss?harmless wrote:And Lightning Bolt will grow. The production is a shock at first.
Yeah, that's how it's been for me on LB. It also helps that the piano that I was so scared of ala Unthought Known isn't as bad as I thought it would be. In Unthought the piano is so loud and so in your face at the end of the song. Here in LB it is more subdued and more a part of the structure of the song and not sitting on top of it screaming in your face.
I love that kind of stuff too. It suited the laid back aspect of the band. Course I love binaural too but yeah.southp wrote: I miss that feeling from Vs thru Yield where it feels like you are in the studio, with the count-in, or the sticks being dropped after the take, or some extra guitar noodling. For a band that loves Neil Young so much they certainly don't emulate his sound any more!
harmless wrote:I'm getting a lightning bolt tattoo if I like the album enough. In reality it'll happen in a long while from now because I can't afford it, but yeah. I'm just needing to be *that much* more confident that it won't all go to shit, and then I'm adding to my sleeve.Dr. Van Nostrand wrote:What is this now?harmless wrote:I just need three more songs... THREE MORE SONGS... and then I'm gettin' my tattoo.
On my left shoulder blade I have a labyrinth design, surrounded on one side by some Polynesian on my shoulder which goes into the No Code "5 Elements" down the bicep (with more polynesian around it). On the inside of my forearm I have a trinity symbol with Japanese-style waves below it. On the inside of my forearm I've got a Celtic cross-shaped labyrinth which has the Vitalogy "vinyl" symbol in the centre of the cross to replace the normal circle. Everything in black and white. Basically it's all religious / hippy symbols rather than pictorial stuff, so a lightning bolt also designed by myself, using inspiration from the Don Pendleton art work wouldn't be out of place at all. I have space on the top of my forearm.blueviper wrote:harmless wrote:I'm getting a lightning bolt tattoo if I like the album enough. In reality it'll happen in a long while from now because I can't afford it, but yeah. I'm just needing to be *that much* more confident that it won't all go to shit, and then I'm adding to my sleeve.Dr. Van Nostrand wrote:What is this now?harmless wrote:I just need three more songs... THREE MORE SONGS... and then I'm gettin' my tattoo.
what else is on your sleeve?
Yes it is...yokkov wrote:Getaway is a damn great song
Is it truly the best of those that have been heard so far?harmless wrote:Yes it is...yokkov wrote:Getaway is a damn great song
Sounds good! Hopefully you like the rest of LB so it can be added!harmless wrote:On my left shoulder blade I have a labyrinth design, surrounded on one side by some Polynesian on my shoulder which goes into the No Code "5 Elements" down the bicep (with more polynesian around it). On the inside of my forearm I have a trinity symbol with Japanese-style waves below it. On the inside of my forearm I've got a Celtic cross-shaped labyrinth which has the Vitalogy "vinyl" symbol in the centre of the cross to replace the normal circle. Everything in black and white. Basically it's all religious / hippy symbols rather than pictorial stuff, so a lightning bolt also designed by myself, using inspiration from the Don Pendleton art work wouldn't be out of place at all. I have space on the top of my forearm.blueviper wrote:harmless wrote:I'm getting a lightning bolt tattoo if I like the album enough. In reality it'll happen in a long while from now because I can't afford it, but yeah. I'm just needing to be *that much* more confident that it won't all go to shit, and then I'm adding to my sleeve.Dr. Van Nostrand wrote:What is this now?harmless wrote:I just need three more songs... THREE MORE SONGS... and then I'm gettin' my tattoo.
what else is on your sleeve?
southp wrote:Is it truly the best of those that have been heard so far?harmless wrote:Yes it is...yokkov wrote:Getaway is a damn great song
Different ones are my favourite at different times. But overall, it's my second favourite. My favourite is Swallowed Whole. LB is my third favourite, then LTRP is on the bottom of the pile (I still like it).southp wrote:Is it truly the best of those that have been heard so far?harmless wrote:Yes it is...yokkov wrote:Getaway is a damn great song