Re: TV: Better Call Saul
Posted: Tue December 15, 2020 7:55 pm
Joe, you have half of RM helping you to see Season 5.
I’ll send you $25 just for thisepilogue wrote:Give us each $25 then.VinylGuy wrote:super lame to wait if you have the last season available. I would kill someone for the next season.
You guys suck
Hold up, this is just getting interesting...Mecca wrote:I’ll send you $25 just for thisepilogue wrote:Give us each $25 then.VinylGuy wrote:super lame to wait if you have the last season available. I would kill someone for the next season.
You guys suck
Thanks for this, btw, Jorge. I've already watched Barton Fink three times. I can't wait for your next guide. I would like to watch other Coen brothers movies someday.Jorge wrote:JORGE'S SUPER-EASY GUIDE FOR USING STREMIO
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- Spoiler: show
PM me your Venmo/PayPalepilogue wrote:Hold up, this is just getting interesting...Mecca wrote:I’ll send you $25 just for thisepilogue wrote:Give us each $25 then.VinylGuy wrote:super lame to wait if you have the last season available. I would kill someone for the next season.
You guys suck
I appreciate you, friend. But I think I'm good.Mecca wrote:PM me your Venmo/PayPalepilogue wrote:Hold up, this is just getting interesting...Mecca wrote:I’ll send you $25 just for thisepilogue wrote:Give us each $25 then.VinylGuy wrote:super lame to wait if you have the last season available. I would kill someone for the next season.
You guys suck
LET ME LOVE YOU AND SPREAD CHRISTMAS CHEER.epilogue wrote:I appreciate you, friend. But I think I'm good.Mecca wrote:PM me your Venmo/PayPalepilogue wrote:Hold up, this is just getting interesting...Mecca wrote:I’ll send you $25 just for thisepilogue wrote:Give us each $25 then.VinylGuy wrote:super lame to wait if you have the last season available. I would kill someone for the next season.
You guys suck
Norris wrote:just give him the money

Cops came last night. They asked a lot of questions about it. They also told me Jorge was in prision for the Stremio guide.The Argonaut wrote:I'm pretty sure Joe has already made it clear that he is morally opposed to pirating movies and TV, so he's probably just taking notes for the police
At this point, Rhea Seehorn’s missing Emmy for her work on Better Call Saul is less a foolish oversight than it is a miscarriage of justice akin to The Wire’s lack of Best Drama nods, or Lauren Graham’s missing Emmy nomination for her work on Gilmore Girls (don’t even get us started on Kelly Bishop). Is there anyone who’s watched the past five straight seasons of Vince Gilligan and Peter Gould’s sun-baked drama and, at the end of every one, not thought to themselves, “Wow, that actor playing Kim Wexler deserves some sort of award”? With each passing year, Seehorn has peeled back the layers of her sharp, calculating character, exposing both the thrill-addict and the vulnerable romantic buried deep below the confident and self-possessed exterior. She consistently elevates the already-strong material, whether it’s Kim yet again rebuking Bob Odenkirk’s Jimmy McGill for his carelessness while secretly embracing her own more reckless side, or the lawyer letting an episodes-long emotional slow burn come to a boil and exploding at her former mentor Howard Hamlin (Patrick Fabian). Seehorn’s nuanced portrayal always suggests conflicting impulses vying for dominance; it’s a performance that rewards close viewing, time and again. Shouldn’t Seehorn be rewarded in turn? [Alex McLevy]
*actressThe Argonaut wrote:AV Club knows what's good.
The best TV performances of 2020: https://tv.avclub.com/the-best-tv-perfo ... /slides/24
They separate Rhea Seehorn even above all the other great performances of the year, giving her and her alone the designation "Hall of Famer".At this point, Rhea Seehorn’s missing Emmy for her work on Better Call Saul is less a foolish oversight than it is a miscarriage of justice akin to The Wire’s lack of Best Drama nods, or Lauren Graham’s missing Emmy nomination for her work on Gilmore Girls (don’t even get us started on Kelly Bishop). Is there anyone who’s watched the past five straight seasons of Vince Gilligan and Peter Gould’s sun-baked drama and, at the end of every one, not thought to themselves, “Wow, that actor playing Kim Wexler deserves some sort of award”? With each passing year, Seehorn has peeled back the layers of her sharp, calculating character, exposing both the thrill-addict and the vulnerable romantic buried deep below the confident and self-possessed exterior. She consistently elevates the already-strong material, whether it’s Kim yet again rebuking Bob Odenkirk’s Jimmy McGill for his carelessness while secretly embracing her own more reckless side, or the lawyer letting an episodes-long emotional slow burn come to a boil and exploding at her former mentor Howard Hamlin (Patrick Fabian). Seehorn’s nuanced portrayal always suggests conflicting impulses vying for dominance; it’s a performance that rewards close viewing, time and again. Shouldn’t Seehorn be rewarded in turn? [Alex McLevy]

Actor is a totally correct usage. The suffix -or has no gender assigned to it at all.Bammer wrote:*actressThe Argonaut wrote:AV Club knows what's good.
The best TV performances of 2020: https://tv.avclub.com/the-best-tv-perfo ... /slides/24
They separate Rhea Seehorn even above all the other great performances of the year, giving her and her alone the designation "Hall of Famer".At this point, Rhea Seehorn’s missing Emmy for her work on Better Call Saul is less a foolish oversight than it is a miscarriage of justice akin to The Wire’s lack of Best Drama nods, or Lauren Graham’s missing Emmy nomination for her work on Gilmore Girls (don’t even get us started on Kelly Bishop). Is there anyone who’s watched the past five straight seasons of Vince Gilligan and Peter Gould’s sun-baked drama and, at the end of every one, not thought to themselves, “Wow, that actor playing Kim Wexler deserves some sort of award”? With each passing year, Seehorn has peeled back the layers of her sharp, calculating character, exposing both the thrill-addict and the vulnerable romantic buried deep below the confident and self-possessed exterior. She consistently elevates the already-strong material, whether it’s Kim yet again rebuking Bob Odenkirk’s Jimmy McGill for his carelessness while secretly embracing her own more reckless side, or the lawyer letting an episodes-long emotional slow burn come to a boil and exploding at her former mentor Howard Hamlin (Patrick Fabian). Seehorn’s nuanced portrayal always suggests conflicting impulses vying for dominance; it’s a performance that rewards close viewing, time and again. Shouldn’t Seehorn be rewarded in turn? [Alex McLevy]