Re: Black Panther (2018)
Posted: Sat February 17, 2018 4:49 pm
blah blah blah
ive heard both are quite gooddurdencommatyler wrote:No biggie. She made history by becoming the first woman nominated for Best Cinematography this year.stip wrote:thanksdurdencommatyler wrote:Um... Academy Award NOMINATED cinematographer.stip wrote:yes. Incredibly incentive world building, striking visuals, fully realized afro-futurism, incredible costumes, all captured by an academy award winning cinematographer. this is the first thing of hers ive seen
You should check out Dope. It's a great film. And I think you'd really like Fruitvale Station, though it's not really a fun time at the movies, if you know what I mean.
Black art being homogenized by the white, corporate mainstream so that it can be mass produced for children doesn't exactly strike me as positive change in our culture.durdencommatyler wrote:What makes racial progress perceived rather than actual?
I would agree with that statement. But is that what's happening with Blank Panther? And, frankly, are a couple of white dudes the right people to make that call?LoathedVermin72 wrote:Black art being homogenized by the white, corporate mainstream so that it can be mass produced for children doesn't exactly strike me as positive change in our culture.durdencommatyler wrote:What makes racial progress perceived rather than actual?
Isn't this pretty cynical?LoathedVermin72 wrote:This is actually some ingenious marketing strategy. If you load up your corporate junk with concerted effort to appear racially empowering, it all but makes you invulnerable to criticism, and people think even less about shoveling their cash toward your product. I guess it makes sense that this is the only way we're truly going to make progress in America - united by artless commercialism.
This is Disney we're talking about.durdencommatyler wrote:Isn't this pretty cynical?LoathedVermin72 wrote:This is actually some ingenious marketing strategy. If you load up your corporate junk with concerted effort to appear racially empowering, it all but makes you invulnerable to criticism, and people think even less about shoveling their cash toward your product. I guess it makes sense that this is the only way we're truly going to make progress in America - united by artless commercialism.
LoathedVermin72 wrote:This is Disney we're talking about.durdencommatyler wrote:Isn't this pretty cynical?LoathedVermin72 wrote:This is actually some ingenious marketing strategy. If you load up your corporate junk with concerted effort to appear racially empowering, it all but makes you invulnerable to criticism, and people think even less about shoveling their cash toward your product. I guess it makes sense that this is the only way we're truly going to make progress in America - united by artless commercialism.
It's also LV who's talking.durdencommatyler wrote:LoathedVermin72 wrote:This is Disney we're talking about.durdencommatyler wrote:Isn't this pretty cynical?LoathedVermin72 wrote:This is actually some ingenious marketing strategy. If you load up your corporate junk with concerted effort to appear racially empowering, it all but makes you invulnerable to criticism, and people think even less about shoveling their cash toward your product. I guess it makes sense that this is the only way we're truly going to make progress in America - united by artless commercialism.![]()
Fair point.
I think the cynicism comes from the zero positive comments you've had about a movie you haven't even seen. You raise fair points however.LoathedVermin72 wrote:I hardly think concern about a corporate entity whose product dominates our artistic landscape is cynicism.
No one is flipping out, buddy.VinylGuy wrote:I agree with LV so fuckin much.
Its kinda weird he is saying that and everyone else is flipping about it.
durdencommatyler wrote:Fair point.
No, you're right. No one is agreeing with him.Monkey_Driven wrote:You raise fair points however.
This, I totally agree with and said as much earlier.stip wrote:i think precisely zero people participating in this thread, myself included, are qualified to comment on the impact seeing yourself represented in mainstream art has on a people not used to seeing it.