Re: Waiting For Stevie
Posted: Sat April 20, 2024 10:10 pm
I need to listen to more The Cure
try this one on the visualizer which gives lyrics. they are buried but the best ones on the album methinks (and a really cool visualizer to boot)Strat wrote:I think I'm least attached to this song, Even though knowing full well this is everyone I, we, they need from Pearl Jam and the complete anchor of the album....
Lost myself. What?
Oh, yea - I don't know the words quite well at all. This is the one that his vocals are just mixed a bit back so I not hear random phrases here and there.
Also, I'm afraid this song is everything and im not ready
I think it might be this.Strat wrote:Also, I'm afraid this song is everything and im not ready
It sounds like the riff is just as much Eddie's as it is Watt'sBirds in Hell wrote:I'm not sure I'll ever be able to move beyond this song being built on Wotman riff (not Stone, not Jeff, etc.)
We were sitting around with guitars and waiting, and I said, I have this idea. Check it out. He says, that is so fucking weird, because I’ve had this riff for literally years — since albums and albums and albums and albums ago. He showed it to me, and it was almost exactly the same. So, they both kind of melded into each other. We presented that to everyone in the first week, and they all wrote their parts and how the sections would move. It really only became a thing because the thing I showed Ed reminded him of something he’d written that was very similar.
there is some given to fly/in hiding in it. it’s a full stop power anthem. not sure about a no code connection. but if those are ‘your’ albums i think drawing that connection is part of this song’s magicE.H. Ruddock wrote:I can’t place my finger on why but this song sounds more No Code/Yield to me. Except that outright outro is basically Parting Ways
Ehh, sounds like some post hoc fudging to me.Farmer John wrote:It sounds like the riff is just as much Eddie's as it is Watt'sBirds in Hell wrote:I'm not sure I'll ever be able to move beyond this song being built on Wotman riff (not Stone, not Jeff, etc.)
We were sitting around with guitars and waiting, and I said, I have this idea. Check it out. He says, that is so fucking weird, because I’ve had this riff for literally years — since albums and albums and albums and albums ago. He showed it to me, and it was almost exactly the same. So, they both kind of melded into each other. We presented that to everyone in the first week, and they all wrote their parts and how the sections would move. It really only became a thing because the thing I showed Ed reminded him of something he’d written that was very similar.
which inspired Ed to finally make a song out of that riff he's had for years and yearsBirds in Hell wrote:Ehh, sounds like some post hoc fudging to me.Farmer John wrote:It sounds like the riff is just as much Eddie's as it is Watt'sBirds in Hell wrote:I'm not sure I'll ever be able to move beyond this song being built on Wotman riff (not Stone, not Jeff, etc.)
We were sitting around with guitars and waiting, and I said, I have this idea. Check it out. He says, that is so fucking weird, because I’ve had this riff for literally years — since albums and albums and albums and albums ago. He showed it to me, and it was almost exactly the same. So, they both kind of melded into each other. We presented that to everyone in the first week, and they all wrote their parts and how the sections would move. It really only became a thing because the thing I showed Ed reminded him of something he’d written that was very similar.
In any event, it was undeniably sparked from Wotman's musical idea.
Yea, weird hang up Spenno but i get it. Pearl jam is a very...fragile thing to us all and that feels like a stranger entering our domain.Farmer John wrote:which inspired Ed to finally make a song out of that riff he's had for years and yearsBirds in Hell wrote:Ehh, sounds like some post hoc fudging to me.Farmer John wrote:It sounds like the riff is just as much Eddie's as it is Watt'sBirds in Hell wrote:I'm not sure I'll ever be able to move beyond this song being built on Wotman riff (not Stone, not Jeff, etc.)
We were sitting around with guitars and waiting, and I said, I have this idea. Check it out. He says, that is so fucking weird, because I’ve had this riff for literally years — since albums and albums and albums and albums ago. He showed it to me, and it was almost exactly the same. So, they both kind of melded into each other. We presented that to everyone in the first week, and they all wrote their parts and how the sections would move. It really only became a thing because the thing I showed Ed reminded him of something he’d written that was very similar.
In any event, it was undeniably sparked from Wotman's musical idea.
Like the chorus to I Got Shit/Cinnamon Girl. Those first two chords are directly from that. Then the third chord ventures off and it becomes its own entity.Strat wrote:Yea, weird hang up Spenno but i get it. Pearl jam is a very...fragile thing to us all and that feels like a stranger entering our domain.Farmer John wrote:which inspired Ed to finally make a song out of that riff he's had for years and yearsBirds in Hell wrote:Ehh, sounds like some post hoc fudging to me.Farmer John wrote:It sounds like the riff is just as much Eddie's as it is Watt'sBirds in Hell wrote:I'm not sure I'll ever be able to move beyond this song being built on Wotman riff (not Stone, not Jeff, etc.)
We were sitting around with guitars and waiting, and I said, I have this idea. Check it out. He says, that is so fucking weird, because I’ve had this riff for literally years — since albums and albums and albums and albums ago. He showed it to me, and it was almost exactly the same. So, they both kind of melded into each other. We presented that to everyone in the first week, and they all wrote their parts and how the sections would move. It really only became a thing because the thing I showed Ed reminded him of something he’d written that was very similar.
In any event, it was undeniably sparked from Wotman's musical idea.
Regardless, it sounds and feels very pearl jam. And who knows what that original idea sounded like....
and, in the 90s (for example) we just didn't have access to that sort of information to nearly the extent that we do now; we don't know anything about the origins of some of our favourite songs except that they are Pearl Jam's songs, whatever that might mean (it's the brand stuck on them when they're finished)wease wrote:Like the chorus to I Got Shit/Cinnamon Girl. Those first two chords are directly from that. Then the third chord ventures off and it becomes its own entity.Strat wrote:Yea, weird hang up Spenno but i get it. Pearl jam is a very...fragile thing to us all and that feels like a stranger entering our domain.Farmer John wrote:which inspired Ed to finally make a song out of that riff he's had for years and yearsBirds in Hell wrote:Ehh, sounds like some post hoc fudging to me.Farmer John wrote:It sounds like the riff is just as much Eddie's as it is Watt'sBirds in Hell wrote:I'm not sure I'll ever be able to move beyond this song being built on Wotman riff (not Stone, not Jeff, etc.)
We were sitting around with guitars and waiting, and I said, I have this idea. Check it out. He says, that is so fucking weird, because I’ve had this riff for literally years — since albums and albums and albums and albums ago. He showed it to me, and it was almost exactly the same. So, they both kind of melded into each other. We presented that to everyone in the first week, and they all wrote their parts and how the sections would move. It really only became a thing because the thing I showed Ed reminded him of something he’d written that was very similar.
In any event, it was undeniably sparked from Wotman's musical idea.
Regardless, it sounds and feels very pearl jam. And who knows what that original idea sounded like....
And the thing is, we don’t have any idea how many tunes off this record had their beginnings with a Wotman riff or idea. And we probably wouldn’t like the answer if we did.