Red Mosquito

darth_vedder wrote:Start releasing shows from the 1996 tour every month.
After '96, do the same for '98.
Lost Dogs 2
Re-release of No Code (include a live disc of all NC songs from the '96 tour)
Re-release of Yield (include a live CD with Yield only songs from the Aussie tour + the NA tour)
Re-release of Binaural (include full Tchad Blake mix, and another disc of the original track list)

I don't release anything. Instead I regularly post about these fantastic unreleased gems that I happen to have and how I can't share them, sorry.

Commission Berlinger and Sinofsky to do a warts-and-all documentary about the history of Pearl Jam. Have a reenactment of Stone's final breakfast with Dave A but do it in the style of Waking Life.

Call it "Five Against One" and sell it alongside "PJ20" for the darker and lighter takes on the band.

i think id probably start w/. the show w/ robert plant

Fire Kat and Tim

dp

B wrote:None of us read the first post. The rules should be a numbered list.

That's not how it works. The rules were issued as a memo. You can have your preferences as to how things "should" be done but be aware that you ignore the way they are at the peril of your new position.

The unreleased Ten Club "monkey man" booties collection from 2009.

Man, that would have really been something.

Kevin Davis wrote:

twoheadedboy wrote: 4. Pearl Jam History Live Bootleg series, with a release every 2 months rotating amongst '92, '93/'94, '95, '96, and '98...simple packaging/digital and low cost

You didn't read the directions. You're fired.

tl;dr

Man, what's with this hard on for the 1996 tour? There are some good shows but if you're looking for Jack material, Pacific Rim '95 and '98 would be better.

I'll release every PJ concert I've seen in succession, one every month, and then I'll close up shop and let the rest of you pound sand.

twoheadedboy wrote:Man, what's with this hard on for the 1996 tour? There are some good shows but if you're looking for Jack material, Pacific Rim '95 and '98 would be better.

Because it's heavy on the No Code material.

B wrote:None of us read the first post. The rules should be a numbered list.

Anyhow, I want a Vote For Change boxed set too.

tl;dr Jack Irons is the best drummer.

darth_vedder wrote:

twoheadedboy wrote:Man, what's with this hard on for the 1996 tour? There are some good shows but if you're looking for Jack material, Pacific Rim '95 and '98 would be better.

Because it's heavy on the No Code material.

Agreed. I'd rather see March 1998 shows than something from 1996, unless that something was Randall's Island II or Hamburg.

My first order would be to re-edit and release the 1995 tour movie. My second would be a full release of Soldier Field 1995. My third would be to release the 1998 Pacific Rim tour in its entirety, with the March 05 show as a stand-alone release (or maybe the March 11 show...they're both incredible).

ONE LIVE SHOW PER DAY UNTIL THEY ALL ARE AVAILABLE THEN A LOST DOGS FOR EACH ALBUM ERA.

i'd probably just carry on as-is, and just listen to all of the material myself

1. PJ20

dvds, full boots, book from the weekend...a nice and complete pack.

2- Boots from the vault

At least one per year from different years, the first one being Red Rocks 95, a nice packaging with photos.

3- shows in blue ray and dvd

Again, from different eras too..first one has to be from the 1998 tour.

4- release the 1995 movie.

Every Record Store Day, I'd dig through the unreleased studio shit and put out a 7".

i would recreate pearljam.com into a gateway for fans to access as much of the music as they want to pay for.

my first order of business would be opening up things in a kickstarter like fashion (somewhat like tool & radiohead have done) to get people to fund the packaging and/or analog/digital format that they want. for anything. all recordings would be listed and different packages would be made available for everything.

different donations would commission different artists for each album/boxset purchased. tom tomorrow designs would be the cheapest design sets (vitalogy-like packaging would be the upper level). fernando apodaca, munk one, ames bros, and brad klausen would also be available for any and all music packages (individual band member designs would also be available in the smallest quantities... the Boom designs would all be plushy).

so the schedule for release would be determined by fan donation/interest in certain tours/shows/recording sessions (i'm thinking Tchad Blake's Binaural would generate substantial interest).

I'd also open up the many photographers that have covered the band to provide album packaging. Also I'd get the band connected with Third Man Records and pump out some "black circles".

Why is PJ20 so high on everyone's list?