Red Mosquito

Jaeti wrote:It's not my favorite song at the moment, but the lyrics and performance on Comes Then Goes is tremendous. And I think there's no other song on this album that can compete with it as far as overall emotional ceiling.

I'm a very keep-to-myself type, never more than a handful of close friends. And, someday, if those fade or if something else happens, this one's really going to be crushing. I'm sure that's already the experience some of you are having.

Yeah, that one is absolutely crushing. There's a whole journey we all could be having with this song, faded relationships can be like experiencing a slow death. It's funny, early reviews were overlooking that one. It was just written as a Pete Towshend ish ditty and that's it. In early listens, people pay attention to the sonics of a song, but this album experiments with song structure. Comes Then Goes even does that to some extent, but the lyrics are stunning. He got into that rarified headspace that delivered Black, Immortality with it's imagery and wordplay. I'm afraid to say he got into the space occupied by some of the alltime greats with that one. Bravo, Ed.

"Siri, play Gigaton"

"sure, here's jai-guh-dun"

well, at least you are playing the right songs.

local record shop isn't doing pickups so I ordered it from them with 'free shipping' since it's over $35. after taxes it's almost $50 but hey I'm supporting a local small business right.

Tuolumne wrote:

Jaeti wrote:It's not my favorite song at the moment, but the lyrics and performance on Comes Then Goes is tremendous. And I think there's no other song on this album that can compete with it as far as overall emotional ceiling.

I'm a very keep-to-myself type, never more than a handful of close friends. And, someday, if those fade or if something else happens, this one's really going to be crushing. I'm sure that's already the experience some of you are having.

Yeah, that one is absolutely crushing. There's a whole journey we all could be having with this song, faded relationships can be like experiencing a slow death. It's funny, early reviews were overlooking that one. It was just written as a Pete Towshend ish ditty and that's it. In early listens, people pay attention to the sonics of a song, but this album experiments with song structure. Comes Then Goes even does that to some extent, but the lyrics are stunning. He got into that rarified headspace that delivered Black, Immortality with it's imagery and wordplay. I'm afraid to say he got into the space occupied by some of the alltime greats with that one. Bravo, Ed.

Love this.

My vinyl version arrived today. The records are pressed really well. After being burned with a lot of new vinyl I’m very happy.

After my lukewarm reception to the SBWM release I decided to stop listening and wait for release day. Four listens in, most recently on headphones, I am so impressed with these guys. Hearing SBWM in between Who Ever Said (which blew me away) and DOTC brought it into focus immediately. There's so much to digest still. It's such a group effort, with Ed and Jeff doing most of the (apparent) heavy lifting. Ed's lyrics are thoughtful and focused; much of what he has written here reminds me of Yield. I'm still exploring why that is. The record has really brought back to the front of my mind why I loved this band in the mid-late '90s: The sense of adventure and exploration in their song structures and arrangements, combined with Ed's wit and enthusiastic drive to lift up anyone who cares to listen. When done right, Pearl Jam is a beautiful thing. The record is not perfect I'm sure, but I'm so glad it's here.

Hatfield wrote:

96583UP wrote:I listened

The universe presented itself, i put in my airpods, and I jogged by restricted beach in the rain in near isolation

Overall: Good album

High-level Notes

The Good:
- First 4 tracks make the album. Indeed quite a run
- Quick Escape is amazing. Best song since Nothing As It Seems. And right after DOTC, it's a feast for the ears
- Take The Long Way: clearly off the SG cutting room floor, which we are happy to accept. This live with louder bass and a little rawer guitar sound could be really great.
- River Cross: Glad it made it on the album. Nothing will ever touch that first live Ed solo version leading into 'I'm So Tired' . But glad this is here. On the right night, could be a great song live.

The Not as Great:
- Back half of the album kinda slow
- Ed never alters his singing style much. There is too much word salad. By like the 4th punker, it's like 'OK you need to switch this up'

Spoiler: show

NOW BRING ON DISC 2 I'M STARVING

You give this 3 more listens and I think you're feeling on the album will improve.

yeah will need some more time to focus on their focusness

I hear Ed trying to be Bruce in this one a few times

Jessica Fletcher wrote:After my lukewarm reception to the SBWM release I decided to stop listening and wait for release day. Four listens in, most recently on headphones, I am so impressed with these guys. Hearing SBWM in between Who Ever Said (which blew me away) and DOTC brought it into focus immediately. There's so much to digest still. It's such a group effort, with Ed and Jeff doing most of the (apparent) heavy lifting. Ed's lyrics are thoughtful and focused; much of what he has written here reminds me of Yield. I'm still exploring why that is. The record has really brought back to the front of my mind why I loved this band in the mid-late '90s: The sense of adventure and exploration in their song structures and arrangements, combined with Ed's wit and enthusiastic drive to lift up anyone who cares to listen. When done right, Pearl Jam is a beautiful thing. The record is not perfect I'm sure, but I'm so glad it's here.

96583UP wrote:I hear Ed trying to be Bruce in this one a few times

I can definitely hear it on 0700. Where else are you hearing it?

96583UP wrote:

Hatfield wrote:

96583UP wrote:I listened

The universe presented itself, i put in my airpods, and I jogged by restricted beach in the rain in near isolation

Overall: Good album

High-level Notes

The Good:
- First 4 tracks make the album. Indeed quite a run
- Quick Escape is amazing. Best song since Nothing As It Seems. And right after DOTC, it's a feast for the ears
- Take The Long Way: clearly off the SG cutting room floor, which we are happy to accept. This live with louder bass and a little rawer guitar sound could be really great.
- River Cross: Glad it made it on the album. Nothing will ever touch that first live Ed solo version leading into 'I'm So Tired' . But glad this is here. On the right night, could be a great song live.

The Not as Great:
- Back half of the album kinda slow
- Ed never alters his singing style much. There is too much word salad. By like the 4th punker, it's like 'OK you need to switch this up'

Spoiler: show

NOW BRING ON DISC 2 I'M STARVING

You give this 3 more listens and I think you're feeling on the album will improve.

yeah will need some more time to focus on their focusness

A few more times through this album and I’d bet you’ll love it. Like me.

dad wrote:

96583UP wrote:I hear Ed trying to be Bruce in this one a few times

I can definitely hear it on 0700. Where else are you hearing it?

0700. I like that.

EJ wrote:

dad wrote:

96583UP wrote:I hear Ed trying to be Bruce in this one a few times

I can definitely hear it on 0700. Where else are you hearing it?

0700. I like that.

It’s helpful for me to use military time.

Side B of my vinyl has "eat your veggies" etched into it

TCB13 wrote:Side B of my vinyl has "eat your veggies" etched into it

Thanks, Obama.

Credit: former TwoFeetThick author, Kathy Davis.

Jessica Fletcher wrote:After my lukewarm reception to the SBWM release I decided to stop listening and wait for release day. Four listens in, most recently on headphones, I am so impressed with these guys. Hearing SBWM in between Who Ever Said (which blew me away) and DOTC brought it into focus immediately. There's so much to digest still. It's such a group effort, with Ed and Jeff doing most of the (apparent) heavy lifting. Ed's lyrics are thoughtful and focused; much of what he has written here reminds me of Yield. I'm still exploring why that is. The record has really brought back to the front of my mind why I loved this band in the mid-late '90s: The sense of adventure and exploration in their song structures and arrangements, combined with Ed's wit and enthusiastic drive to lift up anyone who cares to listen. When done right, Pearl Jam is a beautiful thing. The record is not perfect I'm sure, but I'm so glad it's here.

yes! I concur, great post

The vinyl is a monster. It sound tremendous a nice setup. Hot damn.

B wrote:
Credit: former TwoFeetThick author, Kathy Davis.

My single that came with it says "brooding whales send me messages"

Ten club says cd booklet 40 pages. Retail sore is 32 pages. Anyone know if what the extra pages are?

Kalevi wrote:Ten club says cd booklet 40 pages. Retail sore is 32 pages. Anyone know if what the extra pages are?

a breakdown of shipping charges