Re: Matts quit Pearl jam
Posted: Mon July 07, 2025 6:46 pm
dad wrote:the best way to honor Matt would be the release the NA legs of the Yield tour, immediately.
dad wrote:the best way to honor Matt would be the release the NA legs of the Yield tour, immediately.
I like some of the songs, for instance NAIS, Can't Keep, All or None, Parting Ways, 1/2 Full is alright...Leatherhead wrote:Dang.tree_ wrote:no; i'm not a fan of those albumsLeatherhead wrote:Do people forget about Binaural and Riot Act when they say MC was never great for PJ???
Fair enough I guess although I think you are short changing Matt a little on the groove front. You could argue it the other way though now—maybe you bring in a "groovier" drummer but that style isn't going to work on songs like Grievance, Evacuation, You Are, In the Moonlight, Got Some, DOTC and major portions of Dark Matter. Maybe you don't like those songs or that era but I do and I like a lot of what Matt did in the band. It's going to be hard to replicate that. All that to say there's no perfect solution I guess—I just don't want the Matt stuff or style abandoned entirely or not considered.mikejasond wrote:To me, groove is an essential element of their sound until Matt Cameron joins, and then it mostly goes away, and he strips the groove out of a lot of the early songs (Even Flow live for example is so far below the original track for example T_T)darthvedder81 wrote:I don't understand the "Matt never fit into the band" argument. I thought he fit in great from day one. He's certainly the most well-rounded drummer they ever had. Jack was always more of the odd one out to me but I still love what Jack did on NC and Yield—he really pushed them into different directions creatively. Dave A played on two albums and he's unbelievable on Vs. but pretty much a one trick pony it terms of his style of drumming (especially listening to the live stuff from that era—kinda hard to listen to him with all the over top drum rolls and splash and china symbols ringing out).
That's why I don't think he was a great fit, but in terms of everything else, he was. They might not have the same live history they do now without him.
definitely not, but we've had... 5 albums since those? he can be great with the right songs but he has tendencies that bug meLeatherhead wrote:Do people forget about Binaural and Riot Act when they say MC was never great for PJ???
pet theory, just made up right now: Groove often works for non-Groovy songs, but non-Groove doesn't often work for Groovy songsdarthvedder81 wrote:Fair enough I guess although I think you are short changing Matt a little on the groove front. You could argue it the other way though now—maybe you bring in a "groovier" drummer but that style isn't going to work on songs like Grievance, Evacuation, You Are, In the Moonlight, Got Some, DOTC and major portions of Dark Matter. Maybe you don't like those songs or that era but I do and I like a lot of what Matt did in the band. It's going to be hard to replicate that. All that to say there's no perfect solution I guess—I just don't want the Matt stuff or style abandoned entirely or not considered.mikejasond wrote:To me, groove is an essential element of their sound until Matt Cameron joins, and then it mostly goes away, and he strips the groove out of a lot of the early songs (Even Flow live for example is so far below the original track for example T_T)darthvedder81 wrote:I don't understand the "Matt never fit into the band" argument. I thought he fit in great from day one. He's certainly the most well-rounded drummer they ever had. Jack was always more of the odd one out to me but I still love what Jack did on NC and Yield—he really pushed them into different directions creatively. Dave A played on two albums and he's unbelievable on Vs. but pretty much a one trick pony it terms of his style of drumming (especially listening to the live stuff from that era—kinda hard to listen to him with all the over top drum rolls and splash and china symbols ringing out).
That's why I don't think he was a great fit, but in terms of everything else, he was. They might not have the same live history they do now without him.
sounds spritzyStrat wrote:I'd love to see them bring in whatever drummer they want, and hit the studio for a quick 5 song EP of sorts. Just bash tunes out. Dont overthink it. Just move forward.
try reading that post and not hear it coming from Austin Powers.Ms Harmless wrote:pet theory, just made up right now: Groove often works for non-Groovy songs, but non-Groove doesn't often work for Groovy songsdarthvedder81 wrote:Fair enough I guess although I think you are short changing Matt a little on the groove front. You could argue it the other way though now—maybe you bring in a "groovier" drummer but that style isn't going to work on songs like Grievance, Evacuation, You Are, In the Moonlight, Got Some, DOTC and major portions of Dark Matter. Maybe you don't like those songs or that era but I do and I like a lot of what Matt did in the band. It's going to be hard to replicate that. All that to say there's no perfect solution I guess—I just don't want the Matt stuff or style abandoned entirely or not considered.mikejasond wrote:To me, groove is an essential element of their sound until Matt Cameron joins, and then it mostly goes away, and he strips the groove out of a lot of the early songs (Even Flow live for example is so far below the original track for example T_T)darthvedder81 wrote:I don't understand the "Matt never fit into the band" argument. I thought he fit in great from day one. He's certainly the most well-rounded drummer they ever had. Jack was always more of the odd one out to me but I still love what Jack did on NC and Yield—he really pushed them into different directions creatively. Dave A played on two albums and he's unbelievable on Vs. but pretty much a one trick pony it terms of his style of drumming (especially listening to the live stuff from that era—kinda hard to listen to him with all the over top drum rolls and splash and china symbols ringing out).
That's why I don't think he was a great fit, but in terms of everything else, he was. They might not have the same live history they do now without him.
Matt tunes have already gone the way of the dodo live. Now it just an absolute sure thing we’ll never get to see them.darthvedder81 wrote:Fair enough I guess although I think you are short changing Matt a little on the groove front. You could argue it the other way though now—maybe you bring in a "groovier" drummer but that style isn't going to work on songs like Grievance, Evacuation, You Are, In the Moonlight, Got Some, DOTC and major portions of Dark Matter. Maybe you don't like those songs or that era but I do and I like a lot of what Matt did in the band. It's going to be hard to replicate that. All that to say there's no perfect solution I guess—I just don't want the Matt stuff or style abandoned entirely or not considered.mikejasond wrote:To me, groove is an essential element of their sound until Matt Cameron joins, and then it mostly goes away, and he strips the groove out of a lot of the early songs (Even Flow live for example is so far below the original track for example T_T)darthvedder81 wrote:I don't understand the "Matt never fit into the band" argument. I thought he fit in great from day one. He's certainly the most well-rounded drummer they ever had. Jack was always more of the odd one out to me but I still love what Jack did on NC and Yield—he really pushed them into different directions creatively. Dave A played on two albums and he's unbelievable on Vs. but pretty much a one trick pony it terms of his style of drumming (especially listening to the live stuff from that era—kinda hard to listen to him with all the over top drum rolls and splash and china symbols ringing out).
That's why I don't think he was a great fit, but in terms of everything else, he was. They might not have the same live history they do now without him.
Pffft! How hard could it be!dimejinky99 wrote:epilogue wrote:Fine, I'll do it.
A headbanger you are
A drummer for Pearl jam though?
Pal..
And by playing one final private show together at my theater in NYC. And playing only Matt songs. And opening the set with In The Moonlight.Malloy wrote:dad wrote:the best way to honor Matt would be the release the NA legs of the Yield tour, immediately.
yeah but only 2 of his albums were good so I think it's fairwarehouse wrote:it's just weird that the guy who was their drummer for like 80% gets an "Era". Dave A was 3 albums, Jack Irons was 2 albums, Matt Cameron was 7 albums. Cameron was there for like 3 different PJ Eras.
epilogue wrote:And by playing one final private show together at my theater in NYC. And playing only Matt songs. And opening the set with In The Moonlight.Malloy wrote:dad wrote:the best way to honor Matt would be the release the NA legs of the Yield tour, immediately.
It's really the only kind, fair, and responsible thing to do.
epilogue wrote:Pffft! How hard could it be!dimejinky99 wrote:epilogue wrote:Fine, I'll do it.
A headbanger you are
A drummer for Pearl jam though?
Pal..
- Spoiler: show
Yeah I don't know if I agree with that. I think Matt can do Evenflow and Dissident better than the Dave's could do Grievance or Dark Matter. None of them can do In My Tree though. Ha!Ms Harmless wrote:pet theory, just made up right now: Groove often works for non-Groovy songs, but non-Groove doesn't often work for Groovy songsdarthvedder81 wrote:Fair enough I guess although I think you are short changing Matt a little on the groove front. You could argue it the other way though now—maybe you bring in a "groovier" drummer but that style isn't going to work on songs like Grievance, Evacuation, You Are, In the Moonlight, Got Some, DOTC and major portions of Dark Matter. Maybe you don't like those songs or that era but I do and I like a lot of what Matt did in the band. It's going to be hard to replicate that. All that to say there's no perfect solution I guess—I just don't want the Matt stuff or style abandoned entirely or not considered.mikejasond wrote:To me, groove is an essential element of their sound until Matt Cameron joins, and then it mostly goes away, and he strips the groove out of a lot of the early songs (Even Flow live for example is so far below the original track for example T_T)darthvedder81 wrote:I don't understand the "Matt never fit into the band" argument. I thought he fit in great from day one. He's certainly the most well-rounded drummer they ever had. Jack was always more of the odd one out to me but I still love what Jack did on NC and Yield—he really pushed them into different directions creatively. Dave A played on two albums and he's unbelievable on Vs. but pretty much a one trick pony it terms of his style of drumming (especially listening to the live stuff from that era—kinda hard to listen to him with all the over top drum rolls and splash and china symbols ringing out).
That's why I don't think he was a great fit, but in terms of everything else, he was. They might not have the same live history they do now without him.
I think it depends on the song. .. but I'm going to flip this and say I think that maybe PJ didn't always allow Matt to groove.mikejasond wrote:To me, groove is an essential element of their sound until Matt Cameron joins, and then it mostly goes away, and he strips the groove out of a lot of the early songs (Even Flow live for example is so far below the original track for example T_T)
That's why I don't think he was a great fit, but in terms of everything else, he was. They might not have the same live history they do now without him.