Re: Eddie Vedder - Earthling
Posted: Thu September 09, 2021 7:16 pm
Judging by the quality of Long Way, he's fully in the Working On A Dream era.bodysnatcher wrote:which era of Bruce is Eddie currently in?
Judging by the quality of Long Way, he's fully in the Working On A Dream era.bodysnatcher wrote:which era of Bruce is Eddie currently in?

You're not alone, buddy.Strat wrote:Am I the only one enjoying eds current output then?
That's fine. I just need to know .
ive settled comfortable into the same comfort zone adult/happy Eddie has and all these new songs suit me right to the bone.epilogue wrote:You're not alone, buddy.Strat wrote:Am I the only one enjoying eds current output then?
That's fine. I just need to know .
Like I said earlier in this thread, there is an unburdened quality to this song that I don't hear in much of Ed's music. And I love that this song has that quality. Though the style/structure/etc may be unoriginal or derivative or whatever, that feeling is really pretty fresh for Ed. And I think that's awesome.Strat wrote:ive settled comfortable into the same comfort zone adult/happy Eddie has and all these new songs suit me right to the bone.epilogue wrote:You're not alone, buddy.Strat wrote:Am I the only one enjoying eds current output then?
That's fine. I just need to know .
i think thats a fair critique/observation of his solo output, but I would definitely push back against that with his pearl jam writing (which I think he spends more time with, maybe)? the last two records (it is done with more intentionality on gigaton) really have him diving into the whole idea of legacy and aging and revisiting old themes from that new vantage point, and one that requires him to interrogate his own complicity in the things he doesnt like in a way that I think is both new (for him) and fascinatingKevin Davis wrote:Yeah, there is definitely a disproportionate "Ed visibility" to "Ed quality output" ratio as of late. I feel like he's made an entire late-period career out of the kind of thing he used to do once a night at PJ concerts, like perform "Throw Your Arms Around Me" or "The Kids Are Alright" solo at the start of the first encore, the kind of thing you'd think was cool but know was ultimately just a ramp-up to a bigger payoff. That's the vibe I get from virtually everything he does now, even his original songs, even the ones he gives to PJ ("River Cross," "Future Days," "Gone," etc.).liebzz wrote:I think there’s a bit of Eddie fatigue happening in part from the collaborations and covers.
I don't know, he's just kind of lost me a bit, I guess. As a songwriter, it seems like he's sort of said all he has to say already, with the Bush/Iraq stuff feeling like the last time he genuinely had something urgent to get off his chest. Since then he feels more like a guy who writes songs because that's his job, and because he enjoys the act of doing it. There's nothing wrong with that, and he's certainly had moments of inspiration since then, but in general -- especially when left entirely to his own devices -- it feels like he spins his wheels a lot.
All that said, I liked Gigaton and still do, even though I haven't had the same yearlong love affair with it that many here have. I think it's just down to him needing that additional input. He just doesn't seem to have the singular sense of vision coupled with musical range to be the driving force behind a solo career. I'd put Bono, Stipe, etc. in this same category. They've contributed to some great music, but they're frontmen first, and need other contributors to give the best shape to their ideas.
Rock n roll - where we prefer our elder rock stars crotchety over well adjusted and happy.Freewheelin wrote:The moment Eddie (probably around 03-05) started emulating and copping Springsteen/petty moves rather than the Neil young aesthetic he had been on was the moment any hopes for challenging future solo music were dashed.
The Springsteen infatuation has affected so much of his career and what he does with PJ.
his pearl jam output has been aces! and flag day took a while to sink in but Im really getting into it.epilogue wrote:You're not alone, buddy.Strat wrote:Am I the only one enjoying eds current output then?
That's fine. I just need to know .
liebzz wrote:Rock n roll - where we prefer our elder rock stars crotchety over well adjusted and happy.Freewheelin wrote:The moment Eddie (probably around 03-05) started emulating and copping Springsteen/petty moves rather than the Neil young aesthetic he had been on was the moment any hopes for challenging future solo music were dashed.
The Springsteen infatuation has affected so much of his career and what he does with PJ.

Wrong. The end of every cigarette he smokes is the one true light of his life.bodysnatcher wrote:That lamp has no idea that it’s the only light in that guy’s life
tragabigzanda wrote:Don’t freeways typically offer the fastest route over the more circuitous country roads?

Eddie said they went back to Brendan O'Brien and gave him more creative freedom partly because of O'Brien's work with Springsteen - so I don't think you're far off on that.Freewheelin wrote:The moment Eddie (probably around 03-05) started emulating and copping Springsteen/petty moves rather than the Neil young aesthetic he had been on was the moment any hopes for challenging future solo music were dashed.
The Springsteen infatuation has affected so much of his career and what he does with PJ.