Re: The Official GIGATON Thread
Posted: Thu March 26, 2020 2:17 pm
really wished you'd posted this in all caps.
really wished you'd posted this in all caps.
Yep. My sole purpose in waiting is to let everyone else get their reviews out, thereby egocentrically maximizing the attention placed on mine.Ms Harmless wrote:
there's every reason to hope for (perhaps not "expect") an even better album next time! is tomorrow your first listen? ooooh!
Good points.Ms Harmless wrote:I also wrote this in another thread but:
I now feel as if Backspacer and Lightning Bolt kind of represent an experiment to work through "new" parts and elements to a maturer sound, rather than a whole Pearl Jam; they play around (with mixed success) with fun and brightness, "friendliness" instead of bleakness, pop elements in the production and instrumentation; those elements don't start to become fully integrated into a complete PJ sound until this album, which sprinkles those into what we knew and loved about them before
I'm hoping it's in my mailbox when I get home.Revelator wrote:WTF where the hell is my CD?
yes absolutelyEJ wrote:Good points.Ms Harmless wrote:I also wrote this in another thread but:
I now feel as if Backspacer and Lightning Bolt kind of represent an experiment to work through "new" parts and elements to a maturer sound, rather than a whole Pearl Jam; they play around (with mixed success) with fun and brightness, "friendliness" instead of bleakness, pop elements in the production and instrumentation; those elements don't start to become fully integrated into a complete PJ sound until this album, which sprinkles those into what we knew and loved about them before
However, you must also factor in the odd desire for Ed to create albums for the live show and their fealty to BOB and his penchant to record quickly.
joostone wrote:Josh Evans talks about starting this record in januari 2017. In their own GT studios (Warehouse). CDM was released about a year later in march 2018 citing BO'B as a producer. So somewhere along the line Josh became the producer. Im really curious about the timeline here. What was already recorded with BO'B before march 2018? It seems that only 1 or 2 (retrogade was mentioned) come from BO'B helmed sessions. What happened with BO'B? Everyone assumes the band stopped working with him. However it seems that he hasn''t produced any records since 2017!! He did the Prophets of Rage one and a Mastodon record, and that's it for the last 3 years!Sgt. Crackpot wrote:A couple of the band members swing by here to read, from time to time. As they do with the Pit.steveddievedder wrote:I still don't understand what happened between Can't Deny Me and this album, the difference in (production AND song) quality is staggering. Having listened to this album consistently over the past few days I feel more and more confident it is one of their best yet. Interesting to me that it's an album that they probably could never have come up with 20+ years ago, but an album only a group hungry to prove something and make something interesting could create. Pretty amazing.
Enjoying Buckle Up more and more with each listen too, really sticking with me, what a great way to split the album. Can someone tell me what part of the vocal is Stone's? Surely not all of it?
It's usually after releasing certain products, tracks, previews, tours, etc. They like to gauge some of the reactions.
CDM was me with a significant negative response. It caused the band to step back and review the scope of the album - which at the time was pending mastering and release.
The went "back to the drawing board" so to speak.
And he sold all his publishing rights: https://completemusicupdate.com/article ... an-obrien/
So, Im starting to think that the band didnt quit BO'B, but B'OB quit the music industry...
btw: Does anyone have CDM in flac?
What is this now?Waverider wrote:joostone wrote:Josh Evans talks about starting this record in januari 2017. In their own GT studios (Warehouse). CDM was released about a year later in march 2018 citing BO'B as a producer. So somewhere along the line Josh became the producer. Im really curious about the timeline here. What was already recorded with BO'B before march 2018? It seems that only 1 or 2 (retrogade was mentioned) come from BO'B helmed sessions. What happened with BO'B? Everyone assumes the band stopped working with him. However it seems that he hasn''t produced any records since 2017!! He did the Prophets of Rage one and a Mastodon record, and that's it for the last 3 years!Sgt. Crackpot wrote:A couple of the band members swing by here to read, from time to time. As they do with the Pit.steveddievedder wrote:I still don't understand what happened between Can't Deny Me and this album, the difference in (production AND song) quality is staggering. Having listened to this album consistently over the past few days I feel more and more confident it is one of their best yet. Interesting to me that it's an album that they probably could never have come up with 20+ years ago, but an album only a group hungry to prove something and make something interesting could create. Pretty amazing.
Enjoying Buckle Up more and more with each listen too, really sticking with me, what a great way to split the album. Can someone tell me what part of the vocal is Stone's? Surely not all of it?
It's usually after releasing certain products, tracks, previews, tours, etc. They like to gauge some of the reactions.
CDM was me with a significant negative response. It caused the band to step back and review the scope of the album - which at the time was pending mastering and release.
The went "back to the drawing board" so to speak.
And he sold all his publishing rights: https://completemusicupdate.com/article ... an-obrien/
So, Im starting to think that the band didnt quit BO'B, but B'OB quit the music industry...
btw: Does anyone have CDM in flac?
There's some controversy going on. You can read about stuff. BO'B has loyalties elsewhere and it's in the band's best interest to distance itself from him, especially Matt.This is why I think their relationship stopped.
Saucy! Pray-tell....Anything to do with an ongoing lawsuit between a band & a widow?Waverider wrote:There's some controversy going on. You can read about stuff. BO'B has loyalties elsewhere and it's in the band's best interest to distance itself from him, especially Matt.This is why I think their relationship stopped.
It's just my theory from the snippets i've read. Timelines make sense. It's been stated that one of the parties wanted BO'B specifically as producer of the next SG album, a view that wasn't shared by 3 other members. Again, it's out there. It may come down to conflict of interest.oneway23 wrote:Saucy! Pray-tell....Anything to do with an ongoing lawsuit between a band & a widow?Waverider wrote:There's some controversy going on. You can read about stuff. BO'B has loyalties elsewhere and it's in the band's best interest to distance itself from him, especially Matt.This is why I think their relationship stopped.
Im disappointed that Kevin Davis doesnt care much for it and compares it similarly to lightning bolt.Leatherhead wrote:I'm finding it hard not to hate on the people that don't love this album as much as I do. But I've got to remember, some of the best posters here don't even like Habit.
You're probably right...Waverider wrote:It's just my theory from the snippets i've read. Timelines make sense. It's been stated that one of the parties wanted BO'B specifically as producer of the next SG album, a view that wasn't shared by 3 other members. Again, it's out there. It may come down to conflict of interest.oneway23 wrote:Saucy! Pray-tell....Anything to do with an ongoing lawsuit between a band & a widow?Waverider wrote:There's some controversy going on. You can read about stuff. BO'B has loyalties elsewhere and it's in the band's best interest to distance itself from him, especially Matt.This is why I think their relationship stopped.
Listen BOB might not have been the right guy for the last few albums but I'm not going to rewrite history and pretend like he wasn't masterful at what he did in the '90s and early 2000s.oneway23 wrote:You're probably right...Waverider wrote:It's just my theory from the snippets i've read. Timelines make sense. It's been stated that one of the parties wanted BO'B specifically as producer of the next SG album, a view that wasn't shared by 3 other members. Again, it's out there. It may come down to conflict of interest.oneway23 wrote:Saucy! Pray-tell....Anything to do with an ongoing lawsuit between a band & a widow?Waverider wrote:There's some controversy going on. You can read about stuff. BO'B has loyalties elsewhere and it's in the band's best interest to distance itself from him, especially Matt.This is why I think their relationship stopped.
Hadn't thought much about it. I'd prefer to be optimistic and stay ignorant in my bubble, believing that the band finally got wise and realized that he hasn't been a decent producer in two decades.
He's a coat-tail rider who constantly breaks the cardinal producer's rule: He's the insufferable type of producer who refers to the band as we, as though he's actually a member of the band he is producing instead of an admittedly talented, though ultimately failed, musician who fell into the job. Listen to interviews for the tell-tale signs; you'll hear gems like, "on this album, WE tried to", "WE were going for." It's unbearable to me.
Just do the job, make the actual BAND shine, instead of trying to impose your way into it. Just take your producer's points and go home.
Lest anyone thing I'm being harsh, he's been doing it since early on....check the credits on the Black Crowe's debut. The guy played a ton of instruments on there.
oneway23 wrote:You're probably right...Waverider wrote:It's just my theory from the snippets i've read. Timelines make sense. It's been stated that one of the parties wanted BO'B specifically as producer of the next SG album, a view that wasn't shared by 3 other members. Again, it's out there. It may come down to conflict of interest.oneway23 wrote:Saucy! Pray-tell....Anything to do with an ongoing lawsuit between a band & a widow?Waverider wrote:There's some controversy going on. You can read about stuff. BO'B has loyalties elsewhere and it's in the band's best interest to distance itself from him, especially Matt.This is why I think their relationship stopped.
Hadn't thought much about it. I'd prefer to be optimistic and stay ignorant in my bubble, believing that the band finally got wise and realized that he hasn't been a decent producer in two decades.
He's a coat-tail rider who constantly breaks the cardinal producer's rule: He's the insufferable type of producer who refers to the band as we, as though he's actually a member of the band he is producing instead of an admittedly talented, though ultimately failed, musician who fell into the job. Listen to interviews for the tell-tale signs; you'll hear gems like, "on this album, WE tried to", "WE were going for." It's unbearable to me.
Just do the job, make the actual BAND shine, instead of trying to impose your way into it. Just take your producer's points and go home.
Lest anyone thing I'm being harsh, he's been doing it since early on....check the credits on the Black Crowe's debut. The guy played a ton of instruments on there.
Congrats! Now shut up!steveddievedder wrote:Just wanted to post once more so I hit 10 posts which feels like a bit of a milestone given I've been around here for a few years. See what this album did, it make me put my hand up and say something!
I explicitly said in the post that he hasn't been a good producer in two decades. The implication there, of course, is that, at one point, he was.Superblood Wolfmoon wrote:Listen BOB might not have been the right guy for the last few albums but I'm not going to rewrite history and pretend like he wasn't masterful at what he did in the '90s and early 2000s.