Red Mosquito

liebzz wrote:

surfndestroy wrote:

VinylGuy wrote:yeah, he was always a though guy. But i kinda understand what he says.

I do too but Pete doesn't seem to understand or acknowledge is that the 'difficult' was what made them special.

This definitely

joostone wrote:

liebzz wrote:

surfndestroy wrote:

VinylGuy wrote:yeah, he was always a though guy. But i kinda understand what he says.

I do too but Pete doesn't seem to understand or acknowledge is that the 'difficult' was what made them special.

This definitely

True! However, Pete has a weird sense of humour, if this was on video maybe we would react differently. But in printed media this comes of really harsh

bodysnatcher wrote:Future EV

By 1994, Vedder had almost fully taken charge of the band’s musical direction – writing more of the songs himself rather than working in collaboration with his bandmates. “It wasn’t a hostile takeover,” Vedder told Crowe later. “To be honest, I think that I felt that anything we put out was highly representative of me and because I was kind of becoming the most recognizable guy in the group, I needed to be more represented musically. And if that meant me creating the songs that were going to accomplish that, then I had to do it.”

My interview with Rolling Stone. Headline: 'Pete Townshend says “thanks God” Moon, John Entwistle are dead; they were fucking difficult to play with”’.

This was said as part of an interview in response to a series of questions about Who history, the early days and how it is today.

PETE! FOR FUCK’S SAKE PUT A LID ON IT!

No one can ever know how much I miss Keith and John, as people, as friends and as musicians. The alchemy we used to share in the studio is missing from the new album, and it always feels wrong to try to summon it up without them, but I suppose we will always be tempted to try. To this day I am angry at Keith and John for dying. Sometimes it shows. It’s selfish, but it’s how I feel.

But I am sincerely grateful to have had these second and third incarnations as a member of what we still dare to call The Who – once after Keith passed, then again after John passed. I do thank God for this, but I was being ironic in my own English way by suggesting it is something I am glad about. I can be grateful to be free as a player and writer, but sad about losing old friends. It does feel ironic, and it also makes me angry. Towards the end of my mother Betty’s life she drove me barmy, and there was a huge sense of relief when she finally passed, but I miss her very much. Love has so many facets.

I understand that a lot of long-time Who fans will be hurt by the way it comes across as a headline. I only hope that they know me well enough that I tell the truth as much as I can, but I also tell both sides and the upside is missing in the headlines.

Writing for Roger, and performing with him, is easier than the early days with the old four-piece band. Many of you will have heard me say that working with Roger these days can be tricky, and challenging, but that ultimately I find it “easy”. John and Keith were so eccentric and individual as musicians. They literally did take up so much musical and sonic space. As a guitar player I never learned to shred because there was never any space for it. On Live At Leeds and bootlegs from that time you can often hear me stop the music to noodle around, partly so I could think!

The upside with Keith and John was that on tour and in the studio we had so much fun. Playing with them was hard, but both Roger and I spent a lot of time doubled up in joy and laughter even though we could have benefitted from a quieter life sometimes. It was a riot.

To those family members of Keith and John, especially Chris Entwistle and Mandy Moon, I apologise for the headlines – and for carelessly providing the words that were used – but in the past three months I have done so many interviews I am losing focus and patience. I forgive myself. I hope they can forgive me too. I loved their dads and still do.

Roger lost his rag at a press conference at Wembley about Brexit. I found it worrying, but I understood. We may be rock stars but we are also human. Roger and I have not changed very much over the years, but we do love and like each other these days. It’s really poignantly painful to imagine how things would have turned out had John and Keith had also been allowed to become older, kinder and wiser. The Who might have grown musically, or possibly just gone around in circles, but I assure you we would have deepened our love for each other as human beings and colleagues.

As musicians? Who knows?

liebzz wrote:The Who Sell Out - this is the first time listening through and not getting annoyed at the fake ads. It’s a nice little concept, but sometimes, especially with such a strong first half of the album, it gets in the way. In fact, the only track that isn’t great in the first half is Heinz Baked Beans. Armenia City in the Sky is awesome. I also loved Our Love Was, Mary Ann With the Shaky Hands, and Tattoo. I Can See For Miles is one of the great rock songs. I am not sure it is so successful in the second half, where the songs take a bit of a dip, with I Cant Reach You and Relax as my two favorites on that side. Rael is a nice little tease of Sparks to come...

Overall, I think it’s a strong album, but my least favorite of the first three. I know a lot of people love this album and it’s a nice transition from the early Who to the rock opera era.

liebzz wrote:Odds & Sods