Re: Stevie Wonder
Posted: Sun February 02, 2014 11:09 am
Presented without commentary, because no commentary could do this pure greatness justice...
I can believe that. A lot of people praise Motown for its innovations; they're not wrong are they? I'm realising how "black" Jimi Hendrix will sound now.Lament wrote:I'll think you'll be really surprised at how devastatingly groundbreaking a lot of these artists were. Rock bands pretty shamelessly ripped off a lot of what they were doing.
I think I know that song but I will confirm after I've finished listening to Curtis.Lament wrote:With all due respect to Stevie & Marvin & The Supremes & The Temptations, this is my favorite Motown single of all-time (and probably my second favorite song ever)...
One of the coolest frontmen going, surely. Handsome motherfucker too.Lament wrote:Presented without commentary, because no commentary could do this pure greatness justice...
Does it just become instinctive, telling which one you're listening to? At the moment I would struggle to neatly divide these genres.Lament wrote:By the time we're done blasting you with funk, soul, and Motown records, you're gonna be growing yourself an afro.
Martha & The Vandellas (you probably know "Heatwave"), Mary Wells, Gladys Knight & The Pips, The Marvelettes. I'm probably missing a big one.harmless wrote:Who are the women of Motown I should be listening to other than Diana Ross?
theplatypus wrote:Martha & The Vandellas (you probably know "Heatwave"), Mary Wells, Gladys Knight & The Pips, The Marvelettes. I'm probably missing a big one.harmless wrote:Who are the women of Motown I should be listening to other than Diana Ross?
"Never Can Say Goodbye" for me.Lament wrote:With all due respect to Stevie & Marvin & The Supremes & The Temptations, this is my favorite Motown single of all-time (and probably my second favorite song ever)...
It's difficult to neatly divide them at times, but you'll pick up on it. The stuff you're listening to it pretty much the era when funk grew out of soul, and a lot of it ended up on the Motown label, so there's a ton of crossover. Sly and Curtis Mayfield I'd both say progressed from soul to funk (Sly actually kinda invented funk). The Temptations went from a very traditional Motown sound to funk. Stevie Wonder went from a traditional Motown sound to a blend of soul and funk. Marvin Gaye went from Motown to soul. Not that there wasn't a lot of soul in the Motown sound, but the Motown sound was a very unique and recognizable pop sound/approach. I apologize cause probably none of this makes sense anywhere outside of my head...harmless wrote:Does it just become instinctive, telling which one you're listening to? At the moment I would struggle to neatly divide these genres.Lament wrote:funk, soul, and Motown
They call her the Queen of Soul. She's unreal.harmless wrote:What has Aretha Franklin got to do with everything? She'd be described as "Soul", right?
I second Jorge's list.theplatypus wrote:Martha & The Vandellas (you probably know "Heatwave"), Mary Wells, Gladys Knight & The Pips, The Marvelettes.
That's a fantastic choice. What a beautiful song.theplatypus wrote:"Never Can Say Goodbye" for me.
Yeah, he had some serious demons. I always wondered if subconsciously that was part of why I never got anywhere near as into him as I did with Sly or Stevie Wonder.harmless wrote:Speaking of women, I didn't like reading today that Marvin Gaye was a violent misogynist. That he was shot by his father dragged me into his biography, and now I'm wishing What's Going On wasn't such a fantastic album.