Red Mosquito

digster wrote:Binaural's flaw is that it's outtakes are so good it makes people needlessly obsessive about finding ways to get them on the album.

Other than that, Soon Forget's lyrics are kind of blah. It's another winner otherwise, for me the last of their no-holds-barred classics.

The pacing in particular is immensely good on this record; in particular, this album has a better, more thoughtful back half than any other in their catalog.

McParadigm wrote:No way I'm writing about this again

cutuphalfdead wrote:

McParadigm wrote:No way I'm writing about this again

bullshit

McParadigm wrote:Apparently, it was plural. I wrote a bunch of shits about this album.

I love the degree to which they were willing to experiment with their sonic structure and with the overall sound of their records during the Binaural/Riot Act era, even if both of those albums feel like missed opportunities in some ways. Binaural is very clearly an album mashed together from sessions that were meant to produce something a little more cohesive and distinctive by a band that was frustrated and unable to seal the deal, and Riot Act is a great sounding record that needed them to be a little more willing to deviate from their typical songwriting or song structure in order to become truly remarkable.

It flows unevenly, not to some purpose or internal rhythm but more like the laziest mix tape ever made. Some of the best songs from the sessions were left off the album, the production is almost as muffled and pinched sounding as it is bright and open...especially on the drums. There are images repeated often enough to suggest a narrative or concept in the conceptual stage, but none is apparent in the final work. The band seemed to be looking for a new approach or update of their sound as they moved away from the sonically safe Yield and into a more space-punk rock and mood-heavy style, but they ended up playing (for whatever reason) too close to the cold cold ground to let it become a truly experimental record. Some of the songs that I wish would branch out and play a bit within the confines of their space end too soon (Of the Girl, Rival, Parting Ways). A "messy" or chaotic record usually works better as a double, and Of the Girl should absolutely open the album. The cover art isn't so much a cool spacey photo as an unaltered copy and paste from a Hubble image that had been flying around emails and internet sites for a long time before the record came out, making it a pretty tired and unremarkable choice for a cover image.

Now, with all that said....

Chaotic, messy, "failed," overreaching, or directionless sessions often produce the most interesting albums. They're never perfect albums, but they're always interesting. Exile on Main Street was as directionless and messy as it gets, Sandinista was overreaching and an arguably failed project, Swordfishtrombones was made by an artist who didn't really know how to get the sound he wanted, he only knew THAT he wanted. Sometimes I wonder if Neil Young even knows how to make a record. I hope he never learns.

I'm not saying I don't like Binaural. I love it, but I love it because it belongs in the pile with those records...the ones that you can stare at all you want, but you're never gonna see clearly.

I still wish:

1 Of the Girl was the opening track
2 that it was 7 minutes plus
3 that it just let itself explore the textures of its moods and shades of its colors the way Neil Young's Change Your Mind does

Ten - Tom Cruise
Vs - Emilio Estevez
Vitalogy - Matt Dillon
No Code - C. Thomas Howell
Yield - Ralph Macchio
Binaural - Patrick Swayze
Riot Act - Rob Lowe
Pearl Jam - Wanda Sykes
Backspacer - church fire

Breakerfall is, in many ways, very near the exact center of that vast musical space between Vitalogy and Backspacer.

(Lightning Bolt) is to Vs-Binaural what You Better You Bet is to 65-73 era Who.

I really like a lot of the material here, and I love the fact that they were willing to try and redefine their sound. My problem is that the way the album was actually put together not only serves to disguise the degree to which the band was stepping outside their boundaries, but it also softens the album's personality.

First of all, you have two types of songs going on here. On one hand, you have the atmospheric pieces that maintain a strong binaural-recording presence. On the other, you have the more traditionally mixed pieces which favor close mic support. This might seem like a production-based assessment, but when you split the two types of songs into their respective camps the unique personalities of both stylistic approaches starts to come more to the forefront, and they start to feel like stronger collections because of it:

Song Set One
1. Of the Girl
2. Nothing As it Seems
3. Thin Air
4. Rival
5. Sleight of Hand
6. Soon Forget
7. Parting Ways

Song Set Two
1. Breakerfall
2. God's Dice
3. Evacuation
4. Light Years
5. Insignificance
6. Grievance

Now, I really really really cannot stand albums that have a 'fast' side and a 'slow' side....that's called two EPs pretending to be an adult, like midgets with a trench coat. And I normally feel the same about double albums that have a slow disc/fast disc setup. However, while separating these two sets does start to reveal the differences that give them each personality and allow them to invite curiosity. They also continue to share enough of an aesthetic bond, even divided up this way, to remain part of a single release. You could take either one of those sets all by itself, package it with that exact album artwork, and nobody would go "wow...talk about the cover not fitting the content." They just need to not give up their individuality in the act of getting married.

Binaural, in short, needs to be a double album.

It wouldn't be that hard, really. I maintain, at all times, a fresh mucusy spitwad that I can hurl at anyone who opposes the idea of Of the Girl as an album opener. But I go further than that. That song as such space...it's like a wide open sky. And the hypnotic acoustic is a great backdrop....Mike should be Change Your Minding the shit out of that track. Don't be in any hurry, you know. Don't get "look at all these notes" crazy. Just...decorate. Echo. Sustain. Crackle a little. Stretch the fuck out. Add a little vibraphone/soft keyboard in the back a'la Strangest Tribe, perhaps. Of the Girl song could be seven to eight minutes of slow burn orgasm and never get old. Done well, it would be the most amazing opening salvo/statement this band has ever made on a record. It would redefine, in a single track, who this band was and what they were going to be in the coming decade.

I'd do a few other things here and there...change the lyrics on Soon Forget, put something else into Thin Air so it feels more finished (gentle handed pipe organ? I dunno), but those are personal choices. The one thing I would insist on doing is investing another two minutes or more of blissful stretched out, distorted wave crash and moody string slide to the outtro of Parting Ways...as well as a minute or more of atmospheric dancing to either the middle or the end of Sleight of Hand (or both). Give people another 30 seconds of the end of Rival, too. Let that disc be the "put on your headphones and vanish into the music" disc. It's still got that "I'm Captain Rockhole from Space, and this is my GEEETAAAAAAAAR" badassery, so it feels like it has a connection to what's to come. It's just sort of like the far wall to the room.

Disc two, fleshed out by some of the pieces left off (the band might have to hang out long enough to come up with one or two other tracks for each disc), is the punkier, no-wasted-breath side of that equation. It's not all rockers (Light Years gives it a pretty good nod to what you just experienced on disc one), but it's aggressive and a little more outwardly focused....even Breakerfall and Sad come across like two sides of the same coin, combining to make a statement about valuing love rather than just serving as character studies.

So now the album as a whole has its personality, the two discs establish the different extremes of that personality, and you don't get those little two or three songs stints where you START to get a sense of cohesion, only to have it snapped away from you. Plus you get more Binaural. So it looks something like....

Disc One (currently at 35 or so minutes):
1. Of the Girl (8:00)
2. Rival (4:00)
3. Nothing As it Seems (5:30)
4. Thin Air (3:30)
5. Sleight of Hand (6:30)
6. Soon Forget (1:30)
7. Parting Ways (6:30)

Disc Two (currently at about 30 minutes):
1. Sad (3:30)
2. Breakerfall (2:00)
3. God's Dice (2:30)
4. Evacuation (3:00)
5. Insignificance (4:30)
6. Grievance (3:00)
7. Education (3:30)
8. Light Years (5:00)
8. In the Moonlight (3:00)
9. Fatal (3:30)

So, assuming you don't use Hitchhiker or Driftin' (your call), you might need to add two songs to each disc, or some interludy pieces dependent upon your creative design. Honestly, I wouldn't have been sad if Strangest Tribe had been stretched and included, or something similar sounding. There are also some instrumental ideas already sitting around waiting to be fleshed out, if you're feeling lazy.

I think it would have been more defined, more cohesive, and better received, thus better embraced by the band in the long run. That might be a sad way to get that to happen, but that's just who they are. It still wouldn't have been a radio smash, but with Sad on there to serve as single fodder I think they would have been alright. Critical love would have been more pronounced...and thus they would have been a little more confident going into Riot Act, which would then have allowed that record to more confidently step out into its own rather than being a little too sheepish about where mommy's skirts were. Finally, maybe we wouldn't have had a band that by mid-decade was desperate to show everybody they could still be those guys you remember from when you were 15.

Oh, and yes, I do realize that Light Years could go on disc one, but because it is as tightly woven structurally as it is I like it better this way.

McParadigm wrote:

hlniv wrote:

cutuphalfdead wrote:I, for one, love the muted distance of the songs on Binaural. The loudness, while still feeling pushed away. There's something intense going on that you're not quite able to touch. But that fits in with the entire theme of the record. Even the artwork is trying to portray a sense of immense power separated by an incredibly vast distance. This is an album of muted rage, and that shows in not just how they wrote the songs, but how the recordings were constructed.

exactly

I missed this. Fantastic.

McParadigm wrote:

cutuphalfdead wrote:

McParadigm wrote:No way I'm writing about this again

bullshit

Copy-paste to the rescue.

McParadigm wrote:Apparently, it was plural. I wrote a bunch of shits about this album.

I love the degree to which they were willing to experiment with their sonic structure and with the overall sound of their records during the Binaural/Riot Act era, even if both of those albums feel like missed opportunities in some ways. Binaural is very clearly an album mashed together from sessions that were meant to produce something a little more cohesive and distinctive by a band that was frustrated and unable to seal the deal, and Riot Act is a great sounding record that needed them to be a little more willing to deviate from their typical songwriting or song structure in order to become truly remarkable.

It flows unevenly, not to some purpose or internal rhythm but more like the laziest mix tape ever made. Some of the best songs from the sessions were left off the album, the production is almost as muffled and pinched sounding as it is bright and open...especially on the drums. There are images repeated often enough to suggest a narrative or concept in the conceptual stage, but none is apparent in the final work. The band seemed to be looking for a new approach or update of their sound as they moved away from the sonically safe Yield and into a more space-punk rock and mood-heavy style, but they ended up playing (for whatever reason) too close to the cold cold ground to let it become a truly experimental record. Some of the songs that I wish would branch out and play a bit within the confines of their space end too soon (Of the Girl, Rival, Parting Ways). A "messy" or chaotic record usually works better as a double, and Of the Girl should absolutely open the album. The cover art isn't so much a cool spacey photo as an unaltered copy and paste from a Hubble image that had been flying around emails and internet sites for a long time before the record came out, making it a pretty tired and unremarkable choice for a cover image.

Now, with all that said....

Chaotic, messy, "failed," overreaching, or directionless sessions often produce the most interesting albums. They're never perfect albums, but they're always interesting. Exile on Main Street was as directionless and messy as it gets, Sandinista was overreaching and an arguably failed project, Swordfishtrombones was made by an artist who didn't really know how to get the sound he wanted, he only knew THAT he wanted. Sometimes I wonder if Neil Young even knows how to make a record. I hope he never learns.

I'm not saying I don't like Binaural. I love it, but I love it because it belongs in the pile with those records...the ones that you can stare at all you want, but you're never gonna see clearly.

I still wish:

1 Of the Girl was the opening track
2 that it was 7 minutes plus
3 that it just let itself explore the textures of its moods and shades of its colors the way Neil Young's Change Your Mind does

Ten - Tom Cruise
Vs - Emilio Estevez
Vitalogy - Matt Dillon
No Code - C. Thomas Howell
Yield - Ralph Macchio
Binaural - Patrick Swayze
Riot Act - Rob Lowe
Pearl Jam - Wanda Sykes
Backspacer - church fire

Breakerfall is, in many ways, very near the exact center of that vast musical space between Vitalogy and Backspacer.

(Lightning Bolt) is to Vs-Binaural what You Better You Bet is to 65-73 era Who.

I really like a lot of the material here, and I love the fact that they were willing to try and redefine their sound. My problem is that the way the album was actually put together not only serves to disguise the degree to which the band was stepping outside their boundaries, but it also softens the album's personality.

First of all, you have two types of songs going on here. On one hand, you have the atmospheric pieces that maintain a strong binaural-recording presence. On the other, you have the more traditionally mixed pieces which favor close mic support. This might seem like a production-based assessment, but when you split the two types of songs into their respective camps the unique personalities of both stylistic approaches starts to come more to the forefront, and they start to feel like stronger collections because of it:

Song Set One
1. Of the Girl
2. Nothing As it Seems
3. Thin Air
4. Rival
5. Sleight of Hand
6. Soon Forget
7. Parting Ways

Song Set Two
1. Breakerfall
2. God's Dice
3. Evacuation
4. Light Years
5. Insignificance
6. Grievance

Now, I really really really cannot stand albums that have a 'fast' side and a 'slow' side....that's called two EPs pretending to be an adult, like midgets with a trench coat. And I normally feel the same about double albums that have a slow disc/fast disc setup. However, while separating these two sets does start to reveal the differences that give them each personality and allow them to invite curiosity. They also continue to share enough of an aesthetic bond, even divided up this way, to remain part of a single release. You could take either one of those sets all by itself, package it with that exact album artwork, and nobody would go "wow...talk about the cover not fitting the content." They just need to not give up their individuality in the act of getting married.

Binaural, in short, needs to be a double album.

It wouldn't be that hard, really. I maintain, at all times, a fresh mucusy spitwad that I can hurl at anyone who opposes the idea of Of the Girl as an album opener. But I go further than that. That song as such space...it's like a wide open sky. And the hypnotic acoustic is a great backdrop....Mike should be Change Your Minding the shit out of that track. Don't be in any hurry, you know. Don't get "look at all these notes" crazy. Just...decorate. Echo. Sustain. Crackle a little. Stretch the fuck out. Add a little vibraphone/soft keyboard in the back a'la Strangest Tribe, perhaps. Of the Girl song could be seven to eight minutes of slow burn orgasm and never get old. Done well, it would be the most amazing opening salvo/statement this band has ever made on a record. It would redefine, in a single track, who this band was and what they were going to be in the coming decade.

I'd do a few other things here and there...change the lyrics on Soon Forget, put something else into Thin Air so it feels more finished (gentle handed pipe organ? I dunno), but those are personal choices. The one thing I would insist on doing is investing another two minutes or more of blissful stretched out, distorted wave crash and moody string slide to the outtro of Parting Ways...as well as a minute or more of atmospheric dancing to either the middle or the end of Sleight of Hand (or both). Give people another 30 seconds of the end of Rival, too. Let that disc be the "put on your headphones and vanish into the music" disc. It's still got that "I'm Captain Rockhole from Space, and this is my GEEETAAAAAAAAR" badassery, so it feels like it has a connection to what's to come. It's just sort of like the far wall to the room.

Disc two, fleshed out by some of the pieces left off (the band might have to hang out long enough to come up with one or two other tracks for each disc), is the punkier, no-wasted-breath side of that equation. It's not all rockers (Light Years gives it a pretty good nod to what you just experienced on disc one), but it's aggressive and a little more outwardly focused....even Breakerfall and Sad come across like two sides of the same coin, combining to make a statement about valuing love rather than just serving as character studies.

So now the album as a whole has its personality, the two discs establish the different extremes of that personality, and you don't get those little two or three songs stints where you START to get a sense of cohesion, only to have it snapped away from you. Plus you get more Binaural. So it looks something like....

Disc One (currently at 35 or so minutes):
1. Of the Girl (8:00)
2. Rival (4:00)
3. Nothing As it Seems (5:30)
4. Thin Air (3:30)
5. Sleight of Hand (6:30)
6. Soon Forget (1:30)
7. Parting Ways (6:30)

Disc Two (currently at about 30 minutes):
1. Sad (3:30)
2. Breakerfall (2:00)
3. God's Dice (2:30)
4. Evacuation (3:00)
5. Insignificance (4:30)
6. Grievance (3:00)
7. Education (3:30)
8. Light Years (5:00)
8. In the Moonlight (3:00)
9. Fatal (3:30)

So, assuming you don't use Hitchhiker or Driftin' (your call), you might need to add two songs to each disc, or some interludy pieces dependent upon your creative design. Honestly, I wouldn't have been sad if Strangest Tribe had been stretched and included, or something similar sounding. There are also some instrumental ideas already sitting around waiting to be fleshed out, if you're feeling lazy.

I think it would have been more defined, more cohesive, and better received, thus better embraced by the band in the long run. That might be a sad way to get that to happen, but that's just who they are. It still wouldn't have been a radio smash, but with Sad on there to serve as single fodder I think they would have been alright. Critical love would have been more pronounced...and thus they would have been a little more confident going into Riot Act, which would then have allowed that record to more confidently step out into its own rather than being a little too sheepish about where mommy's skirts were. Finally, maybe we wouldn't have had a band that by mid-decade was desperate to show everybody they could still be those guys you remember from when you were 15.

Oh, and yes, I do realize that Light Years could go on disc one, but because it is as tightly woven structurally as it is I like it better this way.

McParadigm wrote:

hlniv wrote:

cutuphalfdead wrote:I, for one, love the muted distance of the songs on Binaural. The loudness, while still feeling pushed away. There's something intense going on that you're not quite able to touch. But that fits in with the entire theme of the record. Even the artwork is trying to portray a sense of immense power separated by an incredibly vast distance. This is an album of muted rage, and that shows in not just how they wrote the songs, but how the recordings were constructed.

exactly

I missed this. Fantastic.

McParadigm wrote:Pearl Jam, Pearl Jam Pearl. Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

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Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam .

Pearl Jam Pearl Jam:

1 Pearl Jam Pearl Jam Pearl Jam Pearl Jam
2 Pearl Jam Pearl Jam Pearl Jam
3 Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam

Pearl Jam - Pearl Jam
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Pearl Jam - Pearl Jam
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Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

(Pearl Jam) Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

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Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam:

Pearl Jam Pearl
1. Jam Pearl Jam
2. Pearl Jam Pearl Jam
3. Pearl Jam
4. Pearl
5. Jam Pearl Jam
6. Pearl Jam
7. Pearl Jam

Pearl Jam Pearl
1. Jam
2. Pearl Jam
3. Pearl Jam
4. Pearl Jam
5. Pearl Jam
6. Pearl Jam

Pearl, Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

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Pearl Jam (Pearl Jam Pearl Jam Pearl Jam):
1. Pearl Jam (8:00)
2. Pearl Jam (4:00)
3. Pearl Jam Pearl (5:30)
4. Jam Pearl (3:30)
5. Jam Pearl Jam (6:30)
6. Pearl Jam (1:30)
7. Pearl Jam (6:30)

Pearl Jam (Pearl Jam Pearl Jam Pearl Jam):
1. Pearl (3:30)
2. Jam Pearl Jam (2:00)
3. Pearl Jam Pearl Jam (2:30)
4. Pearl Jam (3:00)
5. Pearl Jam (4:30)
6. Pearl Jam (3:00)
7. Pearl Jam (3:30)
8. Pearl Jam (5:00)
8. Pearl Jam (3:00)
9. Pearl (3:30)

Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

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McParadigm wrote:

hlniv wrote:

cutuphalfdead wrote:Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam

Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

theplatypus wrote:

McParadigm wrote:Pearl Jam, Pearl Jam Pearl. Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam
Pearl Jam Pearl Jam Pearl Jam Pearl Jam ....

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam .

Pearl Jam Pearl Jam:

1 Pearl Jam Pearl Jam Pearl Jam Pearl Jam
2 Pearl Jam Pearl Jam Pearl Jam
3 Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam

Pearl Jam - Pearl Jam
Pearl Jam - Pearl Jam
Pearl Jam - Pearl Jam
Pearl Jam - Pearl Jam Pearl Jam
Pearl Jam- Pearl Jam
Pearl Jam- Pearl Jam
Pearl Jam - Pearl Jam
Pearl Jam - Pearl Jam
Pearl Jam - Pearl Jam

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

(Pearl Jam) Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam:

Pearl Jam Pearl
1. Jam Pearl Jam
2. Pearl Jam Pearl Jam
3. Pearl Jam
4. Pearl
5. Jam Pearl Jam
6. Pearl Jam
7. Pearl Jam

Pearl Jam Pearl
1. Jam
2. Pearl Jam
3. Pearl Jam
4. Pearl Jam
5. Pearl Jam
6. Pearl Jam

Pearl, Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam....

Pearl Jam (Pearl Jam Pearl Jam Pearl Jam):
1. Pearl Jam (8:00)
2. Pearl Jam (4:00)
3. Pearl Jam Pearl (5:30)
4. Jam Pearl (3:30)
5. Jam Pearl Jam (6:30)
6. Pearl Jam (1:30)
7. Pearl Jam (6:30)

Pearl Jam (Pearl Jam Pearl Jam Pearl Jam):
1. Pearl (3:30)
2. Jam Pearl Jam (2:00)
3. Pearl Jam Pearl Jam (2:30)
4. Pearl Jam (3:00)
5. Pearl Jam (4:30)
6. Pearl Jam (3:00)
7. Pearl Jam (3:30)
8. Pearl Jam (5:00)
8. Pearl Jam (3:00)
9. Pearl (3:30)

Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

McParadigm wrote:

hlniv wrote:

cutuphalfdead wrote:Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

Pearl Jam

Pearl Jam Pearl Jam Pearl Jam Pearl Jam.

stip wrote:I hope every single one of those Pearl Jam's was handcrafted.

PryTo wrote:Binaural's near the top of my list, so very few complaints. I'd say the biggest problems are God's Dice and Evacuation, two songs that do almost nothing for me. I also don't care for Nothing As It Seems, which always struck me as a sort of poor attempt at Pink Floyd. Having these songs frontloaded likely turned away a lot of folks who listened to the first few songs and walked away. (That's what I did. I discovered how great Binaural was long after the fact.) Overall, the back half of the album is much stronger than the front half.

They also left some good tunes off of this one, of course, but I'm trying to work with what's there rather than what's missing.

stip wrote:the worst thing about Binaural is that I can't use the word agency anymore. And it's such a good word.