Red Mosquito

Kevin Davis wrote:I feel like I keep finding myself on the verge of repeating things I've already said in previous March Madness tournaments about these songs, so I'm just going to start copying and pasting my old posts verbatim:


"Come Back"'s biggest offense is volume -- heavy-handed snare, wailing stadium distortion on an otherwise tasteful guitar solo, set in a key that forces Eddie to push his voice to the most unflattering outer reaches of its range (largely the reason that "real possibility" line has become one of modern PJ's most quotable memes) -- it sounds like a soul song by a rock band whose primary point of reference for soul music is other rock bands who have made rock facsimiles of soul songs. I would like to hear it covered by someone who could really hit this kind of song out of the park, because as a composition I think it's really solid. It's just too..."amped."

LetMeSleep wrote:

Kevin Davis wrote:I feel like I keep finding myself on the verge of repeating things I've already said in previous March Madness tournaments about these songs, so I'm just going to start copying and pasting my old posts verbatim:


"Come Back"'s biggest offense is volume -- heavy-handed snare, wailing stadium distortion on an otherwise tasteful guitar solo, set in a key that forces Eddie to push his voice to the most unflattering outer reaches of its range (largely the reason that "real possibility" line has become one of modern PJ's most quotable memes) -- it sounds like a soul song by a rock band whose primary point of reference for soul music is other rock bands who have made rock facsimiles of soul songs. I would like to hear it covered by someone who could really hit this kind of song out of the park, because as a composition I think it's really solid. It's just too..."amped."

I agree 100% yet I've found that I can look past the unsubtle aspects and can enjoy the recording.

I wish this had been a Xmas single as it would have been perceived differently and appreciated more it is.

Strat wrote:Eds voice being puished in comeback is what makes it great for me. Seems desperate. I love it.

Also, I love get right more.

E.H. Ruddock wrote:

Strat wrote:Eds voice being puished in comeback is what makes it great for me. Seems desperate. I love it.

Also, I love get right more.

Get Right would be a fun song for them to add back into their sets. But I doubt that will ever happen. I may go to the Pit and start a "Please play Get Right in Greenville" thread.

E.H. Ruddock wrote:

Strat wrote:Eds voice being puished in comeback is what makes it great for me. Seems desperate. I love it.

Also, I love get right more.

Get Right would be a fun song for them to add back into their sets. But I doubt that will ever happen. I may go to the Pit and start a "Please play Get Right in Greenville" thread.

PHATJ wrote:

stip wrote:

Bammer wrote:Brother is a top tier non album track

brother is every negative 10 era cliche

Indubitably.

E.H. Ruddock wrote:Plus Get Right had a cool tshirt.

Bammer wrote:

PHATJ wrote:

stip wrote:

Bammer wrote:Brother is a top tier non album track

brother is every negative 10 era cliche

Indubitably.

Why don't we have an emoticon (Smilie) of banging forehead against wall?

Kaius wrote:

E.H. Ruddock wrote:Plus Get Right had a cool tshirt.

The grey hookah one? Got it.

E.H. Ruddock wrote:

Kaius wrote:

E.H. Ruddock wrote:Plus Get Right had a cool tshirt.

The grey hookah one? Got it.

Yeah, me too