Red Mosquito

PHATJ wrote:

Strat wrote:

PHATJ wrote:

Ms Harmless wrote:

96583UP wrote:i am excited about Gigaton and social distancing reducing the opportunity for mass casualty events by people with BPD who listen to pearl jam constantly

it's a win-win for everybody

please avoid the BPD jokes, thanks

What’s a BPD

Borderline Personality Disorder

Thanks

Strat wrote:when i complete a listen on this album I want to start it over again and pump it through my veins.

Its like great sex....when you just can't get physically close enough to your partner.

gimme more

WtOB? wrote:bpd people are poison.

Strat wrote:when i complete a listen on this album I want to start it over again and pump it through my veins.

Its like great sex....when you just can't get physically close enough to your partner.

gimme more

cutuphalfdead wrote:

Kevin Davis wrote:I know what Trag means, I think. Yield and Riot Act are probably the most natural-sounding Pearl Jam records to me, maybe why they're my two favorites. There's a modest sense of experimentation on both of them, but they also just feel like the band going into the studio and playing together. There's an effortlessness about them, no sense of overwork at all, that keeps me coming back to them over and over again.

In a lot of ways Gigaton feels like their most "produced" record ever. It's not like Backspacer or Lightning Bolt where it's produced in all the wrong ways, ordinary arrangements and songs polished up needlessly, but genuinely using the studio as a creative tool a lot. Records like that can exhausting on the ears. I haven't personally experienced it with this album, but I have with others (Kid A springs to mind as the most obvious example for me).

Did you just call Kid A exhausting to listen to?

McParadigm wrote:At this point, if it doesn’t land as my favorite since Yield I will be surprised.

Kevin Davis wrote:

cutuphalfdead wrote:

Kevin Davis wrote:I know what Trag means, I think. Yield and Riot Act are probably the most natural-sounding Pearl Jam records to me, maybe why they're my two favorites. There's a modest sense of experimentation on both of them, but they also just feel like the band going into the studio and playing together. There's an effortlessness about them, no sense of overwork at all, that keeps me coming back to them over and over again.

In a lot of ways Gigaton feels like their most "produced" record ever. It's not like Backspacer or Lightning Bolt where it's produced in all the wrong ways, ordinary arrangements and songs polished up needlessly, but genuinely using the studio as a creative tool a lot. Records like that can exhausting on the ears. I haven't personally experienced it with this album, but I have with others (Kid A springs to mind as the most obvious example for me).

Did you just call Kid A exhausting to listen to?

I do find Kid A kind of tiring to listen to. I like most of the songs individually and certainly acknowledge the record's creativity, but I don't really enjoy listening to it from beginning to end. Personally I'm more of an In Rainbows guy...

WtOB? wrote:bpd people are poison.

WtOB? wrote:bpd people are poison.

bune wrote:maybe he confused bpd with bbd?

Kevin Davis wrote:

cutuphalfdead wrote:

Kevin Davis wrote:I know what Trag means, I think. Yield and Riot Act are probably the most natural-sounding Pearl Jam records to me, maybe why they're my two favorites. There's a modest sense of experimentation on both of them, but they also just feel like the band going into the studio and playing together. There's an effortlessness about them, no sense of overwork at all, that keeps me coming back to them over and over again.

In a lot of ways Gigaton feels like their most "produced" record ever. It's not like Backspacer or Lightning Bolt where it's produced in all the wrong ways, ordinary arrangements and songs polished up needlessly, but genuinely using the studio as a creative tool a lot. Records like that can exhausting on the ears. I haven't personally experienced it with this album, but I have with others (Kid A springs to mind as the most obvious example for me).

Did you just call Kid A exhausting to listen to?

I do find Kid A kind of tiring to listen to. I like most of the songs individually and certainly acknowledge the record's creativity, but I don't really enjoy listening to it from beginning to end. Personally I'm more of an In Rainbows guy...

durdencommatyler wrote:

Kevin Davis wrote:

cutuphalfdead wrote:

Kevin Davis wrote:I know what Trag means, I think. Yield and Riot Act are probably the most natural-sounding Pearl Jam records to me, maybe why they're my two favorites. There's a modest sense of experimentation on both of them, but they also just feel like the band going into the studio and playing together. There's an effortlessness about them, no sense of overwork at all, that keeps me coming back to them over and over again.

In a lot of ways Gigaton feels like their most "produced" record ever. It's not like Backspacer or Lightning Bolt where it's produced in all the wrong ways, ordinary arrangements and songs polished up needlessly, but genuinely using the studio as a creative tool a lot. Records like that can exhausting on the ears. I haven't personally experienced it with this album, but I have with others (Kid A springs to mind as the most obvious example for me).

Did you just call Kid A exhausting to listen to?

I do find Kid A kind of tiring to listen to. I like most of the songs individually and certainly acknowledge the record's creativity, but I don't really enjoy listening to it from beginning to end. Personally I'm more of an In Rainbows guy...

Next time all the rubes in the Radiohead thread try to shame me and beat me down for my Kid A takes, I'm going to use this KD post as shield and a blanket. Try all you want, ding-dongs! But you can't hurt me anymore. I've got Kevin fucking Davis on my side!

Kevin Davis wrote:

durdencommatyler wrote:

Kevin Davis wrote:

cutuphalfdead wrote:

Kevin Davis wrote:I know what Trag means, I think. Yield and Riot Act are probably the most natural-sounding Pearl Jam records to me, maybe why they're my two favorites. There's a modest sense of experimentation on both of them, but they also just feel like the band going into the studio and playing together. There's an effortlessness about them, no sense of overwork at all, that keeps me coming back to them over and over again.

In a lot of ways Gigaton feels like their most "produced" record ever. It's not like Backspacer or Lightning Bolt where it's produced in all the wrong ways, ordinary arrangements and songs polished up needlessly, but genuinely using the studio as a creative tool a lot. Records like that can exhausting on the ears. I haven't personally experienced it with this album, but I have with others (Kid A springs to mind as the most obvious example for me).

Did you just call Kid A exhausting to listen to?

I do find Kid A kind of tiring to listen to. I like most of the songs individually and certainly acknowledge the record's creativity, but I don't really enjoy listening to it from beginning to end. Personally I'm more of an In Rainbows guy...

Next time all the rubes in the Radiohead thread try to shame me and beat me down for my Kid A takes, I'm going to use this KD post as shield and a blanket. Try all you want, ding-dongs! But you can't hurt me anymore. I've got Kevin fucking Davis on my side!

Aw, Joe, you're the nicest.

I have weird-ish Radiohead tastes. Like I said, I like Kid A, but less than most fans, and I prefer its songs in moderation. I don't really care for The Bends much at all. But then I really enjoy King of Limbs.