Red Mosquito

PHATJ wrote:

Birds in Hell wrote:

PHATJ wrote:

Vindicator wrote:

PHATJ wrote:

Vindicator wrote:

PHATJ wrote:SBWM is fantastic

no its a super low tier song for Pearl Jam. It's OK.

Hard disagree. Both SBWM and Dance are better than anything since RA, and there’s not much that is even close.

Super hard disagree. SBWM is better than Life Wasted? Severed Hand? Inside Job? Pendulum? WWS?

Oh god yes. Much better.

Bonkers.

Life Wasted is ok, maybe middle of the pack PJ. Severed Hand is about equal to Life Wasted, and I’d not miss either of them if I never heard them again. Inside Job is somehow boring and bloated while having terrible lyrics. Pendulum is probably one of the best songs on the last two albums, but that is mostly an indictment on how shitty the last two albums were, it definitely doesn’t touch PJ’s better material. I hate WWS, always have. It’s grating and reminds me of all the terrible music that was on the radio around the same time that it felt like PJ was desperately trying to be like. SBWM and Dance are both way out of any of these song’s league.

WWS is not great. But it’s really good. The verse melody is excellent and the overall vocal is impressive.

More reviews (from someone who looks like a fan):

https://www.captainkiddbooks.com/blog

There are two posts about the listening party and looks like will be more in the coming days

Johnny Turner wrote:More reviews (from someone who looks like a fan):

https://www.captainkiddbooks.com/blog

There are two posts about the listening party and looks like will be more in the coming days

That's terribly written.

Seems to be a troubling trend emerging of all these reviews coming from fans.

Life Wasted, WWS and Severed Hand are pretty awesome. DOTC is pretty good. SBWM is okay.

Review from a Brazilian newspaper: https://www1.folha.uol.com.br/ilustrada ... erno.shtml

Repeats everything we already know from other reviews, except it says that "Seven O'Clock" is the best track.

dimejinky99 wrote:

theplatypus wrote:

dimejinky99 wrote:

theplatypus wrote:

Ms Harmless wrote:

Monkey_Driven wrote:5 guys is totally fine Ed. songs

Stop this shit immediately.

You besmirched Jeff Fucking Buckley AND Leonard Cohen

And just to make an ill informed and wrong point that was wasted point with dev or some fuck!

Just stop

What the hell are you talking about

You were rambling about hallelujah not being a real song cos it doesn’t have a chorus or something. And Leonard Cohen being a cunt.

I was getting texts about it.

It’s in some other thread

That's not what I was saying at all. I love "Hallelujah" and I was saying that it does have a chorus. Please read the "Hard Sun" thread again

And pay attention this time!

Johnny Turner wrote:Review from a Brazilian newspaper: https://www1.folha.uol.com.br/ilustrada ... erno.shtml

Repeats everything we already know from other reviews, except it says that "Seven O'Clock" is the best track.

Some tremendous translations in those song descriptions.

Jaeti wrote:

Johnny Turner wrote:Review from a Brazilian newspaper: https://www1.folha.uol.com.br/ilustrada ... erno.shtml

Repeats everything we already know from other reviews, except it says that "Seven O'Clock" is the best track.

Some tremendous translations in those song descriptions.

"And Vedder risks a falsetto"

Jaeti wrote:

Johnny Turner wrote:Review from a Brazilian newspaper: https://www1.folha.uol.com.br/ilustrada ... erno.shtml

Repeats everything we already know from other reviews, except it says that "Seven O'Clock" is the best track.

Some tremendous translations in those song descriptions.

I think it has a typo in Buckle Up, where it says Salada (Salad) should be Balada (Ballad)...

Word Ballad

Can someone share the translated review here?

I doubt very much there is going to be an anthemic single like Beautiful Day on this, but there is a part of me that thinks this album in the midst of this pandemic could be like All That You Can't Leave Behind was in the post-9/11 world.

Jaeti wrote:

Jaeti wrote:

Johnny Turner wrote:Review from a Brazilian newspaper: https://www1.folha.uol.com.br/ilustrada ... erno.shtml

Repeats everything we already know from other reviews, except it says that "Seven O'Clock" is the best track.

Some tremendous translations in those song descriptions.

"And Vedder risks a falsetto"

Sounds like somebody sharted.

daft twat wrote:I doubt very much there is going to be an anthemic single like Beautiful Day on this, but there is a part of me that thinks this album in the midst of this pandemic could be like All That You Can't Leave Behind was in the post-9/11 world.

maybe it will lead to the reemergence of UJAM.

evenslow wrote:

daft twat wrote:I doubt very much there is going to be an anthemic single like Beautiful Day on this, but there is a part of me that thinks this album in the midst of this pandemic could be like All That You Can't Leave Behind was in the post-9/11 world.

maybe it will lead to the reemergence of UJAM.

Historians will look back at that moment as the end of rock'n'roll

The google translations made me more confused.

Release_Me wrote:Can someone share the translated review here?

Not worth to translate the whole review cause we already know most part of the information there and the reviewer does not give details of the songs.

The first part is he discussing about the Listening Party event, quoting Ed (same sentences from other reviews) and affirming how the band still wanting to feel relevant in modern music. Also highlights how the marketing to this album is using augmented reality, cinema experience, but despite all this techonology Ed still approached individually every guest after the listening party.

Then he writes some impressions from every track:

'Who Ever Said'
Starts with sitars, but soon turns in a punk explosion

'Superblood Wolfmoon'
Maintains an angry style, including guitar solo

'Dance of the Clairvoyants'
Boldest song since the change in ‘No Code’

'Quick Escape'
The "electric saw" (what? maybe it has some fuzz distortion) guitar rules this hippie style hard rock

'Alright'
First ballad from the album, with a western feel (?!)

'Seven O’Clock'
The best on the album; Vedder trys some falsetto

'Never Destination'
Most traditional track of the album, with a furious composition style

'Take the Long Way'
Returns to the punk side of the band

'Buckle Up'
Ballad taken only by drums and Vedder's vocals

'Comes Then Goes'
Beautiful acoustic track and one of the hippiest of the band

'Retrograde'
Taken on the acoustic guitar, closer to the album 'Backspacer'

'River Cross'
The singer does no wrong in melancholic lyrics

lots of hippie influence, i see