Red Mosquito

Coach wrote:

cutuphalfdead wrote:The end of NAIS from Detroit 2000 (Or was it Chicago? I'm pretty sure it was Detroit, strat would know) after the band fucked up and Ed just totally elevates the end of the song.

I would love to hear this if anyone has a link, chud, your description has me very interested.

Detroit. Always and forever my favorite live pj moment.

http://www.pearljambootlegs.org/modules ... 3D&ext.m3u

Strat wrote:

Coach wrote:

cutuphalfdead wrote:The end of NAIS from Detroit 2000 (Or was it Chicago? I'm pretty sure it was Detroit, strat would know) after the band fucked up and Ed just totally elevates the end of the song.

I would love to hear this if anyone has a link, chud, your description has me very interested.

Detroit. Always and forever my favorite live pj moment.

http://www.pearljambootlegs.org/modules ... 3D&ext.m3u

wow.. first time hearing that. pretty great.

ahh.. the days when eddie still had the "umph" in his voice to go big effectively

dprival78 wrote:

Strat wrote:

Coach wrote:

cutuphalfdead wrote:The end of NAIS from Detroit 2000 (Or was it Chicago? I'm pretty sure it was Detroit, strat would know) after the band fucked up and Ed just totally elevates the end of the song.

I would love to hear this if anyone has a link, chud, your description has me very interested.

Detroit. Always and forever my favorite live pj moment.

http://www.pearljambootlegs.org/modules ... 3D&ext.m3u

wow.. first time hearing that. pretty great.

ahh.. the days when eddie still had the "umph" in his voice to go big effectively

Great choices in this thread....but THIS ONE! Man never heard it but that was big time chills.

I actually think Eddie's attempt to go soul-man on that last verse of the Detroit "NAIS" sounds pretty bad. I admire his attempt at melodic variation, but I don't. think his pipes were quite up to that one -- he doesn't really seem very sure where he wants to go.

Kevin Davis wrote:I actually think Eddie's attempt to go soul-man on that last verse of the Detroit "NAIS" sounds pretty bad. I admire his attempt at melodic variation, but I don't. think his pipes were quite up to that one -- he doesn't really seem very sure where he wants to go.

For once - KD is so very wrong. This is a dark day on RM.

So many on the '00, '03, and '05 tours.

I think I watched this DVD 100 times as a teenager. Long Road is a perfect opener. The 3:30 mark...

4:40 - end

98 had the best daughter tags



I've always loved the change of pitch at about. 4:07



And i cant understand what he's saying at all, but the tag from this not for you 5:40 onward would be awesome as a song.

Glorified, Glorified...

PHATJ wrote:Glorified, Glorified...

this is a good one

i'll decide...take the dive...
take my time...not my life...
wait for signs...believe in lies...
to get by...it's divine...whoa...
oh, you know what it's like...

Strat wrote:

Kevin Davis wrote:I actually think Eddie's attempt to go soul-man on that last verse of the Detroit "NAIS" sounds pretty bad. I admire his attempt at melodic variation, but I don't. think his pipes were quite up to that one -- he doesn't really seem very sure where he wants to go.

For once - KD is so very wrong. This is a dark day on RM.

I feel like it speaks to the general lack of interpretive variation in PJ's performances from night to night that this version of "NAIS" -- whose legendary status hinges on the fact that Eddie alters the melody literally to one-and-a-half lines -- is seen as some kind of performance triumph. But it's cool -- if we're voting on snippets, I vote for "he still smiles, and he's still strong" from London '05.

Kevin Davis wrote:

Strat wrote:

Kevin Davis wrote:I actually think Eddie's attempt to go soul-man on that last verse of the Detroit "NAIS" sounds pretty bad. I admire his attempt at melodic variation, but I don't. think his pipes were quite up to that one -- he doesn't really seem very sure where he wants to go.

For once - KD is so very wrong. This is a dark day on RM.

I feel like it speaks to the general lack of interpretive variation in PJ's performances from night to night that this version of "NAIS" -- whose legendary status hinges on the fact that Eddie alters the melody literally to one-and-a-half lines -- is seen as some kind of performance triumph. But it's cool -- if we're voting on snippets, I vote for "he still smiles, and he's still strong" from London '05.

Well its also McCready cranking that Delay up to 11, the wailing siren, Cameron pounding away at the crash and kick drum to a beautiful climax.

Chris_H_2 wrote:i'll decide...take the dive...
take my time...not my life...
wait for signs...believe in lies...
to get by...it's divine...whoa...
oh, you know what it's like...

There are very few other moments as divine as this.

Strat wrote:

Coach wrote:

cutuphalfdead wrote:The end of NAIS from Detroit 2000 (Or was it Chicago? I'm pretty sure it was Detroit, strat would know) after the band fucked up and Ed just totally elevates the end of the song.

I would love to hear this if anyone has a link, chud, your description has me very interested.

Detroit. Always and forever my favorite live pj moment.

http://www.pearljambootlegs.org/modules ... 3D&ext.m3u

Oh wow, I should buy that bootleg.

Monkey_Driven wrote:So many on the '00, '03, and '05 tours.

I think I watched this DVD 100 times as a teenager. Long Road is a perfect opener. The 3:30 mark...

So true about this entire DVD, and reminds me that you can actually see my head in the front row from the two San Bernadino performances.

At the 1:07 mark, I am in the lower left hand corner with a buddy of mine. So much fun. Ed had a cold that night, but still killed it, and it was fairly cold in the mountains. Beautiful scene. I recommend the entire San Bernardino bootleg. The first nine songs are off the hook!

This thread could turn into a great fan made project. If we could create list of these performances, we could have Ridley and other other talented RMers with vast collections like Chud create a bootleg with the full performances. I'm still blown away and surprised that I never knew about the Detroit NAIS performance and there must be other songs that I don't know about and that frustrates me.

Check the "keys to the locks on the chains" line on "GTF" from this show, at about 1:50 -- pretty sure that's a one-time thing...
https://archive.org/details/Pearl_Jam_B ... To+Fly.mp3

the scream in blood, self pollution 95

spike wrote:the scream in blood, self pollution 95

one might say it's bloodcurdling