Red Mosquito

cutuphalfdead wrote:You're a weird guy, Josh.

Not really.

PHATJ wrote:The nit picking of Who Ever Said and Seven O’Clock is the epitome of RM cringeworthy. These are two of the best songs PJ has written in at least 20 years. “But that middle part loses my attention because it’s over 20 seconds long!” Take some Ritalin and stfu. Backspacer is calling your name, you don’t deserve better than that.

Lmao thinking that the Bon Jovi of the 90s on their 30th year could put out anything as deep or as interesting as you're suggesting.

PHATJ wrote:

theplatypus wrote:Too bad dude I've barely talked about this album and you're not gonna shout me down for having a less-than-glowing thing to say about one part of one song.

Say whatever you want. I can still call your opinion asinine.

That's cool, but stifling conversation about specific musical elements by calling it cringeworthy and saying "go back to Backspacer" (?) is a bit of a dick move; personally I find it interesting to talk about how songs are constructed, what works and doesn't work about the inner workings of a composition. You glossed over what I said (that the issue isn't that there's an extended middle section, but that said section becomes repetitive towards the end by pivoting to the four main chords that make up the bulk of the song) and dismissed it as nitpicking. You weren't even debating the opinion itself, but the fact that it was expressed at all.

theplatypus wrote:

PHATJ wrote:

theplatypus wrote:Too bad dude I've barely talked about this album and you're not gonna shout me down for having a less-than-glowing thing to say about one part of one song.

Say whatever you want. I can still call your opinion asinine.

That's cool, but stifling conversation about specific musical elements by calling it cringeworthy and saying "go back to Backspacer" (?) is a bit of a dick move; personally I find it interesting to talk about how songs are constructed, what works and doesn't work about the inner workings of a composition. You glossed over what I said (that the issue isn't that there's an extended middle section, but that said section becomes repetitive towards the end by pivoting to the four main chords that make up the bulk of the song) and dismissed it as nitpicking. You weren't even debating the opinion itself, but the fact that it was expressed at all.

Jorge, have any opinion you want. Like whatever parts of whatever songs you want. My post was meant as only semi-serious and also as a joke. I also enjoy debating the types of things you mentioned. But sometimes I don’t care about having the debate at all. Sometimes it’s more fun to say “that opinion sucks!” in a slightly more theatrical way. That’s all I was doing. Please don’t let one post ruin your day. You are permitted to continue to have terrible Gigaton opinions.

Thank you

don't back down, phatj. you can defeat him.

Really feel like I won this one

I just wanted to say that the part from 2:30 onwards in Who Ever Said is ace. That's probably the song section I most look forward to aside from the ending of Seven O'Clock and DOTC when I'm listening to the album.

spike wrote:don't back down, phatj. you can defeat him.

That was never a goal of mine.

theplatypus wrote:Really feel like I won this one

Congratulations. Keep adding up those small victories. You’ll get there some day.

theplatypus wrote:Really feel like I won this one

i just wanted to see if he'd follow through instead of backing down once someone responds semi-intelligently, per usual.

Release_Me wrote:I just wanted to say that the part from 2:30 onwards in Who Ever Said is ace. That's probably the song section I most look forward to aside from the ending of Seven O'Clock and DOTC when I'm listening to the album.

yep

Sure glad I popped in here again after a week away.

lecherouslittlestump wrote:

PHATJ wrote:The nit picking of Who Ever Said and Seven O’Clock is the epitome of RM cringeworthy. These are two of the best songs PJ has written in at least 20 years. “But that middle part loses my attention because it’s over 20 seconds long!” Take some Ritalin and stfu. Backspacer is calling your name, you don’t deserve better than that.

Lmao thinking that the Bon Jovi of the 90s on their 30th year could put out anything as deep or as interesting as you're suggesting.

what in the actual fuck?

warehouse wrote:

lecherouslittlestump wrote:

PHATJ wrote:The nit picking of Who Ever Said and Seven O’Clock is the epitome of RM cringeworthy. These are two of the best songs PJ has written in at least 20 years. “But that middle part loses my attention because it’s over 20 seconds long!” Take some Ritalin and stfu. Backspacer is calling your name, you don’t deserve better than that.

Lmao thinking that the Bon Jovi of the 90s on their 30th year could put out anything as deep or as interesting as you're suggesting.

what in the actual fuck?

Seconded!

RockPusher wrote:

warehouse wrote:

lecherouslittlestump wrote:

PHATJ wrote:The nit picking of Who Ever Said and Seven O’Clock is the epitome of RM cringeworthy. These are two of the best songs PJ has written in at least 20 years. “But that middle part loses my attention because it’s over 20 seconds long!” Take some Ritalin and stfu. Backspacer is calling your name, you don’t deserve better than that.

Lmao thinking that the Bon Jovi of the 90s on their 30th year could put out anything as deep or as interesting as you're suggesting.

what in the actual fuck?

Seconded!

i guess someone wanted attention. if pearl jam ever entered bon jovi territory it was on the last 2 albums, not in the 90s.

I feel like Bon Jovi was the Bon Jovi of the 90s but who knows?

Lecherouslittlestump is a troll. It's best to ignore them as nothing they say is any way a sincere or even consistent opinion.

bullshit, Letch is the best poster on RM just behind MindYourTanners

Man, those visualizers are good. I havent seen them all, but they are great.

In other news, this album is fucking awesome.