Red Mosquito

cutuphalfdead wrote:Hey it's Harmless!

hey! I hope you're well

it sounds a bit like this (albeit in a different key):

https://youtu.be/ijxk-fgcg7c

spike wrote:

Ms Harmless wrote:the title might've been way cooler if it had just been called "Clairvoyants"

They want to make sure people dance to it. They want this in the clubs.

that line from Ed is taylor-made for a club remix

‘I know... the girls want to dance...’

bum bum bum bum bum bum

dimejinky99 wrote:

Put your tongue on the circular bit of a 9v battery. The square batteries.


That’s what rimming tastes like.

Hang on. Who the fuck am I telling

96583UP wrote:

spike wrote:

Ms Harmless wrote:the title might've been way cooler if it had just been called "Clairvoyants"

They want to make sure people dance to it. They want this in the clubs.

that line from Ed is taylor-made for a club remix

‘I know... the girls want to dance...’

bum bum bum bum bum bum

MASSIVE TRANCE BREAKDOWN MATE, LARGE

E.H. Ruddock wrote:

dimejinky99 wrote:

Put your tongue on the circular bit of a 9v battery. The square batteries.


That’s what rimming tastes like.

Hang on. Who the fuck am I telling

[img]yuck.gif[/img]

spoiler that side-arm, captain!

Ms Harmless wrote:

96583UP wrote:

spike wrote:

Ms Harmless wrote:the title might've been way cooler if it had just been called "Clairvoyants"

They want to make sure people dance to it. They want this in the clubs.

that line from Ed is taylor-made for a club remix

‘I know... the girls want to dance...’

bum bum bum bum bum bum

MASSIVE TRANCE BREAKDOWN MATE, LARGE

i suggest theplatypus get to work on it, post-haste

The "save your predictions, and burn your assumptions" line, mixed with the intro of Mike's guitar is a classic PJ moment. Gets me everytime.

I'm really fond of the delivery of "...and equally... hard to control" for some reason

I've probably listened to this song 50+ times now. And, I'm not nearing fatigue yet. But, I'll take a break anyway.

Anyway, especially love Ed's delivery in these sections. He just nails them:

Love is friction
Ripe for comfort

The looser things get
The tighter you become
The looser things get....tighter

Falling down, not staying down
Could'a held me up, rather than tearing me down
Drown in the river

This morning I listened to studio versions of WWS, Save You, DotC, Grievance and MYM. DotC is BY FAR the most sonically pleasing record out of the bunch. The production on this is perfection. It might be my favorite "sounding" song sing Given to Fly.

Monkey_Driven wrote:The "save your predictions, and burn your assumptions" line, mixed with the intro of Mike's guitar is a classic PJ moment. Gets me everytime.

fuck yes.

the delivery on this whole run is just fantastic...

So save your predictions
And burn your assumptions
Love is friction
Ripe for comfort
Endless equations
And tugging persuasions
Doors open up
To interpretation

EJ wrote:I've probably listened to this song 50+ times now. And, I'm not nearing fatigue yet. But, I'll take a break anyway.

i'm trying to get a little distance from it in order to "properly" rate it but I can't.

evenslow wrote:

Monkey_Driven wrote:The "save your predictions, and burn your assumptions" line, mixed with the intro of Mike's guitar is a classic PJ moment. Gets me everytime.

fuck yes.

the delivery on this whole run is just fantastic...

So save your predictions
And burn your assumptions
Love is friction
Ripe for comfort
Endless equations
And tugging persuasions
Doors open up
To interpretation

agreed - this will probably be the moment in the live show when i finally lunge at the closest man near me for an aggressive make-out session

96583UP wrote:

evenslow wrote:

Monkey_Driven wrote:The "save your predictions, and burn your assumptions" line, mixed with the intro of Mike's guitar is a classic PJ moment. Gets me everytime.

fuck yes.

the delivery on this whole run is just fantastic...

So save your predictions
And burn your assumptions
Love is friction
Ripe for comfort
Endless equations
And tugging persuasions
Doors open up
To interpretation

agreed - this will probably be the moment in the live show when i finally lunge at the closest man near me for an aggressive rimming session

ftfy

evenslow wrote:

96583UP wrote:

evenslow wrote:

Monkey_Driven wrote:The "save your predictions, and burn your assumptions" line, mixed with the intro of Mike's guitar is a classic PJ moment. Gets me everytime.

fuck yes.

the delivery on this whole run is just fantastic...

So save your predictions
And burn your assumptions
Love is friction
Ripe for comfort
Endless equations
And tugging persuasions
Doors open up
To interpretation

agreed - this will probably be the moment in the live show when i finally lunge at the closest man near me for an aggressive rimming session

ftfy

It's only in NY and CO they can't deny you, so watch out!

one of the things that's making me happy about this song is that if it weren't for the synth, and the wicka-wicka-wah funk guitar -- if all of that was replaced with the fuzzy straight riff of something like "Bushleaguer" -- this song could fit right into Riot Act; and I'm not having to look past any synthetic BO'B nonsense to hear it

the song builds and crescendos organically, and that alone has me excited to see what the album's got

The Town wrote:

evenslow wrote:

96583UP wrote:

evenslow wrote:

Monkey_Driven wrote:The "save your predictions, and burn your assumptions" line, mixed with the intro of Mike's guitar is a classic PJ moment. Gets me everytime.

fuck yes.

the delivery on this whole run is just fantastic...

So save your predictions
And burn your assumptions
Love is friction
Ripe for comfort
Endless equations
And tugging persuasions
Doors open up
To interpretation

agreed - this will probably be the moment in the live show when i finally lunge at the closest man near me for an aggressive rimming session

ftfy

It's only in NY and CO they can't deny you, so watch out!

it's what can't deny me is actually about.

Listened a few times today...i love the outtro. And yes, it kinda vaguely reminds me of the layered vocals in WMA.

Fuck, what a cool song.

i'm still loving this song after all these years.