Red Mosquito

Hey Stip, if terrorists kidnapped BO'B and Matt Cameron and you could only save one of them before they were beheaded who would you save?

that depends. What kind of terrorists are they?

stip wrote:that depends. What kind of terrorists are they?

It's Dave A and Tchad Blake.

Can we work out some sort of partial seal intervention that only manages to save Dave A, who goes back to drumming for pearl jam afterwards, but also no one really dies?

stip wrote:Can we work out some sort of partial seal intervention that only manages to save Dave A, who goes back to drumming for pearl jam afterwards, but also no one really dies?

dave a. is the terrorist, stip.

He prefers freedom fighter

I feel like stip's students, employers, and possible family need to be made immediately aware of everything that just happened.

Fortunately my username and avatar grant me perfect anonymity

stip wrote:Fortunately my username and avatar grant me perfect anonymity

CopperTom wrote:

stip wrote:Fortunately my username and avatar grant me perfect anonymity

yeah, but I am the person or the turkey leg?

stip wrote:

CopperTom wrote:

stip wrote:Fortunately my username and avatar grant me perfect anonymity

yeah, but I am the person or the turkey leg?

You're obviously eating Crackpot in that pic.

I was shitting gifs for a week

stip wrote:I was shitting gifs for a week

Lol. What a terrible ailment!

stip wrote:I was shitting gifs for a week

I'd still like an answer to my question about who Stip would save.

Birds in Hell wrote:I feel like I should point out that Parashar often (unfairly, in my opinion) gets the blame for the sound of Ten. His original mixes of that material, those we've heard anyway, actually sound great and I wish he'd had the opportunity to mix the final release.

It was Tim Palmer, a British producer best known at the time for working with David Bowie's Tin Machine, who mixed Ten back in the day and gave it that glossy, reverb-heavy sheen. He'd also mixed the Mother Love Bone record which I presume is why he got the gig.

While this is correct, they didn't like Parashar's production and recording style either, recording small bits here and there instead of full live takes. If you hear the masters from Ten, you will notice that the vocal and guitar tracks are chopped to death to get the best performance bits together, composed of small phrases, and lots of overdubs. While I personally think it worked quite well and contributed to Ten's signature sound, they didn't like that less organic recording approach.

Also, Tim Palmer can't be blamed entirely for Ten's original reverbfest sound. They specifically asked him that they wanted a big arena rock concert like sound, so they got what they asked for, it was their own fault. So yeah, this is probably closer to the truth:

McParadigm wrote:

lowlight79 wrote:The band never seemed to like his production after they realized other people were calling it commercial.

FredPJ wrote: While I personally think it worked quite well and contributed to Ten's signature sound, they didn't like that less organic recording approach.

It's a good thing that they're independent now with total freedom to record more organic soundi

theplatypus wrote:

FredPJ wrote: While I personally think it worked quite well and contributed to Ten's signature sound, they didn't like that less organic recording approach.

It's a good thing that they're independent now with total freedom to record more organic soundi

AL