Red Mosquito

stip wrote:this reminds me of when I had to take my french qualifying exam for my degree. I didn't know any french, and was originally planning to ignore the requirement, defend my dissertation, and then ask them if I could just graduate without it. But then I had to apply for a scholarship and all requirements but the diss had to be finished.

We had 90 minutes, a passage probably about that long, and a dictionary. I literally just looked up every single word, wrote them down, and gave myself ten minutes to turn it into readable prose.

I got a high pass, which was the best score possible. But I certainly didn't know any French.

ABNorman wrote:I bet you're wondering why I called you all in here today...

melonhead4 wrote:

theplatypus wrote:http://hasitleaked.com/2013/pearl-jam-lightning-bolt/

Actually if you read the comments below someone says that FD leaked

dimejinky99 wrote:

ABNorman wrote:I bet you're wondering why I called you all in here today...

Go on

Dr. Van Nostrand wrote:

melonhead4 wrote:

theplatypus wrote:http://hasitleaked.com/2013/pearl-jam-lightning-bolt/

Actually if you read the comments below someone says that FD leaked

probably talking about that one that is just ed isolated from the wrigley recording from a month or so ago

Jaeti wrote:

Lostdog wrote:11 - 'Yellow Moon' - For us the most great song on the disc. An instant classic Pearl Jam that starts with a chord progression similar to 'Low Light'. Vedder's voice enters in a unsettling stretching. The warmth of the subject reaches the zenith both in the moments that Vedder exclaims 'Born To Rise' as in the various sequences featuring the solazos of McCready. These somewhat reminiscent of Pink Floyd, like the whole somewhat stylistic refers to 'Parting Ways' (or even 'Long Road'). It seems the perfect song to start the next concert tour of Pearl Jam. Total Joya. Mike is insane,completely after 3 minutes.

I really, really want this song to be good. I've kind of subconsciously let people's objections to Sleeping By Myself being on the album, along with the lame-ish Wrigley performance of Future Days, convince me that the last quarter of this album will be kind of crappy.

But I never got into the uke album and only listened to SBM (once) after hearing it would be on this Pearl Jam record, so I come to it with no previous attachments, and by all accounts it's good on the uke album, so it should still be good here, especially to someone like me who doesn't have it ingrained in another form. Future Days has to be better than the version we have, so if Yellow Moon can be very good or better, I think my largely unfounded fears about the end of this thing won't be realized, and I might even be rather pleasantly surprised.

Mirella wrote:I changed my vote to Future Days yesterday. It was really done just right on the album, I thought.

groetjes,
Mirella

Mirella wrote:

Jaeti wrote:

Lostdog wrote:11 - 'Yellow Moon' - For us the most great song on the disc. An instant classic Pearl Jam that starts with a chord progression similar to 'Low Light'. Vedder's voice enters in a unsettling stretching. The warmth of the subject reaches the zenith both in the moments that Vedder exclaims 'Born To Rise' as in the various sequences featuring the solazos of McCready. These somewhat reminiscent of Pink Floyd, like the whole somewhat stylistic refers to 'Parting Ways' (or even 'Long Road'). It seems the perfect song to start the next concert tour of Pearl Jam. Total Joya. Mike is insane,completely after 3 minutes.

I really, really want this song to be good. I've kind of subconsciously let people's objections to Sleeping By Myself being on the album, along with the lame-ish Wrigley performance of Future Days, convince me that the last quarter of this album will be kind of crappy.

But I never got into the uke album and only listened to SBM (once) after hearing it would be on this Pearl Jam record, so I come to it with no previous attachments, and by all accounts it's good on the uke album, so it should still be good here, especially to someone like me who doesn't have it ingrained in another form. Future Days has to be better than the version we have, so if Yellow Moon can be very good or better, I think my largely unfounded fears about the end of this thing won't be realized, and I might even be rather pleasantly surprised.

I changed my vote to Future Days yesterday. It was really done just right on the album, I thought.

groetjes,
Mirella

CupidStunt wrote:

harmless wrote:

CupidStunt wrote:

harmless wrote:

CupidStunt wrote:Can you even get minor power chords? Minors aren't angry, they're sad.

Minors aren't angry, they're sad? Um... that surely depends on the song. Angry / sad / depressing. They're negative as opposed to positive, that's my point. I don't think we need to argue about the emotions they provoke.

Haha, I have no intention of arguing with you. I was just saying minor chords have always hit me as more sorrowful than angry. Angry is normally aggressive and aggressive music tends to lend itself more to brash, major sounding notes/chords. Minor chords normally belong in more delicate, intricate music in my experience.

"Grunge" (Nirvana et al) was mostly made up of minor chords, right? As far as I know PJ were unusual among those bands for using plenty of major chords in a more classic rock manner.

I'm not sure I agree with that. I hate the grunge box but here goes. Nirvana's music was mainly power chord based, meaning, as discussed above and explained well by McPardigm that the chords were not minor or major, neither male or female; they're hermaphrodites. The feel of a song and scale/progression is what will dictate whether you, the listener, perceive the sounds to be major or minor.

I guess what you're saying is out of all bands bundled into the grunge box, the main thing they had in common is that their music was either sad or angst, so that's where I think you're getting the impression that the whole movement was built on minor chords.

Lounge Lizard wrote:

Mirella wrote:I changed my vote to Future Days yesterday. It was really done just right on the album, I thought.

groetjes,
Mirella

Are you listening to the whole album every day?

melonhead4 wrote:The keyboard sensitive Brendan introduces us to the last song.

Mirella wrote:

Lounge Lizard wrote:

Mirella wrote:I changed my vote to Future Days yesterday. It was really done just right on the album, I thought.

groetjes,
Mirella

Are you listening to the whole album every day?

No, I only got that one listening session almost a month ago, and the leaks everybody got. But my mind also plays the songs (slightly alterated, I guess).

groetjes,
Mirella

Mirella wrote:

Jaeti wrote:

Lostdog wrote:11 - 'Yellow Moon' - For us the most great song on the disc. An instant classic Pearl Jam that starts with a chord progression similar to 'Low Light'. Vedder's voice enters in a unsettling stretching. The warmth of the subject reaches the zenith both in the moments that Vedder exclaims 'Born To Rise' as in the various sequences featuring the solazos of McCready. These somewhat reminiscent of Pink Floyd, like the whole somewhat stylistic refers to 'Parting Ways' (or even 'Long Road'). It seems the perfect song to start the next concert tour of Pearl Jam. Total Joya. Mike is insane,completely after 3 minutes.

I really, really want this song to be good. I've kind of subconsciously let people's objections to Sleeping By Myself being on the album, along with the lame-ish Wrigley performance of Future Days, convince me that the last quarter of this album will be kind of crappy.

But I never got into the uke album and only listened to SBM (once) after hearing it would be on this Pearl Jam record, so I come to it with no previous attachments, and by all accounts it's good on the uke album, so it should still be good here, especially to someone like me who doesn't have it ingrained in another form. Future Days has to be better than the version we have, so if Yellow Moon can be very good or better, I think my largely unfounded fears about the end of this thing won't be realized, and I might even be rather pleasantly surprised.

I changed my vote to Future Days yesterday. It was really done just right on the album, I thought.

groetjes,
Mirella

Neo wrote:It seems the band decided to organize those listening parties with a main thing in mind - the album to not leak early!
I am not sure how much will that help the album sales or something else, but probably it was worth a try.

Hypnosomnia wrote:We´re music beggars, rejoicing with crumbs.

Cleverman wrote:

Neo wrote:It seems the band decided to organize those listening parties with a main thing in mind - the album to not leak early!
I am not sure how much will that help the album sales or something else, but probably it was worth a try.

I am both impressed and pissed that this hasn't leaked yet

LemonyLlama wrote:

Cleverman wrote:

Neo wrote:It seems the band decided to organize those listening parties with a main thing in mind - the album to not leak early!
I am not sure how much will that help the album sales or something else, but probably it was worth a try.

I am both impressed and pissed that this hasn't leaked yet

Between the press kits and listening parties, I don't get it. Anyone who was allowed to listen to one note off this album must've had to sign a waiver threatening their life and the ones they love.